{"generatedAt":"2026-11-08T16:13:28.083Z","status":"source-packet","source":"static","metrics":{"totalClaims":516,"highRiskClaims":186,"mediumRiskClaims":177,"lowRiskClaims":153,"sourceBackedClaims":516,"claimsAwaitingExpertReview":516},"claims":[{"id":"yaman.summary","ragaSlug":"yaman","ragaName":"Yaman","category":"identity","label":"Core identity","value":"Yaman belongs to the Kalyan family and suits beginners and experienced performers alike. Its ascent usually starts on lower Ni, Ga and Ni are held, and Pa is a resting point.","risk":"medium","sourceIds":["AUTRIM-yaman"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.thaat","ragaSlug":"yaman","ragaName":"Yaman","category":"identity","label":"Thaat","value":"Kalyan","risk":"medium","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-yaman","KKSONGS-yaman","KALASUDHA-yaman","RAAGHINDUSTANI-yaman","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.jati","ragaSlug":"yaman","ragaName":"Yaman","category":"identity","label":"Jati","value":"Sampurna-Sampurna","risk":"medium","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-yaman","KALASUDHA-yaman","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.time","ragaSlug":"yaman","ragaName":"Yaman","category":"context","label":"Time","value":"early night (first prahar of the night, about 6–9 pm)","risk":"low","sourceIds":["IGNOU-OMU-001-U1","ITCSRA-samay-raga","AUTRIM-yaman","ARTIUM-yaman","KKSONGS-yaman","RAGAJUNGLISM-yaman","KALASUDHA-yaman","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.mood","ragaSlug":"yaman","ragaName":"Yaman","category":"context","label":"Mood","value":"Peaceful and tranquil","risk":"low","sourceIds":["ITCSRA-samay-raga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.aroha","ragaSlug":"yaman","ragaName":"Yaman","category":"grammar","label":"Aroha","value":".Ni Re Ga Ma(tivra) Pa Dha Ni Sa'","risk":"high","sourceIds":["IGNOU-OMU-001-U1","KALASUDHA-yaman","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.avaroha","ragaSlug":"yaman","ragaName":"Yaman","category":"grammar","label":"Avaroha","value":"Sa' Ni Dha Pa Ma(tivra) Ga Re Sa","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-yaman","KKSONGS-yaman","RAGAJUNGLISM-yaman","KALASUDHA-yaman","RAAGHINDUSTANI-yaman","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.pakad","ragaSlug":"yaman","ragaName":"Yaman","category":"grammar","label":"Pakad","value":"Ma(tivra) Dha Ni Re \\ Dha Sa; Ni Re Ga Ma(tivra) Pa \\ Re Ga; Re Ga Ma(tivra) \\ Re Ma(tivra) Ga; Ga Ma(tivra) Dha Ni Dha Pa","risk":"high","sourceIds":["AUTRIM-yaman"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.vadi","ragaSlug":"yaman","ragaName":"Yaman","category":"grammar","label":"Vadi","value":"Ga","risk":"high","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-yaman","KKSONGS-yaman","RAGAJUNGLISM-yaman","KALASUDHA-yaman","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.samvadi","ragaSlug":"yaman","ragaName":"Yaman","category":"grammar","label":"Samvadi","value":"Ni","risk":"high","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-yaman","KKSONGS-yaman","KALASUDHA-yaman","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.swara-set","ragaSlug":"yaman","ragaName":"Yaman","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Ma(tivra), Pa, Dha, Ni","risk":"high","sourceIds":["AUTRIM-yaman"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.caution","ragaSlug":"yaman","ragaName":"Yaman","category":"pedagogy","label":"Review caution","value":"AUTRIM notes that the direct descent leaves out Sa and Pa, though Sa and Pa can still end rising phrases.","risk":"medium","sourceIds":["AUTRIM-yaman"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.learner-focus","ragaSlug":"yaman","ragaName":"Yaman","category":"pedagogy","label":"Learner focus","value":"Start rising phrases from lower Ni. Hold Ga and Ni, and let phrases rest on Pa.","risk":"medium","sourceIds":["AUTRIM-yaman"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.study-prompt-1","ragaSlug":"yaman","ragaName":"Yaman","category":"pedagogy","label":"Study prompt 1","value":"Sing the phrase Ni Re Ga Ma(tivra) Pa slowly and let it rest on Pa.","risk":"low","sourceIds":["AUTRIM-yaman","NIOS-NP1","ARTIUM-yaman","KKSONGS-yaman","RAGAJUNGLISM-yaman","KALASUDHA-yaman","RAAGHINDUSTANI-yaman","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.study-prompt-2","ragaSlug":"yaman","ragaName":"Yaman","category":"pedagogy","label":"Study prompt 2","value":"Sing Ma(tivra) Dha Ni Re, then glide down to Dha and end on Sa.","risk":"low","sourceIds":["AUTRIM-yaman","NIOS-NP1","ARTIUM-yaman","KKSONGS-yaman","RAGAJUNGLISM-yaman","KALASUDHA-yaman","RAAGHINDUSTANI-yaman","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"yaman.study-prompt-3","ragaSlug":"yaman","ragaName":"Yaman","category":"pedagogy","label":"Study prompt 3","value":"AUTRIM says a direct descent leaves out Sa and Pa. Sing a descent from Ni that skips them.","risk":"low","sourceIds":["AUTRIM-yaman","NIOS-NP1","ARTIUM-yaman","KKSONGS-yaman","RAGAJUNGLISM-yaman","KALASUDHA-yaman","RAAGHINDUSTANI-yaman","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.summary","ragaSlug":"bhairav","ragaName":"Bhairav","category":"identity","label":"Core identity","value":"Bhairav is restrained and devotional. Komal Re and komal Dha are sung with slow oscillation. The ascent can be direct, though some performers leave out Re and Pa going up.","risk":"medium","sourceIds":["AUTRIM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.thaat","ragaSlug":"bhairav","ragaName":"Bhairav","category":"identity","label":"Thaat","value":"Bhairav","risk":"medium","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-bhairav","KKSONGS-bhairav","SWARANJALI-MADHYAMA2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.jati","ragaSlug":"bhairav","ragaName":"Bhairav","category":"identity","label":"Jati","value":"Sampurna-Sampurna","risk":"medium","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-bhairav","SWARANJALI-MADHYAMA2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.time","ragaSlug":"bhairav","ragaName":"Bhairav","category":"context","label":"Time","value":"early morning (first prahar of the day, about 6–9 am)","risk":"low","sourceIds":["AUTRIM-bhairav","ARTIUM-bhairav","KKSONGS-bhairav","RAGAJUNGLISM-bhairav","SWARANJALI-MADHYAMA2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.mood","ragaSlug":"bhairav","ragaName":"Bhairav","category":"context","label":"Mood","value":"Peaceful, devotional and melancholy","risk":"low","sourceIds":["AUTRIM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.aroha","ragaSlug":"bhairav","ragaName":"Bhairav","category":"grammar","label":"Aroha","value":"Sa re Ga Ma Pa dha Ni Sa'","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-bhairav","RAGAJUNGLISM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.avaroha","ragaSlug":"bhairav","ragaName":"Bhairav","category":"grammar","label":"Avaroha","value":"Sa' Ni dha Pa Ma Ga re Sa","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-bhairav","RAGAJUNGLISM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.pakad","ragaSlug":"bhairav","ragaName":"Bhairav","category":"grammar","label":"Pakad","value":"Ga Ma \\ re ~ ~ Sa; Ma Pa Ga Ma dha ~ Pa","risk":"high","sourceIds":["AUTRIM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.vadi","ragaSlug":"bhairav","ragaName":"Bhairav","category":"grammar","label":"Vadi","value":"dha","risk":"high","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-bhairav","SWARANJALI-MADHYAMA2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.samvadi","ragaSlug":"bhairav","ragaName":"Bhairav","category":"grammar","label":"Samvadi","value":"re","risk":"high","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-bhairav","SWARANJALI-MADHYAMA2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.swara-set","ragaSlug":"bhairav","ragaName":"Bhairav","category":"grammar","label":"Swara set","value":"Sa, Re(komal), Ga, Ma, Pa, Dha(komal), Ni","risk":"high","sourceIds":["AUTRIM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.caution","ragaSlug":"bhairav","ragaName":"Bhairav","category":"pedagogy","label":"Review caution","value":"Kalingda uses nearly the same notes but has no oscillation on Re or Dha. Ramkali adds tivra Ma and sometimes komal Ni.","risk":"medium","sourceIds":["AUTRIM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.learner-focus","ragaSlug":"bhairav","ragaName":"Bhairav","category":"pedagogy","label":"Learner focus","value":"Oscillate slowly on komal Re and komal Dha. Sa, Ma and Pa are also held.","risk":"medium","sourceIds":["AUTRIM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.study-prompt-1","ragaSlug":"bhairav","ragaName":"Bhairav","category":"pedagogy","label":"Study prompt 1","value":"Sing Ga Ma, glide down to komal Re, and oscillate it slowly before Sa.","risk":"low","sourceIds":["AUTRIM-bhairav","NIOS-NP1","ARTIUM-bhairav","RAGAJUNGLISM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.study-prompt-2","ragaSlug":"bhairav","ragaName":"Bhairav","category":"pedagogy","label":"Study prompt 2","value":"Sing Ma Pa Ga Ma dha, oscillate komal Dha, and rest on Pa.","risk":"low","sourceIds":["AUTRIM-bhairav","NIOS-NP1","ARTIUM-bhairav","RAGAJUNGLISM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairav.study-prompt-3","ragaSlug":"bhairav","ragaName":"Bhairav","category":"pedagogy","label":"Study prompt 3","value":"Sing the ascent once in full, then once leaving out Re and Pa, as some performers do.","risk":"low","sourceIds":["AUTRIM-bhairav","NIOS-NP1","ARTIUM-bhairav","RAGAJUNGLISM-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.summary","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"identity","label":"Core identity","value":"Bhupali uses five notes: Sa, Re, Ga, Pa and Dha. It develops mostly in the lower and middle registers. Its ascent and descent are direct, but approaches from above and descending glides give it its character.","risk":"medium","sourceIds":["AUTRIM-bhupali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.thaat","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"identity","label":"Thaat","value":"Kalyan","risk":"medium","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-bhoopali","KKSONGS-bhoopali","RAAGHINDUSTANI-bhoopali","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.jati","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"identity","label":"Jati","value":"Audav-Audav","risk":"medium","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-bhoopali","KKSONGS-bhoopali","RAAGHINDUSTANI-bhoopali","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.time","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"context","label":"Time","value":"early night (first prahar of the night, about 6–9 pm)","risk":"low","sourceIds":["IGNOU-OMU-001-U1","AUTRIM-bhupali","ARTIUM-bhoopali","KKSONGS-bhoopali","RAAGHINDUSTANI-bhoopali","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.mood","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"context","label":"Mood","value":"Serious","risk":"low","sourceIds":["AUTRIM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.aroha","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"grammar","label":"Aroha","value":"Sa Re Ga Pa Dha Sa'","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-bhoopali","KKSONGS-bhoopali","RAGAJUNGLISM-bhoopali","RAAGHINDUSTANI-bhoopali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.avaroha","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"grammar","label":"Avaroha","value":"Sa' Dha Pa Ga Re Sa","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-bhoopali","KKSONGS-bhoopali","RAAGHINDUSTANI-bhoopali","RAGAJUNGLISM-bhoopali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.pakad","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"grammar","label":"Pakad","value":"Ga Re \\ Dha Sa; Ga Re Pa \\ Ga","risk":"high","sourceIds":["AUTRIM-bhupali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.vadi","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"grammar","label":"Vadi","value":"Ga","risk":"high","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-bhoopali","KKSONGS-bhoopali","RAGAJUNGLISM-bhoopali","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.samvadi","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"grammar","label":"Samvadi","value":"Dha","risk":"high","sourceIds":["NIOS-NP1","IGNOU-OMU-001-U1","ARTIUM-bhoopali","KKSONGS-bhoopali","RAGAJUNGLISM-bhoopali","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.swara-set","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Pa, Dha","risk":"high","sourceIds":["AUTRIM-bhupali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.caution","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"pedagogy","label":"Review caution","value":"Deshkar has the same notes going up and down, but it stresses Pa and Dha, keeps Re weak and moves in a higher register.","risk":"medium","sourceIds":["AUTRIM-bhupali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.learner-focus","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"pedagogy","label":"Learner focus","value":"Listen for Re, Ga and Dha approached from above, and for glides joining Ga and Dha on the way down.","risk":"medium","sourceIds":["AUTRIM-bhupali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.study-prompt-1","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"pedagogy","label":"Study prompt 1","value":"Sing Sa Re Ga Pa Dha Sa' and back down without adding Ma or Ni.","risk":"low","sourceIds":["NIOS-NP1","ARTIUM-bhoopali","KKSONGS-bhoopali","RAGAJUNGLISM-bhoopali","RAAGHINDUSTANI-bhoopali","AUTRIM-bhupali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.study-prompt-2","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"pedagogy","label":"Study prompt 2","value":"Sing Ga Re, glide down to Dha, and come back to Sa.","risk":"low","sourceIds":["NIOS-NP1","ARTIUM-bhoopali","KKSONGS-bhoopali","RAGAJUNGLISM-bhoopali","RAAGHINDUSTANI-bhoopali","AUTRIM-bhupali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.study-prompt-3","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"pedagogy","label":"Study prompt 3","value":"Deshkar uses the same notes but stresses Pa and Dha and moves higher. Sing a Bhupali phrase low and slow, then the same notes higher with Re kept weak.","risk":"low","sourceIds":["NIOS-NP1","ARTIUM-bhoopali","KKSONGS-bhoopali","RAGAJUNGLISM-bhoopali","RAAGHINDUSTANI-bhoopali","AUTRIM-bhupali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhoopali.confusion-deshkar","ragaSlug":"bhoopali","ragaName":"Bhupali","category":"comparison","label":"Confusion: Deshkar","value":"AUTRIM gives Bhupali and Deshkar the same basic scale; their treatment differs in note emphasis, register and glides.","risk":"medium","sourceIds":["AUTRIM-bhupali"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.summary","ragaSlug":"kafi","ragaName":"Kafi","category":"identity","label":"Core identity","value":"Kafi is heard in dhrupad and in thumri, dadra and tappa, and less often in khayal. Its movements are fairly direct. Komal Ga and komal Ni are main notes, and Re and Pa are resting notes.","risk":"medium","sourceIds":["AUTRIM-kafi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.thaat","ragaSlug":"kafi","ragaName":"Kafi","category":"identity","label":"Thaat","value":"Kafi","risk":"medium","sourceIds":["NIOS-NP1","ARTIUM-kafi","KKSONGS-kafi","RAGAJUNGLISM-kafi","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.jati","ragaSlug":"kafi","ragaName":"Kafi","category":"identity","label":"Jati","value":"Sampurna-Sampurna","risk":"medium","sourceIds":["NIOS-NP1","ARTIUM-kafi","KKSONGS-kafi","RAAGHINDUSTANI-kafi","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.time","ragaSlug":"kafi","ragaName":"Kafi","category":"context","label":"Time","value":"midnight (third prahar of the night, about 12–3 am)","risk":"low","sourceIds":["NIOS-NP1","AUTRIM-kafi","RAGAJUNGLISM-kafi","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.mood","ragaSlug":"kafi","ragaName":"Kafi","category":"context","label":"Mood","value":"Playful (shringar)","risk":"low","sourceIds":["DIVYAMUSIC-knowledge"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.aroha","ragaSlug":"kafi","ragaName":"Kafi","category":"grammar","label":"Aroha","value":"Sa Re ga Ma Pa Dha ni Sa'","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-kafi","KKSONGS-kafi","RAGAJUNGLISM-kafi","RAAGHINDUSTANI-kafi","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.avaroha","ragaSlug":"kafi","ragaName":"Kafi","category":"grammar","label":"Avaroha","value":"Sa' ni Dha Pa Ma ga Re Sa","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-kafi","KKSONGS-kafi","RAGAJUNGLISM-kafi","RAAGHINDUSTANI-kafi","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.pakad","ragaSlug":"kafi","ragaName":"Kafi","category":"grammar","label":"Pakad","value":"Re ga Re Ma Ma Pa; ga - Ma Pa Ma Pa; Dha Ma ni Pa ga Re; Sa ni \\ Pa ga Re","risk":"high","sourceIds":["AUTRIM-kafi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.vadi","ragaSlug":"kafi","ragaName":"Kafi","category":"grammar","label":"Vadi","value":"Pa","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-kafi","KKSONGS-kafi","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.samvadi","ragaSlug":"kafi","ragaName":"Kafi","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-kafi","KKSONGS-kafi","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.swara-set","ragaSlug":"kafi","ragaName":"Kafi","category":"grammar","label":"Swara set","value":"Sa, Re, Ga(komal), Ma, Pa, Dha, Ni(komal)","risk":"high","sourceIds":["AUTRIM-kafi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.caution","ragaSlug":"kafi","ragaName":"Kafi","category":"pedagogy","label":"Review caution","value":"Lighter performances may add shuddha Ga. Keep that apart from Kafi's core notes.","risk":"medium","sourceIds":["AUTRIM-kafi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.learner-focus","ragaSlug":"kafi","ragaName":"Kafi","category":"pedagogy","label":"Learner focus","value":"Treat komal Ga and komal Ni as main notes and Re and Pa as resting points. Komal Ga may be oscillated.","risk":"medium","sourceIds":["AUTRIM-kafi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.study-prompt-1","ragaSlug":"kafi","ragaName":"Kafi","category":"pedagogy","label":"Study prompt 1","value":"Sing the ascent Sa Re ga Ma Pa Dha ni Sa' slowly and name each komal note.","risk":"low","sourceIds":["NIOS-NP1","ARTIUM-kafi","KKSONGS-kafi","RAGAJUNGLISM-kafi","RAAGHINDUSTANI-kafi","SWARANJALI-PRAVESHIKA1","AUTRIM-kafi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.study-prompt-2","ragaSlug":"kafi","ragaName":"Kafi","category":"pedagogy","label":"Study prompt 2","value":"Sing Re ga Re Ma Ma Pa and pause on Pa.","risk":"low","sourceIds":["NIOS-NP1","ARTIUM-kafi","KKSONGS-kafi","RAGAJUNGLISM-kafi","RAAGHINDUSTANI-kafi","SWARANJALI-PRAVESHIKA1","AUTRIM-kafi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kafi.study-prompt-3","ragaSlug":"kafi","ragaName":"Kafi","category":"pedagogy","label":"Study prompt 3","value":"Lighter performances may add shuddha Ga. Listen for it in a thumri recording and keep it apart from the core notes.","risk":"low","sourceIds":["NIOS-NP1","ARTIUM-kafi","KKSONGS-kafi","RAGAJUNGLISM-kafi","RAAGHINDUSTANI-kafi","SWARANJALI-PRAVESHIKA1","AUTRIM-kafi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.summary","ragaSlug":"bageshri","ragaName":"Bageshri","category":"identity","label":"Core identity","value":"Bageshri leaves room for long elaboration. Sa and Ma are strong and Dha is held. Pa is left out going up and used sparingly coming down, and komal Ga and komal Ni may be oscillated.","risk":"medium","sourceIds":["AUTRIM-bageshri"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.thaat","ragaSlug":"bageshri","ragaName":"Bageshri","category":"identity","label":"Thaat","value":"Kafi","risk":"medium","sourceIds":["IGNOU-BSKS-185-U2","ARTIUM-bageshree","KKSONGS-bageshri","KALASUDHA-bageshri","RAAGHINDUSTANI-bageshri","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.jati","ragaSlug":"bageshri","ragaName":"Bageshri","category":"identity","label":"Jati","value":"Audav-Sampurna","risk":"medium","sourceIds":["IGNOU-BSKS-185-U2","KKSONGS-bageshri","KALASUDHA-bageshri","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.time","ragaSlug":"bageshri","ragaName":"Bageshri","category":"context","label":"Time","value":"midnight (third prahar of the night, about 12–3 am)","risk":"low","sourceIds":["AUTRIM-bageshri","KKSONGS-bageshri","RAGAJUNGLISM-bageshri","KALASUDHA-bageshri","RAAGHINDUSTANI-bageshri","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.mood","ragaSlug":"bageshri","ragaName":"Bageshri","category":"context","label":"Mood","value":"Captivating","risk":"low","sourceIds":["IGNOU-BSKS-185-U2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.aroha","ragaSlug":"bageshri","ragaName":"Bageshri","category":"grammar","label":"Aroha","value":"Sa ga Ma Dha ni Sa'","risk":"high","sourceIds":["RAAGHINDUSTANI-bageshri","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM","KKSONGS-bageshri","KALASUDHA-bageshri"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.avaroha","ragaSlug":"bageshri","ragaName":"Bageshri","category":"grammar","label":"Avaroha","value":"Sa' ni Dha Ma Pa Dha ga Ma ga Re Sa","risk":"high","sourceIds":["KKSONGS-bageshri","RAAGHINDUSTANI-bageshri"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.pakad","ragaSlug":"bageshri","ragaName":"Bageshri","category":"grammar","label":"Pakad","value":"Dha ni Sa / Ma - ga ~ Re Sa; Ma Pa Dha \\ ga ~ Re - Sa","risk":"high","sourceIds":["AUTRIM-bageshri"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.vadi","ragaSlug":"bageshri","ragaName":"Bageshri","category":"grammar","label":"Vadi","value":"Ma","risk":"high","sourceIds":["IGNOU-BSKS-185-U2","ARTIUM-bageshree","KKSONGS-bageshri","RAGAJUNGLISM-bageshri","KALASUDHA-bageshri","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.samvadi","ragaSlug":"bageshri","ragaName":"Bageshri","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["IGNOU-BSKS-185-U2","ARTIUM-bageshree","KKSONGS-bageshri","KALASUDHA-bageshri","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.swara-set","ragaSlug":"bageshri","ragaName":"Bageshri","category":"grammar","label":"Swara set","value":"Sa, Re, Ga(komal), Ma, Pa, Dha, Ni(komal)","risk":"high","sourceIds":["AUTRIM-bageshri"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.caution","ragaSlug":"bageshri","ragaName":"Bageshri","category":"pedagogy","label":"Review caution","value":"Pa may be left out in fast passages. Older accounts used shuddha Ni; today komal Ni is described.","risk":"medium","sourceIds":["AUTRIM-bageshri"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.learner-focus","ragaSlug":"bageshri","ragaName":"Bageshri","category":"pedagogy","label":"Learner focus","value":"Lean on Ma and Sa. Oscillate komal Ga and komal Ni, and keep Pa out of the ascent.","risk":"medium","sourceIds":["AUTRIM-bageshri"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.study-prompt-1","ragaSlug":"bageshri","ragaName":"Bageshri","category":"pedagogy","label":"Study prompt 1","value":"Sing a rising phrase without Pa, then hold Ma.","risk":"low","sourceIds":["RAAGHINDUSTANI-bageshri","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM","KKSONGS-bageshri","KALASUDHA-bageshri","AUTRIM-bageshri"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.study-prompt-2","ragaSlug":"bageshri","ragaName":"Bageshri","category":"pedagogy","label":"Study prompt 2","value":"Sing Dha ni Sa, glide up to Ma, and oscillate komal Ga before Re Sa.","risk":"low","sourceIds":["RAAGHINDUSTANI-bageshri","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM","KKSONGS-bageshri","KALASUDHA-bageshri","AUTRIM-bageshri"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bageshri.study-prompt-3","ragaSlug":"bageshri","ragaName":"Bageshri","category":"pedagogy","label":"Study prompt 3","value":"Notice how rarely Pa appears in the descent, especially in fast passages.","risk":"low","sourceIds":["RAAGHINDUSTANI-bageshri","SWARANJALI-PRAVESHIKA1","PRABHATASAMGIITA-ICM","KKSONGS-bageshri","KALASUDHA-bageshri","AUTRIM-bageshri"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.summary","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"identity","label":"Core identity","value":"Darbari Kanada unfolds slowly in the lower and middle registers. It can rise directly, but its descent is oblique, and slow oscillations on komal Ga and komal Dha are characteristic.","risk":"medium","sourceIds":["AUTRIM-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.thaat","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"identity","label":"Thaat","value":"Asavari","risk":"medium","sourceIds":["ARTIUM-darbari-kanada","KKSONGS-darbari-kanada","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.jati","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"identity","label":"Jati","value":"Sampurna-Sampurna (vakra)","risk":"medium","sourceIds":["ARTIUM-darbari-kanada","KKSONGS-darbari-kanada","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.time","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"context","label":"Time","value":"midnight (third prahar of the night, about 12–3 am)","risk":"low","sourceIds":["ITCSRA-samay-raga","AUTRIM-darbari-kanada","ARTIUM-darbari-kanada","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.mood","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"context","label":"Mood","value":"Serious and majestic","risk":"low","sourceIds":["AUTRIM-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.aroha","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"grammar","label":"Aroha","value":"Sa Re ga Ma Pa dha ni Sa'","risk":"high","sourceIds":["ARTIUM-darbari-kanada","KKSONGS-darbari-kanada","RAAGHINDUSTANI-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.avaroha","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"grammar","label":"Avaroha","value":"Sa' dha ni Pa Ma Pa ga Ma Re Sa","risk":"high","sourceIds":["ARTIUM-darbari-kanada","RAAGHINDUSTANI-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.pakad","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"grammar","label":"Pakad","value":"Sa \\ dha ~ ni \\ Pa; Ma ga ~ Ma \\ Re - Sa","risk":"high","sourceIds":["AUTRIM-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.vadi","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"grammar","label":"Vadi","value":"Re","risk":"high","sourceIds":["ARTIUM-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.samvadi","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"grammar","label":"Samvadi","value":"Pa","risk":"high","sourceIds":["ARTIUM-darbari-kanada","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.swara-set","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"grammar","label":"Swara set","value":"Sa, Re, Ga(komal), Ma, Pa, Dha(komal), Ni(komal)","risk":"high","sourceIds":["AUTRIM-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.caution","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"pedagogy","label":"Review caution","value":"Adana and Kaunsi Kanada use the same notes but move differently and have a different character.","risk":"medium","sourceIds":["AUTRIM-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.learner-focus","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"pedagogy","label":"Learner focus","value":"Listen for slow, subtle oscillations on komal Ga and komal Dha.","risk":"medium","sourceIds":["AUTRIM-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.study-prompt-1","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"pedagogy","label":"Study prompt 1","value":"Sing Sa, glide down to komal Dha and oscillate it, then move through komal Ni down to Pa.","risk":"low","sourceIds":["AUTRIM-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.study-prompt-2","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"pedagogy","label":"Study prompt 2","value":"Sing Ma ga with an oscillation on komal Ga, return to Ma, glide down to Re, and end on Sa.","risk":"low","sourceIds":["AUTRIM-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"darbari-kanada.study-prompt-3","ragaSlug":"darbari-kanada","ragaName":"Darbari Kanada","category":"pedagogy","label":"Study prompt 3","value":"Adana and Kaunsi Kanada use the same notes. Listen for how they move differently from Darbari's slow, low phrases.","risk":"low","sourceIds":["AUTRIM-darbari-kanada"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.summary","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"identity","label":"Core identity","value":"In its strict form, Bhairavi uses four komal notes: Re, Ga, Dha and Ni. AUTRIM says this strict form is now rarely performed, and common and lighter versions add other notes. Musicians often close a concert with Bhairavi.","risk":"medium","sourceIds":["AUTRIM-bhairavi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.thaat","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"identity","label":"Thaat","value":"Bhairavi","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bhairavi","KKSONGS-bhairavi","KALASUDHA-bhairavi","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.jati","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"identity","label":"Jati","value":"Sampurna-Sampurna","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bhairavi","KKSONGS-bhairavi","KALASUDHA-bhairavi","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.time","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"context","label":"Time","value":"early morning (first prahar of the day, about 6–9 am)","risk":"low","sourceIds":["IGNOU-OMU-001-U1","AUTRIM-bhairavi","ARTIUM-bhairavi","KKSONGS-bhairavi","RAGAJUNGLISM-bhairavi","KALASUDHA-bhairavi","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.mood","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"context","label":"Mood","value":"Romantic/seductive through devotional; especially sadness of separation, depending on the song","risk":"low","sourceIds":["AUTRIM-bhairavi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.aroha","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"grammar","label":"Aroha","value":"Sa re ga Ma Pa dha ni Sa'","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bhairavi","KKSONGS-bhairavi","KALASUDHA-bhairavi","RAAGHINDUSTANI-bhairavi","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.avaroha","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"grammar","label":"Avaroha","value":"Sa' ni dha Pa Ma ga re Sa","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bhairavi","KKSONGS-bhairavi","RAGAJUNGLISM-bhairavi","KALASUDHA-bhairavi","RAAGHINDUSTANI-bhairavi","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.pakad","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"grammar","label":"Pakad","value":"Sa ga - Ma Pa Ma ga Ma re Sa; ga Ma Pa dha Pa; Ma ga - Sa re Sa","risk":"high","sourceIds":["AUTRIM-bhairavi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.vadi","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"grammar","label":"Vadi","value":"Ma","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bhairavi","KKSONGS-bhairavi","RAGAJUNGLISM-bhairavi","KALASUDHA-bhairavi","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.samvadi","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bhairavi","KKSONGS-bhairavi","KALASUDHA-bhairavi","PRABHATASAMGIITA-ICM"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.swara-set","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"grammar","label":"Swara set","value":"Sa, Re(komal), Ga(komal), Ma, Pa, Dha(komal), Ni(komal)","risk":"high","sourceIds":["AUTRIM-bhairavi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.caution","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"pedagogy","label":"Review caution","value":"Extra notes depend on the style: both forms of Re are common, tivra Ma and shuddha Dha appear in lighter forms, and shuddha Ni may appear in instrumental music.","risk":"medium","sourceIds":["AUTRIM-bhairavi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.learner-focus","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"pedagogy","label":"Learner focus","value":"Learn the four-komal-note core first, then notice mixed versions that add shuddha Re and other notes.","risk":"medium","sourceIds":["AUTRIM-bhairavi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.study-prompt-1","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"pedagogy","label":"Study prompt 1","value":"Sing the ascent Sa re ga Ma Pa dha ni Sa' using only komal Re, Ga, Dha and Ni.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bhairavi","KKSONGS-bhairavi","KALASUDHA-bhairavi","RAAGHINDUSTANI-bhairavi","PRABHATASAMGIITA-ICM","AUTRIM-bhairavi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.study-prompt-2","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"pedagogy","label":"Study prompt 2","value":"Sing Sa ga Ma Pa Ma ga Ma re Sa slowly.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bhairavi","KKSONGS-bhairavi","KALASUDHA-bhairavi","RAAGHINDUSTANI-bhairavi","PRABHATASAMGIITA-ICM","AUTRIM-bhairavi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.study-prompt-3","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"pedagogy","label":"Study prompt 3","value":"In a light-classical recording, mark every note outside the four-komal core.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bhairavi","KKSONGS-bhairavi","KALASUDHA-bhairavi","RAAGHINDUSTANI-bhairavi","PRABHATASAMGIITA-ICM","AUTRIM-bhairavi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhairavi.confusion-asavari","ragaSlug":"bhairavi","ragaName":"Bhairavi","category":"comparison","label":"Confusion: Asavari (komal Re form)","value":"Komal-Re Asavari shares notes and some movement, but forbids Bhairavi’s additional tones.","risk":"medium","sourceIds":["AUTRIM-bhairavi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.summary","ragaSlug":"pahadi","ragaName":"Pahadi","category":"identity","label":"Core identity","value":"Pahadi has a five-note core of Sa, Re, Ga, Pa and Dha, with wide freedom to add other notes, especially in descending lines. Its playful ornaments and lower- and middle-register movement matter more than the core scale.","risk":"medium","sourceIds":["SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.thaat","ragaSlug":"pahadi","ragaName":"Pahadi","category":"identity","label":"Thaat","value":"Bilawal","risk":"medium","sourceIds":["SWARGANGA-pahadi","KKSONGS-pahadi","KALASUDHA-pahadi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.jati","ragaSlug":"pahadi","ragaName":"Pahadi","category":"identity","label":"Jati","value":"Audav core; variable mishra treatment","risk":"medium","sourceIds":["NIOS-N2","SUP1","KALASUDHA-pahadi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.time","ragaSlug":"pahadi","ragaName":"Pahadi","category":"context","label":"Time","value":"early night (first prahar of the night, about 6–9 pm)","risk":"low","sourceIds":["SWARGANGA-pahadi","RAAGHINDUSTANI-pahadi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.mood","ragaSlug":"pahadi","ragaName":"Pahadi","category":"context","label":"Mood","value":"Playful and subtle; mishra can convey varied rasa","risk":"low","sourceIds":["SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.aroha","ragaSlug":"pahadi","ragaName":"Pahadi","category":"grammar","label":"Aroha","value":"Sa Re Ga Pa Dha Sa'","risk":"high","sourceIds":["SWARGANGA-pahadi","KALASUDHA-pahadi","KKSONGS-pahadi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.avaroha","ragaSlug":"pahadi","ragaName":"Pahadi","category":"grammar","label":"Avaroha","value":"Sa' Ni Dha (Ma(tivra)) Pa Ma Ga Re Sa (.ni) .Dha .Pa .Dha Sa","risk":"high","sourceIds":["SWARGANGA-pahadi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.pakad","ragaSlug":"pahadi","ragaName":"Pahadi","category":"grammar","label":"Pakad","value":"Ga Pa Dha Sa; Dha Pa Ga ga Ga Sa","risk":"high","sourceIds":["SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.vadi","ragaSlug":"pahadi","ragaName":"Pahadi","category":"grammar","label":"Vadi","value":"Sa","risk":"high","sourceIds":["SWARGANGA-pahadi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.samvadi","ragaSlug":"pahadi","ragaName":"Pahadi","category":"grammar","label":"Samvadi","value":"Pa","risk":"high","sourceIds":["SWARGANGA-pahadi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.swara-set","ragaSlug":"pahadi","ragaName":"Pahadi","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Pa, Dha","risk":"high","sourceIds":["SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.caution","ragaSlug":"pahadi","ragaName":"Pahadi","category":"pedagogy","label":"Review caution","value":"In mixed treatment any swara may appear. The five core notes are not a complete list of what is allowed.","risk":"medium","sourceIds":["SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.learner-focus","ragaSlug":"pahadi","ragaName":"Pahadi","category":"pedagogy","label":"Learner focus","value":"Hear Sa, Re, Ga, Pa and Dha as stopping notes, and tell the five-note core apart from mixed descending lines.","risk":"medium","sourceIds":["SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.study-prompt-1","ragaSlug":"pahadi","ragaName":"Pahadi","category":"pedagogy","label":"Study prompt 1","value":"Sing the core frame Sa Re Ga Pa Dha Sa' and back down.","risk":"low","sourceIds":["SWARGANGA-pahadi","KALASUDHA-pahadi","KKSONGS-pahadi","SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.study-prompt-2","ragaSlug":"pahadi","ragaName":"Pahadi","category":"pedagogy","label":"Study prompt 2","value":"In a Pahadi song, note which phrases stop on the five core notes.","risk":"low","sourceIds":["SWARGANGA-pahadi","KALASUDHA-pahadi","KKSONGS-pahadi","SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.study-prompt-3","ragaSlug":"pahadi","ragaName":"Pahadi","category":"pedagogy","label":"Study prompt 3","value":"Mark any notes outside the core in a descending line. The source allows them in mixed treatment.","risk":"low","sourceIds":["SWARGANGA-pahadi","KALASUDHA-pahadi","KKSONGS-pahadi","SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.confusion-bhoopali","ragaSlug":"pahadi","ragaName":"Pahadi","category":"comparison","label":"Confusion: Bhupali","value":"The core notes are the same; that does not mean the phrases are shared.","risk":"medium","sourceIds":["SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pahadi.confusion-deshkar","ragaSlug":"pahadi","ragaName":"Pahadi","category":"comparison","label":"Confusion: Deshkar","value":"Listed as having the same core notes; that does not mean the phrases are shared.","risk":"medium","sourceIds":["SUP1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.summary","ragaSlug":"pilu","ragaName":"Pilu","category":"identity","label":"Core identity","value":"Pilu is closely tied to folk and lighter classical music. Shuddha Ga and Ni usually go up, komal Ga and Ni come down, and lower Ni is an important resting point.","risk":"medium","sourceIds":["AUTRIM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.thaat","ragaSlug":"pilu","ragaName":"Pilu","category":"identity","label":"Thaat","value":"Kafi","risk":"medium","sourceIds":["ARTIUM-pilu","KKSONGS-pilu","KALASUDHA-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.jati","ragaSlug":"pilu","ragaName":"Pilu","category":"identity","label":"Jati","value":"Audav-Sampurna","risk":"medium","sourceIds":["ARTIUM-pilu","KKSONGS-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.time","ragaSlug":"pilu","ragaName":"Pilu","category":"context","label":"Time","value":"any time","risk":"low","sourceIds":["AUTRIM-pilu","KKSONGS-pilu","KALASUDHA-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.mood","ragaSlug":"pilu","ragaName":"Pilu","category":"context","label":"Mood","value":"playful (Shringar)","risk":"low","sourceIds":["DIVYAMUSIC-knowledge"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.aroha","ragaSlug":"pilu","ragaName":"Pilu","category":"grammar","label":"Aroha","value":"Sa Ga Ma Pa Ni Sa'","risk":"high","sourceIds":["ARTIUM-pilu","RAGAJUNGLISM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.avaroha","ragaSlug":"pilu","ragaName":"Pilu","category":"grammar","label":"Avaroha","value":"Sa' ni Dha Pa Ma ga Re Sa .Ni Sa ga Re Sa","risk":"high","sourceIds":["ARTIUM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.pakad","ragaSlug":"pilu","ragaName":"Pilu","category":"grammar","label":"Pakad","value":"ga Re Sa Ni Sa; Ni Sa Re ga - Sa ga Re Sa Ni -; Ga Ma Pa dha Pa Ma Pa ga Re","risk":"high","sourceIds":["AUTRIM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.vadi","ragaSlug":"pilu","ragaName":"Pilu","category":"grammar","label":"Vadi","value":"ga","risk":"high","sourceIds":["KKSONGS-pilu","KALASUDHA-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.samvadi","ragaSlug":"pilu","ragaName":"Pilu","category":"grammar","label":"Samvadi","value":"ni","risk":"high","sourceIds":["KKSONGS-pilu","KALASUDHA-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.swara-set","ragaSlug":"pilu","ragaName":"Pilu","category":"grammar","label":"Swara set","value":"Sa, Re, Ga(komal), Ga, Ma, Pa, Dha(komal), Dha, Ni(komal), Ni","risk":"high","sourceIds":["AUTRIM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.caution","ragaSlug":"pilu","ragaName":"Pilu","category":"pedagogy","label":"Review caution","value":"Lighter forms can use all twelve notes. Keep that freedom apart from Pilu's main notes.","risk":"medium","sourceIds":["AUTRIM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.learner-focus","ragaSlug":"pilu","ragaName":"Pilu","category":"pedagogy","label":"Learner focus","value":"Rest on lower Ni, and tell the two forms of Ga and Ni apart going up and coming down.","risk":"medium","sourceIds":["AUTRIM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.study-prompt-1","ragaSlug":"pilu","ragaName":"Pilu","category":"pedagogy","label":"Study prompt 1","value":"Sing an upward phrase with shuddha Ga and Ni, then a downward phrase with komal Ga and Ni.","risk":"low","sourceIds":["ARTIUM-pilu","RAGAJUNGLISM-pilu","AUTRIM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.study-prompt-2","ragaSlug":"pilu","ragaName":"Pilu","category":"pedagogy","label":"Study prompt 2","value":"Sing the phrase ga Re Sa Ni Sa slowly.","risk":"low","sourceIds":["ARTIUM-pilu","RAGAJUNGLISM-pilu","AUTRIM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.study-prompt-3","ragaSlug":"pilu","ragaName":"Pilu","category":"pedagogy","label":"Study prompt 3","value":"In a Pilu recording, listen for phrases that come to rest on lower Ni.","risk":"low","sourceIds":["ARTIUM-pilu","RAGAJUNGLISM-pilu","AUTRIM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"pilu.confusion-kirwani","ragaSlug":"pilu","ragaName":"Pilu","category":"comparison","label":"Confusion: Kirwani","value":"The Shuddh Pilu form with komal Ga/Dha and shuddha Re/Ni resembles Kirwani.","risk":"medium","sourceIds":["AUTRIM-pilu"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.summary","ragaSlug":"khamaj","ragaName":"Khamaj","category":"identity","label":"Core identity","value":"Khamaj is especially common in thumri, dadra and hori-dhamar. The ascent normally leaves out Re and uses shuddha Ni, and the descent uses komal Ni. Ga and Ni are important and Pa is a resting note.","risk":"medium","sourceIds":["AUTRIM-khamaj"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.thaat","ragaSlug":"khamaj","ragaName":"Khamaj","category":"identity","label":"Thaat","value":"Khamaj","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-khamaj","KKSONGS-khamaj","RAGAJUNGLISM-khamaj","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.jati","ragaSlug":"khamaj","ragaName":"Khamaj","category":"identity","label":"Jati","value":"Shadav-Sampurna","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-khamaj","KKSONGS-khamaj","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.time","ragaSlug":"khamaj","ragaName":"Khamaj","category":"context","label":"Time","value":"night (second prahar of the night, about 9 pm–12 am)","risk":"low","sourceIds":["IGNOU-OMU-001-U1","AUTRIM-khamaj","ARTIUM-khamaj","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.mood","ragaSlug":"khamaj","ragaName":"Khamaj","category":"context","label":"Mood","value":"Playful (shringar)","risk":"low","sourceIds":["DIVYAMUSIC-knowledge"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.aroha","ragaSlug":"khamaj","ragaName":"Khamaj","category":"grammar","label":"Aroha","value":"Sa Ga Ma Pa Dha Ni Sa'","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-khamaj","KKSONGS-khamaj","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.avaroha","ragaSlug":"khamaj","ragaName":"Khamaj","category":"grammar","label":"Avaroha","value":"Sa' ni Dha Pa Ma Ga Re Sa","risk":"high","sourceIds":["IGNOU-OMU-001-U1","KKSONGS-khamaj","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.pakad","ragaSlug":"khamaj","ragaName":"Khamaj","category":"grammar","label":"Pakad","value":"Ga Ma Pa Dha Ni; Sa ni Dha Pa Dha Ma \\ Ga","risk":"high","sourceIds":["AUTRIM-khamaj"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.vadi","ragaSlug":"khamaj","ragaName":"Khamaj","category":"grammar","label":"Vadi","value":"Ga","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-khamaj","KKSONGS-khamaj","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.samvadi","ragaSlug":"khamaj","ragaName":"Khamaj","category":"grammar","label":"Samvadi","value":"Ni","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-khamaj","KKSONGS-khamaj","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.swara-set","ragaSlug":"khamaj","ragaName":"Khamaj","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Ma, Pa, Dha, Ni(komal), Ni","risk":"high","sourceIds":["AUTRIM-khamaj"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.caution","ragaSlug":"khamaj","ragaName":"Khamaj","category":"pedagogy","label":"Review caution","value":"Lighter performances of Khamaj may add komal Ga and tivra Ma.","risk":"medium","sourceIds":["AUTRIM-khamaj"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.learner-focus","ragaSlug":"khamaj","ragaName":"Khamaj","category":"pedagogy","label":"Learner focus","value":"Use shuddha Ni going up and komal Ni coming down. Bring out Ga and Ni, and rest on Pa.","risk":"medium","sourceIds":["AUTRIM-khamaj"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.study-prompt-1","ragaSlug":"khamaj","ragaName":"Khamaj","category":"pedagogy","label":"Study prompt 1","value":"Sing Ga Ma Pa Dha Ni with shuddha Ni.","risk":"low","sourceIds":["AUTRIM-khamaj","IGNOU-OMU-001-U1","ARTIUM-khamaj","KKSONGS-khamaj","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.study-prompt-2","ragaSlug":"khamaj","ragaName":"Khamaj","category":"pedagogy","label":"Study prompt 2","value":"Sing Sa ni Dha Pa Dha Ma, then glide down to Ga, using komal Ni.","risk":"low","sourceIds":["AUTRIM-khamaj","IGNOU-OMU-001-U1","ARTIUM-khamaj","KKSONGS-khamaj","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"khamaj.study-prompt-3","ragaSlug":"khamaj","ragaName":"Khamaj","category":"pedagogy","label":"Study prompt 3","value":"Sing an ascent that leaves out Re.","risk":"low","sourceIds":["AUTRIM-khamaj","IGNOU-OMU-001-U1","ARTIUM-khamaj","KKSONGS-khamaj","SWARANJALI-PRAVESHIKA1"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.summary","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"identity","label":"Core identity","value":"Shivaranjani uses five notes: Sa, Re, komal Ga, Pa and Dha. Komal Ga is its only altered core note. Interpretations vary, and the source gives example phrases rather than one fixed pakad.","risk":"medium","sourceIds":["SUP2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.thaat","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"identity","label":"Thaat","value":"Kafi","risk":"medium","sourceIds":["ARTIUM-shivranjani","RAGAKOSH-shivaranjani","KKSONGS-shivaranjani","RAGAMELODY-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.jati","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"identity","label":"Jati","value":"Audav-Audav","risk":"medium","sourceIds":["NIOS-N2","ARTIUM-shivranjani","SUP2","SHANKARMAHADEVAN-shivaranjani","RAGAKOSH-shivaranjani","KKSONGS-shivaranjani","RAGAMELODY-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.time","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"context","label":"Time","value":"midnight (third prahar of the night, about 12–3 am)","risk":"low","sourceIds":["ARTIUM-shivranjani","RAGAKOSH-shivaranjani","RAGAMELODY-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.mood","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"context","label":"Mood","value":"Plaintive and haunting (Kalakar, quoted by George Howlett)","risk":"low","sourceIds":["SUP2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.aroha","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"grammar","label":"Aroha","value":"Sa Re ga Pa Dha Sa'","risk":"high","sourceIds":["ARTIUM-shivranjani","SUP2","SHANKARMAHADEVAN-shivaranjani","RAGAKOSH-shivaranjani","KKSONGS-shivaranjani","RAGAMELODY-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.avaroha","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"grammar","label":"Avaroha","value":"Sa' Dha Pa ga Re Sa","risk":"high","sourceIds":["ARTIUM-shivranjani","SUP2","SHANKARMAHADEVAN-shivaranjani","KKSONGS-shivaranjani","RAGAMELODY-shivaranjani","RAGAKOSH-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.pakad","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"grammar","label":"Pakad","value":"Re ga Pa · Dha Pa ga Re · ga Sa Re Dha Sa","risk":"high","sourceIds":["ARTIUM-shivranjani","RAGAKOSH-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.vadi","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"grammar","label":"Vadi","value":"Pa","risk":"high","sourceIds":["ARTIUM-shivranjani","SHANKARMAHADEVAN-shivaranjani","RAGAKOSH-shivaranjani","RAGAMELODY-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.samvadi","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["ARTIUM-shivranjani","SHANKARMAHADEVAN-shivaranjani","RAGAKOSH-shivaranjani","RAGAMELODY-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.swara-set","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"grammar","label":"Swara set","value":"Sa, Re, Ga(komal), Pa, Dha","risk":"high","sourceIds":["ARTIUM-shivranjani","SUP2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.caution","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"pedagogy","label":"Review caution","value":"There is no single agreed pakad or chalan, and mixed treatment can include shuddha Ga.","risk":"medium","sourceIds":["SUP2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.learner-focus","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"pedagogy","label":"Learner focus","value":"Hear komal Ga as the only altered note, and the way Re and komal Ga resolve into each other.","risk":"medium","sourceIds":["SUP2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.study-prompt-1","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"pedagogy","label":"Study prompt 1","value":"Sing Sa Re ga Pa Dha Sa' and back down.","risk":"low","sourceIds":["ARTIUM-shivranjani","SUP2","SHANKARMAHADEVAN-shivaranjani","RAGAKOSH-shivaranjani","KKSONGS-shivaranjani","RAGAMELODY-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.study-prompt-2","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"pedagogy","label":"Study prompt 2","value":"Sing Pa ga Re Sa slowly and listen to Re against komal Ga.","risk":"low","sourceIds":["ARTIUM-shivranjani","SUP2","SHANKARMAHADEVAN-shivaranjani","RAGAKOSH-shivaranjani","KKSONGS-shivaranjani","RAGAMELODY-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.study-prompt-3","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"pedagogy","label":"Study prompt 3","value":"Compare it with Bhupali. The source says the core differs by using komal Ga.","risk":"low","sourceIds":["ARTIUM-shivranjani","SUP2","SHANKARMAHADEVAN-shivaranjani","RAGAKOSH-shivaranjani","KKSONGS-shivaranjani","RAGAMELODY-shivaranjani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"shivaranjani.confusion-bhoopali","ragaSlug":"shivaranjani","ragaName":"Shivaranjani","category":"comparison","label":"Confusion: Bhupali","value":"The core form differs by using komal Ga.","risk":"medium","sourceIds":["SUP2"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.summary","ragaSlug":"kedar","ragaName":"Kedar","category":"identity","label":"Core identity","value":"Kedar is a major, serious raag. Its strongest note is shuddha Ma, often oscillated. Its movement is indirect: a light touch of Ga links phrases that move from Ma, and traditions differ on komal Ni.","risk":"medium","sourceIds":["AUTRIM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.thaat","ragaSlug":"kedar","ragaName":"Kedar","category":"identity","label":"Thaat","value":"Kalyan","risk":"medium","sourceIds":["ARTIUM-kedar","AGKSANGEET-kedar","DARBAR-kedar","SHANKARMAHADEVAN-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.jati","ragaSlug":"kedar","ragaName":"Kedar","category":"identity","label":"Jati","value":"Audav-Shadav (vakra)","risk":"medium","sourceIds":["AGKSANGEET-kedar","DARBAR-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.time","ragaSlug":"kedar","ragaName":"Kedar","category":"context","label":"Time","value":"early night (first prahar of the night, about 6–9 pm)","risk":"low","sourceIds":["AUTRIM-kedar","ARTIUM-kedar","AGKSANGEET-kedar","DARBAR-kedar","SHANKARMAHADEVAN-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.mood","ragaSlug":"kedar","ragaName":"Kedar","category":"context","label":"Mood","value":"Serious","risk":"low","sourceIds":["AUTRIM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.aroha","ragaSlug":"kedar","ragaName":"Kedar","category":"grammar","label":"Aroha","value":"Sa Ma Ma Pa Dha Pa Ni Dha Sa'","risk":"high","sourceIds":["AGKSANGEET-kedar","DARBAR-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.avaroha","ragaSlug":"kedar","ragaName":"Kedar","category":"grammar","label":"Avaroha","value":"Sa' Ni Dha Pa Ma(tivra) Pa Dha Pa Ma Ma Re Sa","risk":"high","sourceIds":["ARTIUM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.pakad","ragaSlug":"kedar","ragaName":"Kedar","category":"grammar","label":"Pakad","value":"Sa / Ma; Ma Ga Pa; Ma(tivra) Pa Dha \\ Pa Ma -; Pa Ma \\ Re Sa Re Sa","risk":"high","sourceIds":["AUTRIM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.vadi","ragaSlug":"kedar","ragaName":"Kedar","category":"grammar","label":"Vadi","value":"Ma","risk":"high","sourceIds":["ARTIUM-kedar","AGKSANGEET-kedar","DARBAR-kedar","SHANKARMAHADEVAN-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.samvadi","ragaSlug":"kedar","ragaName":"Kedar","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["ARTIUM-kedar","AGKSANGEET-kedar","DARBAR-kedar","SHANKARMAHADEVAN-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.swara-set","ragaSlug":"kedar","ragaName":"Kedar","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Ma, Ma(tivra), Pa, Dha, Ni","risk":"high","sourceIds":["AUTRIM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.caution","ragaSlug":"kedar","ragaName":"Kedar","category":"pedagogy","label":"Review caution","value":"Komal Ni may be touched between two Dha notes, especially in khayal, but many musicians avoid it.","risk":"medium","sourceIds":["AUTRIM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.learner-focus","ragaSlug":"kedar","ragaName":"Kedar","category":"pedagogy","label":"Learner focus","value":"Keep the light Ga touch around movements from Ma, and keep the characteristic turns.","risk":"medium","sourceIds":["AUTRIM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.study-prompt-1","ragaSlug":"kedar","ragaName":"Kedar","category":"pedagogy","label":"Study prompt 1","value":"Sing Sa and glide up to Ma, then hold Ma.","risk":"low","sourceIds":["AUTRIM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.study-prompt-2","ragaSlug":"kedar","ragaName":"Kedar","category":"pedagogy","label":"Study prompt 2","value":"Sing Ma(tivra) Pa Dha, glide down to Pa, and rest on Ma.","risk":"low","sourceIds":["AUTRIM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.study-prompt-3","ragaSlug":"kedar","ragaName":"Kedar","category":"pedagogy","label":"Study prompt 3","value":"Komal Ni is optional between two Dha notes and many musicians avoid it. Listen for whether a recording uses it.","risk":"low","sourceIds":["AUTRIM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kedar.confusion-kamod","ragaSlug":"kedar","ragaName":"Kedar","category":"comparison","label":"Confusion: Kamod","value":"Shares the Ma(tivra) Pa / Sa approach to high Sa.","risk":"medium","sourceIds":["AUTRIM-kedar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.summary","ragaSlug":"desh","ragaName":"Desh","category":"identity","label":"Core identity","value":"Desh is sung in several classical, devotional and lighter forms and is associated with the monsoon. It rises on five notes and comes down on seven, using both forms of Ni.","risk":"medium","sourceIds":["SUP4"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.thaat","ragaSlug":"desh","ragaName":"Desh","category":"identity","label":"Thaat","value":"Khamaj","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-des","SUP4","AGKSANGEET-desh","DARBAR-desh","SHANKARMAHADEVAN-desh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.jati","ragaSlug":"desh","ragaName":"Desh","category":"identity","label":"Jati","value":"Audav-Sampurna","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-des","SUP4","AGKSANGEET-desh","DARBAR-desh","SHANKARMAHADEVAN-desh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.time","ragaSlug":"desh","ragaName":"Desh","category":"context","label":"Time","value":"night (second prahar of the night, about 9 pm–12 am)","risk":"low","sourceIds":["ARTIUM-des","SUP4","AGKSANGEET-desh","DARBAR-desh","SHANKARMAHADEVAN-desh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.mood","ragaSlug":"desh","ragaName":"Desh","category":"context","label":"Mood","value":"Lively and sweet","risk":"low","sourceIds":["IGNOU-BHMCT-103-B5-U3"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.aroha","ragaSlug":"desh","ragaName":"Desh","category":"grammar","label":"Aroha","value":"Sa Re Ma Pa Ni Sa'","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-des","SUP4","DARBAR-desh","SHANKARMAHADEVAN-desh","AGKSANGEET-desh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.avaroha","ragaSlug":"desh","ragaName":"Desh","category":"grammar","label":"Avaroha","value":"Sa' ni Dha Pa, Dha Ma Ga Re, Ga .Ni Sa","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-des","AGKSANGEET-desh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.pakad","ragaSlug":"desh","ragaName":"Desh","category":"grammar","label":"Pakad","value":".Ni Sa, Re Ma Ga Re, .Ni Sa, Re Ma Pa, Dha Ma Ga Re, Re Ma Pa ni Dha Pa, Ma Pa Ni Sa', Pa Ni Sa' Re' ni Dha Pa","risk":"high","sourceIds":["SUP4"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.vadi","ragaSlug":"desh","ragaName":"Desh","category":"grammar","label":"Vadi","value":"Re","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-des","SUP4","AGKSANGEET-desh","DARBAR-desh","SHANKARMAHADEVAN-desh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.samvadi","ragaSlug":"desh","ragaName":"Desh","category":"grammar","label":"Samvadi","value":"Pa","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-des","SUP4","AGKSANGEET-desh","DARBAR-desh","SHANKARMAHADEVAN-desh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.swara-set","ragaSlug":"desh","ragaName":"Desh","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Ma, Pa, Dha, Ni, Ni(komal)","risk":"high","sourceIds":["ARTIUM-des","SUP4"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.caution","ragaSlug":"desh","ragaName":"Desh","category":"pedagogy","label":"Review caution","value":"Gharanas differ: some bring out Sarang or Khamaj features, and some briefly touch komal Ga in the upper octave.","risk":"medium","sourceIds":["SUP4"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.learner-focus","ragaSlug":"desh","ragaName":"Desh","category":"pedagogy","label":"Learner focus","value":"Hear the five-note ascent, the two forms of Ni, and the descending turns.","risk":"medium","sourceIds":["SUP4"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.study-prompt-1","ragaSlug":"desh","ragaName":"Desh","category":"pedagogy","label":"Study prompt 1","value":"Sing the ascent Sa Re Ma Pa Ni Sa' with shuddha Ni.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-des","SUP4","DARBAR-desh","SHANKARMAHADEVAN-desh","AGKSANGEET-desh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.study-prompt-2","ragaSlug":"desh","ragaName":"Desh","category":"pedagogy","label":"Study prompt 2","value":"Sing the descent Re' ni Dha Pa, Dha Ma Ga Re, Ga .Ni Sa and notice where komal Ni appears.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-des","SUP4","DARBAR-desh","SHANKARMAHADEVAN-desh","AGKSANGEET-desh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"desh.study-prompt-3","ragaSlug":"desh","ragaName":"Desh","category":"pedagogy","label":"Study prompt 3","value":"The Darbar profile names Jaijaivanti as close to Desh. Read both profiles and list what they share.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-des","SUP4","DARBAR-desh","SHANKARMAHADEVAN-desh","AGKSANGEET-desh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.summary","ragaSlug":"malkauns","ragaName":"Malkauns","category":"identity","label":"Core identity","value":"Malkauns is serious and solemn and can move straight up and down. Slow glides, oscillation on komal Ga, and weight on Sa and Ma shape it.","risk":"medium","sourceIds":["AUTRIM-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.thaat","ragaSlug":"malkauns","ragaName":"Malkauns","category":"identity","label":"Thaat","value":"Bhairavi","risk":"medium","sourceIds":["ARTIUM-malkauns","AGKSANGEET-malkauns","SHANKARMAHADEVAN-malkauns","RAGAKOSH-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.jati","ragaSlug":"malkauns","ragaName":"Malkauns","category":"identity","label":"Jati","value":"Audav-Audav","risk":"medium","sourceIds":["NIOS-N2","AUTRIM-malkauns","ARTIUM-malkauns","AGKSANGEET-malkauns","SHANKARMAHADEVAN-malkauns","RAGAKOSH-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.time","ragaSlug":"malkauns","ragaName":"Malkauns","category":"context","label":"Time","value":"midnight (third prahar of the night, about 12–3 am)","risk":"low","sourceIds":["AUTRIM-malkauns","ARTIUM-malkauns","AGKSANGEET-malkauns","RAGAKOSH-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.mood","ragaSlug":"malkauns","ragaName":"Malkauns","category":"context","label":"Mood","value":"Serious and solemn","risk":"low","sourceIds":["AUTRIM-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.aroha","ragaSlug":"malkauns","ragaName":"Malkauns","category":"grammar","label":"Aroha","value":"Sa ga Ma dha ni Sa'","risk":"high","sourceIds":["AUTRIM-malkauns","ARTIUM-malkauns","AGKSANGEET-malkauns","SHANKARMAHADEVAN-malkauns","RAGAKOSH-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.avaroha","ragaSlug":"malkauns","ragaName":"Malkauns","category":"grammar","label":"Avaroha","value":"Sa' ni dha Ma ga Sa","risk":"high","sourceIds":["AUTRIM-malkauns","ARTIUM-malkauns","AGKSANGEET-malkauns","SHANKARMAHADEVAN-malkauns","RAGAKOSH-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.pakad","ragaSlug":"malkauns","ragaName":"Malkauns","category":"grammar","label":"Pakad","value":"dha ni / ga \\ Sa; ga \\ ni Sa \\ dha; ga Ma dha \\ ga Ma ga \\ Sa; Sa Ma ga Ma; dha / Ma / ni","risk":"high","sourceIds":["AUTRIM-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.vadi","ragaSlug":"malkauns","ragaName":"Malkauns","category":"grammar","label":"Vadi","value":"Ma","risk":"high","sourceIds":["ARTIUM-malkauns","AGKSANGEET-malkauns","SHANKARMAHADEVAN-malkauns","RAGAKOSH-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.samvadi","ragaSlug":"malkauns","ragaName":"Malkauns","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["ARTIUM-malkauns","AGKSANGEET-malkauns","SHANKARMAHADEVAN-malkauns","RAGAKOSH-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.swara-set","ragaSlug":"malkauns","ragaName":"Malkauns","category":"grammar","label":"Swara set","value":"Sa, Ga(komal), Ma, Dha(komal), Ni(komal)","risk":"high","sourceIds":["AUTRIM-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.caution","ragaSlug":"malkauns","ragaName":"Malkauns","category":"pedagogy","label":"Review caution","value":"Chandrakauns uses shuddha Ni instead of komal Ni. The similar name does not mean the same treatment.","risk":"medium","sourceIds":["AUTRIM-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.learner-focus","ragaSlug":"malkauns","ragaName":"Malkauns","category":"pedagogy","label":"Learner focus","value":"Use slow glides, oscillate komal Ga, hold komal Dha, and tune the drone to Ma.","risk":"medium","sourceIds":["AUTRIM-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.study-prompt-1","ragaSlug":"malkauns","ragaName":"Malkauns","category":"pedagogy","label":"Study prompt 1","value":"Sing Sa ga Ma dha ni Sa' and back down. There is no Re or Pa.","risk":"low","sourceIds":["AUTRIM-malkauns","ARTIUM-malkauns","AGKSANGEET-malkauns","SHANKARMAHADEVAN-malkauns","RAGAKOSH-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.study-prompt-2","ragaSlug":"malkauns","ragaName":"Malkauns","category":"pedagogy","label":"Study prompt 2","value":"Sing ga Ma dha, glide down to ga, then sing Ma ga and glide down to Sa.","risk":"low","sourceIds":["AUTRIM-malkauns","ARTIUM-malkauns","AGKSANGEET-malkauns","SHANKARMAHADEVAN-malkauns","RAGAKOSH-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"malkauns.study-prompt-3","ragaSlug":"malkauns","ragaName":"Malkauns","category":"pedagogy","label":"Study prompt 3","value":"Chandrakauns uses shuddha Ni instead of komal Ni. Sing Malkauns's komal Ni and hear the difference.","risk":"low","sourceIds":["AUTRIM-malkauns","ARTIUM-malkauns","AGKSANGEET-malkauns","SHANKARMAHADEVAN-malkauns","RAGAKOSH-malkauns"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.summary","ragaSlug":"durga","ragaName":"Durga","category":"identity","label":"Core identity","value":"Durga is a five-note raag that develops mainly in the middle octave. It can go up and down directly. Sa and Ma are important, and Pa is a resting note.","risk":"medium","sourceIds":["AUTRIM-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.thaat","ragaSlug":"durga","ragaName":"Durga","category":"identity","label":"Thaat","value":"Bilawal","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-durga","AGKSANGEET-durga","DARBAR-durga","KKSONGS-durga","RAGAMELODY-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.jati","ragaSlug":"durga","ragaName":"Durga","category":"identity","label":"Jati","value":"Audav-Audav","risk":"medium","sourceIds":["NIOS-N2","IGNOU-OMU-001-U1","AUTRIM-durga","ARTIUM-durga","AGKSANGEET-durga","DARBAR-durga","KKSONGS-durga","RAGAMELODY-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.time","ragaSlug":"durga","ragaName":"Durga","category":"context","label":"Time","value":"night (second prahar of the night, about 9 pm–12 am)","risk":"low","sourceIds":["ARTIUM-durga","AGKSANGEET-durga","KKSONGS-durga","RAGAMELODY-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.mood","ragaSlug":"durga","ragaName":"Durga","category":"context","label":"Mood","value":"Simple, bright, folk-fresh","risk":"low","sourceIds":["ARTIUM-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.aroha","ragaSlug":"durga","ragaName":"Durga","category":"grammar","label":"Aroha","value":"Sa Re Ma Pa Dha Sa'","risk":"high","sourceIds":["IGNOU-OMU-001-U1","AUTRIM-durga","ARTIUM-durga","AGKSANGEET-durga","DARBAR-durga","KKSONGS-durga","RAGAMELODY-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.avaroha","ragaSlug":"durga","ragaName":"Durga","category":"grammar","label":"Avaroha","value":"Sa' Dha Pa Ma Re Sa","risk":"high","sourceIds":["IGNOU-OMU-001-U1","AUTRIM-durga","AGKSANGEET-durga","DARBAR-durga","RAGAMELODY-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.pakad","ragaSlug":"durga","ragaName":"Durga","category":"grammar","label":"Pakad","value":"Ma Re / Pa; Dha Ma \\ Re; Dha Ma Pa Dha; Re Dha / Sa","risk":"high","sourceIds":["AUTRIM-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.vadi","ragaSlug":"durga","ragaName":"Durga","category":"grammar","label":"Vadi","value":"Dha","risk":"high","sourceIds":["IGNOU-OMU-001-U1","AGKSANGEET-durga","KKSONGS-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.samvadi","ragaSlug":"durga","ragaName":"Durga","category":"grammar","label":"Samvadi","value":"Re","risk":"high","sourceIds":["IGNOU-OMU-001-U1","AGKSANGEET-durga","KKSONGS-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.swara-set","ragaSlug":"durga","ragaName":"Durga","category":"grammar","label":"Swara set","value":"Sa, Re, Ma, Pa, Dha","risk":"high","sourceIds":["AUTRIM-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.caution","ragaSlug":"durga","ragaName":"Durga","category":"pedagogy","label":"Review caution","value":"AUTRIM names Sa and Ma as important notes and Pa as a resting note, but it does not name a vadi or samvadi.","risk":"medium","sourceIds":["AUTRIM-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.learner-focus","ragaSlug":"durga","ragaName":"Durga","category":"pedagogy","label":"Learner focus","value":"In middle-octave phrases, bring out Sa and Ma and rest on Pa.","risk":"medium","sourceIds":["AUTRIM-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.study-prompt-1","ragaSlug":"durga","ragaName":"Durga","category":"pedagogy","label":"Study prompt 1","value":"Sing Sa Re Ma Pa Dha Sa' and back down.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","AUTRIM-durga","ARTIUM-durga","AGKSANGEET-durga","DARBAR-durga","KKSONGS-durga","RAGAMELODY-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.study-prompt-2","ragaSlug":"durga","ragaName":"Durga","category":"pedagogy","label":"Study prompt 2","value":"Sing Ma Re, glide up to Pa, and rest there.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","AUTRIM-durga","ARTIUM-durga","AGKSANGEET-durga","DARBAR-durga","KKSONGS-durga","RAGAMELODY-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"durga.study-prompt-3","ragaSlug":"durga","ragaName":"Durga","category":"pedagogy","label":"Study prompt 3","value":"Sing Dha Ma Pa Dha and listen for Ma inside the phrase.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","AUTRIM-durga","ARTIUM-durga","AGKSANGEET-durga","DARBAR-durga","KKSONGS-durga","RAGAMELODY-durga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.summary","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"identity","label":"Core identity","value":"Ahir Bhairav may leave out Pa going up. It can come down directly or through turns around Ma and komal Re. AUTRIM calls Pa and Sa important, with Ga also held.","risk":"medium","sourceIds":["AUTRIM-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.thaat","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"identity","label":"Thaat","value":"Bhairav","risk":"medium","sourceIds":["ARTIUM-aheer-bhairav","AGKSANGEET-ahir-bhairav","DARBAR-ahir-bhairav","SHANKARMAHADEVAN-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.jati","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"identity","label":"Jati","value":"Sampurna-Sampurna","risk":"medium","sourceIds":["ARTIUM-aheer-bhairav","AGKSANGEET-ahir-bhairav","DARBAR-ahir-bhairav","SHANKARMAHADEVAN-ahir-bhairav","RAGAKOSH-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.time","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"context","label":"Time","value":"early morning (first prahar of the day, about 6–9 am)","risk":"low","sourceIds":["ITCSRA-samay-raga","AUTRIM-ahir-bhairav","ARTIUM-aheer-bhairav","AGKSANGEET-ahir-bhairav","DARBAR-ahir-bhairav","SHANKARMAHADEVAN-ahir-bhairav","RAGAKOSH-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.mood","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"context","label":"Mood","value":"Devotional, serene and contemplative","risk":"low","sourceIds":["ITCSRA-samay-raga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.aroha","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"grammar","label":"Aroha","value":"Sa re Ga Ma Pa Dha ni Sa'","risk":"high","sourceIds":["ARTIUM-aheer-bhairav","AGKSANGEET-ahir-bhairav","DARBAR-ahir-bhairav","SHANKARMAHADEVAN-ahir-bhairav","RAGAKOSH-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.avaroha","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"grammar","label":"Avaroha","value":"Sa' ni Dha Pa Ma Ga re Sa","risk":"high","sourceIds":["AUTRIM-ahir-bhairav","ARTIUM-aheer-bhairav","DARBAR-ahir-bhairav","SHANKARMAHADEVAN-ahir-bhairav","RAGAKOSH-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.pakad","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"grammar","label":"Pakad","value":"ni Sa Dha ni / re Sa; re \\ ni Dha; re \\ ni Sa re Ga -; ni Sa re Ga Ma \\ re Sa","risk":"high","sourceIds":["AUTRIM-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.vadi","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"grammar","label":"Vadi","value":"Ma","risk":"high","sourceIds":["ARTIUM-aheer-bhairav","AGKSANGEET-ahir-bhairav","DARBAR-ahir-bhairav","SHANKARMAHADEVAN-ahir-bhairav","RAGAKOSH-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.samvadi","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["ARTIUM-aheer-bhairav","AGKSANGEET-ahir-bhairav","DARBAR-ahir-bhairav","SHANKARMAHADEVAN-ahir-bhairav","RAGAKOSH-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.swara-set","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"grammar","label":"Swara set","value":"Sa, Re(komal), Ga, Ma, Pa, Dha, Ni(komal)","risk":"high","sourceIds":["AUTRIM-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.caution","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"pedagogy","label":"Review caution","value":"Komal Ni can make a phrase sound like Kafi or Khamaj. Komal re and the Dha ni re turn keep it Ahir Bhairav.","risk":"medium","sourceIds":["AUTRIM-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.learner-focus","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"pedagogy","label":"Learner focus","value":"Learn the turn through Dha, komal Ni and komal Re, and keep komal Re clear so the raag keeps its identity.","risk":"medium","sourceIds":["AUTRIM-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.study-prompt-1","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"pedagogy","label":"Study prompt 1","value":"Sing ni Sa Dha ni, glide up to komal Re, and end on Sa.","risk":"low","sourceIds":["AUTRIM-ahir-bhairav","ARTIUM-aheer-bhairav","DARBAR-ahir-bhairav","SHANKARMAHADEVAN-ahir-bhairav","RAGAKOSH-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.study-prompt-2","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"pedagogy","label":"Study prompt 2","value":"Sing the descent Sa' ni Dha Pa Ma Ga re Sa.","risk":"low","sourceIds":["AUTRIM-ahir-bhairav","ARTIUM-aheer-bhairav","DARBAR-ahir-bhairav","SHANKARMAHADEVAN-ahir-bhairav","RAGAKOSH-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.study-prompt-3","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"pedagogy","label":"Study prompt 3","value":"Komal Ni can make a phrase sound like Kafi or Khamaj. Sing komal Re clearly to keep it Ahir Bhairav.","risk":"low","sourceIds":["AUTRIM-ahir-bhairav","ARTIUM-aheer-bhairav","DARBAR-ahir-bhairav","SHANKARMAHADEVAN-ahir-bhairav","RAGAKOSH-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.confusion-kafi","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"comparison","label":"Confusion: Kafi","value":"Komal Ni in the upper half of the scale can suggest Kafi; komal Re and the Dha ni / re turn keep it Ahir Bhairav.","risk":"medium","sourceIds":["AUTRIM-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"ahir-bhairav.confusion-khamaj","ragaSlug":"ahir-bhairav","ragaName":"Ahir Bhairav","category":"comparison","label":"Confusion: Khamaj","value":"The upper tetrachord can suggest Khamaj; komal Re and characteristic movement distinguish it.","risk":"medium","sourceIds":["AUTRIM-ahir-bhairav"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.summary","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"identity","label":"Core identity","value":"Bhimpalasi usually starts its ascent on lower komal Ni and leaves out Re and Dha going up. Its glides and oscillations need control, and its solemn movement can feel calm.","risk":"medium","sourceIds":["AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.thaat","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"identity","label":"Thaat","value":"Kafi","risk":"medium","sourceIds":["IGNOU-BHMCT-105H-U3","ARTIUM-bheempalasi","DARBAR-bhimpalasi","SHANKARMAHADEVAN-bhimpalasi","RAGAKOSH-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.jati","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"identity","label":"Jati","value":"Audav-Sampurna","risk":"medium","sourceIds":["IGNOU-BHMCT-105H-U3","ARTIUM-bheempalasi","DARBAR-bhimpalasi","SHANKARMAHADEVAN-bhimpalasi","RAGAKOSH-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.time","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"context","label":"Time","value":"afternoon (third prahar of the day, about noon–3 pm)","risk":"low","sourceIds":["ITCSRA-samay-raga","AUTRIM-bhimpalasi","ARTIUM-bheempalasi","SHANKARMAHADEVAN-bhimpalasi","RAGAKOSH-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.mood","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"context","label":"Mood","value":"Serene and peaceful","risk":"low","sourceIds":["AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.aroha","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"grammar","label":"Aroha","value":"Sa ga Ma Pa ni Sa'","risk":"high","sourceIds":["ARTIUM-bheempalasi","SHANKARMAHADEVAN-bhimpalasi","DARBAR-bhimpalasi","RAGAKOSH-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.avaroha","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"grammar","label":"Avaroha","value":"Sa' ni Dha Pa Ma ga Re Sa","risk":"high","sourceIds":["SHANKARMAHADEVAN-bhimpalasi","RAGAKOSH-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.pakad","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"grammar","label":"Pakad","value":"ni Sa ga - Re Sa Re - Sa; Re ni Sa / Ma; Ma Pa \\ ga ~","risk":"high","sourceIds":["AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.vadi","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"grammar","label":"Vadi","value":"Ma","risk":"high","sourceIds":["IGNOU-BHMCT-105H-U3","ARTIUM-bheempalasi","DARBAR-bhimpalasi","SHANKARMAHADEVAN-bhimpalasi","RAGAKOSH-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.samvadi","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["IGNOU-BHMCT-105H-U3","ARTIUM-bheempalasi","DARBAR-bhimpalasi","SHANKARMAHADEVAN-bhimpalasi","RAGAKOSH-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.swara-set","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"grammar","label":"Swara set","value":"Sa, Re, Ga(komal), Ma, Pa, Dha, Ni(komal)","risk":"high","sourceIds":["AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.caution","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"pedagogy","label":"Review caution","value":"Older accounts used shuddha Ni. Today komal Ni is used, and in the ascent it is sung slightly higher rather than changed to shuddha Ni.","risk":"medium","sourceIds":["AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.learner-focus","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"pedagogy","label":"Learner focus","value":"Control the slow slides and oscillations. Komal Ni is sung slightly higher in the ascent.","risk":"medium","sourceIds":["AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.study-prompt-1","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"pedagogy","label":"Study prompt 1","value":"Sing an ascent from lower komal Ni that leaves out Re and Dha.","risk":"low","sourceIds":["ARTIUM-bheempalasi","SHANKARMAHADEVAN-bhimpalasi","DARBAR-bhimpalasi","RAGAKOSH-bhimpalasi","AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.study-prompt-2","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"pedagogy","label":"Study prompt 2","value":"Sing Ma Pa, glide down to komal Ga, and oscillate it.","risk":"low","sourceIds":["ARTIUM-bheempalasi","SHANKARMAHADEVAN-bhimpalasi","DARBAR-bhimpalasi","RAGAKOSH-bhimpalasi","AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.study-prompt-3","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"pedagogy","label":"Study prompt 3","value":"Sing ni Sa ga Re Sa slowly.","risk":"low","sourceIds":["ARTIUM-bheempalasi","SHANKARMAHADEVAN-bhimpalasi","DARBAR-bhimpalasi","RAGAKOSH-bhimpalasi","AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.confusion-patdeep","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"comparison","label":"Confusion: Patdeep","value":"Related Dhanashri-group raag.","risk":"medium","sourceIds":["AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.confusion-pilu","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"comparison","label":"Confusion: Pilu","value":"Related Dhanashri-group raag.","risk":"medium","sourceIds":["AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bhimpalasi.confusion-multani","ragaSlug":"bhimpalasi","ragaName":"Bhimpalasi","category":"comparison","label":"Confusion: Multani","value":"Included in the Dhanashri group despite a different scale.","risk":"medium","sourceIds":["AUTRIM-bhimpalasi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.summary","ragaSlug":"bihag","ragaName":"Bihag","category":"identity","label":"Core identity","value":"In Bihag, Ga and Ni are strong, while Re and Dha are weak and left out going up. Both forms of Ma occur, but tivra Ma is weak and appears only in oblique descending turns with shuddha Ma.","risk":"medium","sourceIds":["AUTRIM-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.thaat","ragaSlug":"bihag","ragaName":"Bihag","category":"identity","label":"Thaat","value":"Kalyan","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bihag","AGKSANGEET-bihag","DARBAR-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.jati","ragaSlug":"bihag","ragaName":"Bihag","category":"identity","label":"Jati","value":"Audav-Sampurna","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bihag","AGKSANGEET-bihag","DARBAR-bihag","SHANKARMAHADEVAN-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.time","ragaSlug":"bihag","ragaName":"Bihag","category":"context","label":"Time","value":"early night (first prahar of the night, about 6–9 pm)","risk":"low","sourceIds":["IGNOU-OMU-001-U1","AUTRIM-bihag","AGKSANGEET-bihag","DARBAR-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.mood","ragaSlug":"bihag","ragaName":"Bihag","category":"context","label":"Mood","value":"Playful (shringar)","risk":"low","sourceIds":["DIVYAMUSIC-knowledge"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.aroha","ragaSlug":"bihag","ragaName":"Bihag","category":"grammar","label":"Aroha","value":"Sa Ga Ma Pa Ni Sa'","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bihag","DARBAR-bihag","SHANKARMAHADEVAN-bihag","AGKSANGEET-bihag","RAGAKOSH-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.avaroha","ragaSlug":"bihag","ragaName":"Bihag","category":"grammar","label":"Avaroha","value":"Sa' Ni Dha Pa Ma(tivra) Pa Ga Ma Ga Re Sa","risk":"high","sourceIds":["IGNOU-OMU-001-U1","AGKSANGEET-bihag","DARBAR-bihag","RAGAKOSH-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.pakad","ragaSlug":"bihag","ragaName":"Bihag","category":"grammar","label":"Pakad","value":"Ni Sa / Ga Re Sa; Sa / Ma Ga -; Ga Ma Pa Ga Ma Ga -; Pa \\ Ma(tivra) Ga Ma Pa Ma Ga -; Pa - Dha \\ Ga Ma Ga -","risk":"high","sourceIds":["AUTRIM-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.vadi","ragaSlug":"bihag","ragaName":"Bihag","category":"grammar","label":"Vadi","value":"Ga","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bihag","AGKSANGEET-bihag","DARBAR-bihag","SHANKARMAHADEVAN-bihag","RAGAKOSH-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.samvadi","ragaSlug":"bihag","ragaName":"Bihag","category":"grammar","label":"Samvadi","value":"Ni","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bihag","AGKSANGEET-bihag","DARBAR-bihag","SHANKARMAHADEVAN-bihag","RAGAKOSH-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.swara-set","ragaSlug":"bihag","ragaName":"Bihag","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Ma, Ma(tivra), Pa, Dha, Ni","risk":"high","sourceIds":["AUTRIM-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.caution","ragaSlug":"bihag","ragaName":"Bihag","category":"pedagogy","label":"Review caution","value":"Older interpretations almost avoid tivra Ma. Newer ones use it lightly, and only in winding descending phrases.","risk":"medium","sourceIds":["AUTRIM-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.learner-focus","ragaSlug":"bihag","ragaName":"Bihag","category":"pedagogy","label":"Learner focus","value":"Keep Re and Dha light, bring out Ga and Ni, and use tivra Ma only in descending turns.","risk":"medium","sourceIds":["AUTRIM-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.study-prompt-1","ragaSlug":"bihag","ragaName":"Bihag","category":"pedagogy","label":"Study prompt 1","value":"Sing an ascent that leaves out Re and Dha.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bihag","DARBAR-bihag","SHANKARMAHADEVAN-bihag","AGKSANGEET-bihag","RAGAKOSH-bihag","AUTRIM-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.study-prompt-2","ragaSlug":"bihag","ragaName":"Bihag","category":"pedagogy","label":"Study prompt 2","value":"Sing Pa, glide down to Ma(tivra), then sing Ga Ma Pa Ma Ga and hold the Ga.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bihag","DARBAR-bihag","SHANKARMAHADEVAN-bihag","AGKSANGEET-bihag","RAGAKOSH-bihag","AUTRIM-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"bihag.study-prompt-3","ragaSlug":"bihag","ragaName":"Bihag","category":"pedagogy","label":"Study prompt 3","value":"Sing Ga Ma Pa Ga Ma Ga and hold the final Ga.","risk":"low","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-bihag","DARBAR-bihag","SHANKARMAHADEVAN-bihag","AGKSANGEET-bihag","RAGAKOSH-bihag","AUTRIM-bihag"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.summary","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"identity","label":"Core identity","value":"Brindavani Sarang gives weight to Re and Pa and uses paired glides: from komal Ni down to Pa, and from Ma down to Re. Today's form leaves out Dha, unlike an older form.","risk":"medium","sourceIds":["AUTRIM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.thaat","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"identity","label":"Thaat","value":"Kafi","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-sarang","AGKSANGEET-brindavani-sarang","KKSONGS-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.jati","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"identity","label":"Jati","value":"Audav-Audav","risk":"medium","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-sarang","AGKSANGEET-brindavani-sarang","KKSONGS-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.time","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"context","label":"Time","value":"afternoon (third prahar of the day, about noon–3 pm)","risk":"low","sourceIds":["IGNOU-OMU-001-U1","AUTRIM-brindavani-sarang","ARTIUM-sarang","RAGAJUNGLISM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.mood","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"context","label":"Mood","value":"(playful) shringar","risk":"low","sourceIds":["DIVYAMUSIC-knowledge"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.aroha","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"grammar","label":"Aroha","value":"Sa Re Ma Pa Ni Sa'","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-sarang","AGKSANGEET-brindavani-sarang","KKSONGS-brindavani-sarang","RAGAJUNGLISM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.avaroha","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"grammar","label":"Avaroha","value":"Sa' ni Pa Ma Re Sa","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-sarang","AGKSANGEET-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.pakad","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"grammar","label":"Pakad","value":"Re Ma Pa ni \\ Pa; Pa \\ Re Ma \\ Re Ni Sa","risk":"high","sourceIds":["AUTRIM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.vadi","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"grammar","label":"Vadi","value":"Re","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-sarang","KKSONGS-brindavani-sarang","RAGAJUNGLISM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.samvadi","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"grammar","label":"Samvadi","value":"Pa","risk":"high","sourceIds":["IGNOU-OMU-001-U1","ARTIUM-sarang","KKSONGS-brindavani-sarang","RAGAJUNGLISM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.swara-set","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"grammar","label":"Swara set","value":"Sa, Re, Ma, Pa, Ni(komal), Ni","risk":"high","sourceIds":["AUTRIM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.caution","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"pedagogy","label":"Review caution","value":"Older descriptions kept Dha in this raag. AUTRIM's present-day account and recording leave it out.","risk":"medium","sourceIds":["AUTRIM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.learner-focus","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"pedagogy","label":"Learner focus","value":"Hear the glides from komal Ni to Pa and from Ma to Re, and the important Re and Pa.","risk":"medium","sourceIds":["AUTRIM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.study-prompt-1","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"pedagogy","label":"Study prompt 1","value":"Sing Re Ma Pa ni and glide down to Pa.","risk":"low","sourceIds":["AUTRIM-brindavani-sarang","IGNOU-OMU-001-U1","ARTIUM-sarang","AGKSANGEET-brindavani-sarang","KKSONGS-brindavani-sarang","RAGAJUNGLISM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.study-prompt-2","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"pedagogy","label":"Study prompt 2","value":"Sing Pa, glide down to Re, then Ma, glide to Re, and end Ni Sa.","risk":"low","sourceIds":["AUTRIM-brindavani-sarang","IGNOU-OMU-001-U1","ARTIUM-sarang","AGKSANGEET-brindavani-sarang","KKSONGS-brindavani-sarang","RAGAJUNGLISM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"brindavani-sarang.study-prompt-3","ragaSlug":"brindavani-sarang","ragaName":"Brindavani Sarang","category":"pedagogy","label":"Study prompt 3","value":"Sing the ascent .Ni Sa Re Ma Pa Ni Sa'. It has no Ga or Dha.","risk":"low","sourceIds":["AUTRIM-brindavani-sarang","IGNOU-OMU-001-U1","ARTIUM-sarang","AGKSANGEET-brindavani-sarang","KKSONGS-brindavani-sarang","RAGAJUNGLISM-brindavani-sarang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.summary","ragaSlug":"kirwani","ragaName":"Kirwani","category":"identity","label":"Core identity","value":"Kirwani comes from the Carnatic raag Keeravani and has the same notes as the Western harmonic minor scale. The source allows free use of all seven notes; komal Ga, komal Dha and Ni help define it.","risk":"medium","sourceIds":["SUP3"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.jati","ragaSlug":"kirwani","ragaName":"Kirwani","category":"identity","label":"Jati","value":"Sampurna-Sampurna","risk":"medium","sourceIds":["NIOS-N2","ARTIUM-kirwani","SUP3","RAGAKOSH-kirwani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.time","ragaSlug":"kirwani","ragaName":"Kirwani","category":"context","label":"Time","value":"night (second prahar of the night, about 9 pm–12 am)","risk":"low","sourceIds":["ARTIUM-kirwani","RAGAKOSH-kirwani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.mood","ragaSlug":"kirwani","ragaName":"Kirwani","category":"context","label":"Mood","value":"Romantic (Rahul Sharma, quoted by Smithsonian Folkways)","risk":"low","sourceIds":["SMITHSONIAN-SFW40528-KIRWANI"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.aroha","ragaSlug":"kirwani","ragaName":"Kirwani","category":"grammar","label":"Aroha","value":"Sa Re ga Ma Pa dha Ni Sa'","risk":"high","sourceIds":["ARTIUM-kirwani","SUP3","RAGAKOSH-kirwani","RAGAJUNGLISM-kirwani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.avaroha","ragaSlug":"kirwani","ragaName":"Kirwani","category":"grammar","label":"Avaroha","value":"Sa' Ni dha Pa Ma ga Re Sa","risk":"high","sourceIds":["ARTIUM-kirwani","RAGAKOSH-kirwani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.pakad","ragaSlug":"kirwani","ragaName":"Kirwani","category":"grammar","label":"Pakad","value":"Ma Pa Ni Sa Ni dha; Ni dha Pa ga Re","risk":"high","sourceIds":["SUP3","RAGAJUNGLISM-kirwani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.vadi","ragaSlug":"kirwani","ragaName":"Kirwani","category":"grammar","label":"Vadi","value":"Pa","risk":"high","sourceIds":["ARTIUM-kirwani","RAGAKOSH-kirwani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.samvadi","ragaSlug":"kirwani","ragaName":"Kirwani","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["ARTIUM-kirwani","RAGAKOSH-kirwani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.swara-set","ragaSlug":"kirwani","ragaName":"Kirwani","category":"grammar","label":"Swara set","value":"Sa, Re, Ga(komal), Ma, Pa, Dha(komal), Ni","risk":"high","sourceIds":["ARTIUM-kirwani","SUP3"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.caution","ragaSlug":"kirwani","ragaName":"Kirwani","category":"pedagogy","label":"Review caution","value":"Its notes match the Western harmonic minor scale, but interpretation is open and there is no fixed pakad or chalan.","risk":"medium","sourceIds":["SUP3"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.learner-focus","ragaSlug":"kirwani","ragaName":"Kirwani","category":"pedagogy","label":"Learner focus","value":"Hear komal Ga, komal Dha and shuddha Ni together, and Re as a favoured resting note.","risk":"medium","sourceIds":["SUP3"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.study-prompt-1","ragaSlug":"kirwani","ragaName":"Kirwani","category":"pedagogy","label":"Study prompt 1","value":"Sing the ascent Sa Re ga Ma Pa dha Ni Sa'.","risk":"low","sourceIds":["ARTIUM-kirwani","SUP3","RAGAKOSH-kirwani","RAGAJUNGLISM-kirwani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.study-prompt-2","ragaSlug":"kirwani","ragaName":"Kirwani","category":"pedagogy","label":"Study prompt 2","value":"Sing Ni dha Pa ga Re and rest on Re.","risk":"low","sourceIds":["ARTIUM-kirwani","SUP3","RAGAKOSH-kirwani","RAGAJUNGLISM-kirwani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.study-prompt-3","ragaSlug":"kirwani","ragaName":"Kirwani","category":"pedagogy","label":"Study prompt 3","value":"Sing Ma Pa Ni Sa and then ga Re Sa. The source hears hints of Pilu in these phrases.","risk":"low","sourceIds":["ARTIUM-kirwani","SUP3","RAGAKOSH-kirwani","RAGAJUNGLISM-kirwani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.confusion-pilu","ragaSlug":"kirwani","ragaName":"Kirwani","category":"comparison","label":"Confusion: Pilu","value":"The scale includes hints of Pilu in Ma Pa Ni Sa and ga Re Sa.","risk":"medium","sourceIds":["SUP3"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kirwani.confusion-bageshri","ragaSlug":"kirwani","ragaName":"Kirwani","category":"comparison","label":"Confusion: Bageshri","value":"The Mewati interpretation is said to contain Bageshri shades, attributed by Howlett to Aarshin Karande.","risk":"medium","sourceIds":["SUP3"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.summary","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"identity","label":"Core identity","value":"Alhaiya Bilawal is a major raag of the Bilawal family with indirect movement. Ma is left out of the direct ascent but appears in turns, and komal Ni appears in the descent between two Dha notes.","risk":"medium","sourceIds":["AUTRIM-alhaiya-bilaval"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.thaat","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"identity","label":"Thaat","value":"Bilawal","risk":"medium","sourceIds":["NIOS-NP1","ARTIUM-alhaiya-bilawal","DARBAR-alhiya-bilawal","RAAGIST-alhiya-bilawal","ONLINESANGEET-alhiya-bilawal","RIYAZ-alhiya-bilawal"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.jati","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"identity","label":"Jati","value":"Shadav-Sampurna","risk":"medium","sourceIds":["IGNOU-BHMCT-103-B5-U3","ARTIUM-alhaiya-bilawal","DARBAR-alhiya-bilawal","RAAGIST-alhiya-bilawal","ONLINESANGEET-alhiya-bilawal"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.time","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"context","label":"Time","value":"late morning (second prahar of the day, about 9 am–noon)","risk":"low","sourceIds":["ITCSRA-samay-raga","AUTRIM-alhaiya-bilaval","DARBAR-alhiya-bilawal","RIYAZ-alhiya-bilawal"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.aroha","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"grammar","label":"Aroha","value":"Sa Re Ga Pa Dha Ni Sa'","risk":"high","sourceIds":["NIOS-N2","ARTIUM-alhaiya-bilawal","RAAGIST-alhiya-bilawal","RAGAJUNGLISM-alhiya-bilawal"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.avaroha","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"grammar","label":"Avaroha","value":"Sa' Ni Dha Pa Dha ni Dha Pa Ma Ga Ma Re Sa","risk":"high","sourceIds":["NIOS-NP1","NIOS-N2","ONLINESANGEET-alhiya-bilawal"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.pakad","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"grammar","label":"Pakad","value":"Ga ~ Re Ga / Pa; Dha ~ ni Dha \\ Pa; Dha \\ Ga; Ga Ma Re Ga Pa Ma Ga","risk":"high","sourceIds":["AUTRIM-alhaiya-bilaval"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.vadi","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"grammar","label":"Vadi","value":"Dha","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-alhaiya-bilawal","DARBAR-alhiya-bilawal","RAAGIST-alhiya-bilawal","ONLINESANGEET-alhiya-bilawal","RAGAJUNGLISM-alhiya-bilawal","RIYAZ-alhiya-bilawal"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.samvadi","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"grammar","label":"Samvadi","value":"Ga","risk":"high","sourceIds":["NIOS-NP1","ARTIUM-alhaiya-bilawal","DARBAR-alhiya-bilawal","RAAGIST-alhiya-bilawal","ONLINESANGEET-alhiya-bilawal","RIYAZ-alhiya-bilawal"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.swara-set","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Ma, Pa, Dha, Ni(komal), Ni","risk":"high","sourceIds":["AUTRIM-alhaiya-bilaval"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.caution","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"pedagogy","label":"Review caution","value":"Shuddha Bilawal uses Ma in the ascent and has no komal Ni, which sets it apart from Alhaiya Bilawal.","risk":"medium","sourceIds":["AUTRIM-alhaiya-bilaval"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.learner-focus","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"pedagogy","label":"Learner focus","value":"Learn the Ga Ma Re Ga Pa turn and the descending Dha ni Dha Pa. AUTRIM marks Ga and Ni as important.","risk":"medium","sourceIds":["AUTRIM-alhaiya-bilaval"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.study-prompt-1","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"pedagogy","label":"Study prompt 1","value":"Sing the turn Ga Ma Re Ga Pa slowly.","risk":"low","sourceIds":["AUTRIM-alhaiya-bilaval","NIOS-NP1","NIOS-N2","ONLINESANGEET-alhiya-bilawal","ARTIUM-alhaiya-bilawal","RAAGIST-alhiya-bilawal","RAGAJUNGLISM-alhiya-bilawal"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.study-prompt-2","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"pedagogy","label":"Study prompt 2","value":"Sing the descent Sa' Ni Dha Pa Dha ni Dha Pa Ma Ga Ma Re Sa and mark the komal Ni.","risk":"low","sourceIds":["AUTRIM-alhaiya-bilaval","NIOS-NP1","NIOS-N2","ONLINESANGEET-alhiya-bilawal","ARTIUM-alhaiya-bilawal","RAAGIST-alhiya-bilawal","RAGAJUNGLISM-alhiya-bilawal"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"alhiya-bilawal.study-prompt-3","ragaSlug":"alhiya-bilawal","ragaName":"Alhaiya Bilawal","category":"pedagogy","label":"Study prompt 3","value":"Shuddha Bilawal has Ma in the ascent and no komal Ni. Sing an Alhaiya Bilawal ascent without Ma.","risk":"low","sourceIds":["AUTRIM-alhaiya-bilaval","NIOS-NP1","NIOS-N2","ONLINESANGEET-alhiya-bilawal","ARTIUM-alhaiya-bilawal","RAAGIST-alhiya-bilawal","RAGAJUNGLISM-alhiya-bilawal"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.summary","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"identity","label":"Core identity","value":"This profile is the komal Re form of Asavari, which AUTRIM calls the more common form today. Ga and Ni are normally left out going up, and komal Re and komal Dha are stressed and slowly oscillated.","risk":"medium","sourceIds":["AUTRIM-asavari-komal-rishabh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.thaat","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"identity","label":"Thaat","value":"Bhairavi","risk":"medium","sourceIds":["SPMVV-MAMUD4-1-S5-4","ARTIUM-komal-rishabh-asawari","RAAGIST-asavari","ONLINESANGEET-asavari"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.jati","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"identity","label":"Jati","value":"Audav-Shadav","risk":"medium","sourceIds":["ARTIUM-komal-rishabh-asawari","RAAGIST-asavari","ONLINESANGEET-asavari"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.time","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"context","label":"Time","value":"late morning (second prahar of the day, about 9 am–noon)","risk":"low","sourceIds":["AUTRIM-asavari-komal-rishabh","ARTIUM-komal-rishabh-asawari","ONLINESANGEET-asavari","RAGAJUNGLISM-asavari","RIYAZ-asavari","CHANDRAVEENA-asavari"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.aroha","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"grammar","label":"Aroha","value":"Sa re Ma Pa dha Sa'","risk":"high","sourceIds":["ARTIUM-komal-rishabh-asawari","RAAGIST-asavari","ONLINESANGEET-asavari","RAGAJUNGLISM-asavari","CHANDRAVEENA-asavari"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.avaroha","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"grammar","label":"Avaroha","value":"Sa' ni dha Pa Ma ga re Sa","risk":"high","sourceIds":["RAAGIST-asavari","RIYAZ-asavari","CHANDRAVEENA-asavari"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.pakad","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"grammar","label":"Pakad","value":"re Ma Pa dha ~ Pa; dha \\ Ma ga re ~ Sa","risk":"high","sourceIds":["AUTRIM-asavari-komal-rishabh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.vadi","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"grammar","label":"Vadi","value":"dha","risk":"high","sourceIds":["SWARGANGA-komal-asavari","ARTIUM-komal-rishabh-asawari","ONLINESANGEET-asavari","RIYAZ-asavari"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.samvadi","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"grammar","label":"Samvadi","value":"ga","risk":"high","sourceIds":["SWARGANGA-komal-asavari","RIYAZ-asavari"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.swara-set","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"grammar","label":"Swara set","value":"Sa, Re(komal), Ga(komal), Ma, Pa, Dha(komal), Ni(komal)","risk":"high","sourceIds":["AUTRIM-asavari-komal-rishabh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.caution","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"pedagogy","label":"Review caution","value":"The shuddha Re form of Asavari and Jaunpuri-related forms are separate raags. The PKK syllabus does not say which Asavari it means.","risk":"medium","sourceIds":["AUTRIM-asavari-komal-rishabh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.learner-focus","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"pedagogy","label":"Learner focus","value":"Oscillate komal Re and komal Dha, and learn the descending slides from komal Re to komal Ni and from komal Dha to Ma.","risk":"medium","sourceIds":["AUTRIM-asavari-komal-rishabh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.study-prompt-1","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"pedagogy","label":"Study prompt 1","value":"Sing re Ma Pa dha, oscillate komal Dha, and rest on Pa.","risk":"low","sourceIds":["AUTRIM-asavari-komal-rishabh","ARTIUM-komal-rishabh-asawari","RAAGIST-asavari","ONLINESANGEET-asavari","RAGAJUNGLISM-asavari","CHANDRAVEENA-asavari"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.study-prompt-2","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"pedagogy","label":"Study prompt 2","value":"Sing dha, slide down to Ma, then ga re, and oscillate komal Re before Sa.","risk":"low","sourceIds":["AUTRIM-asavari-komal-rishabh","ARTIUM-komal-rishabh-asawari","RAAGIST-asavari","ONLINESANGEET-asavari","RAGAJUNGLISM-asavari","CHANDRAVEENA-asavari"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.study-prompt-3","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"pedagogy","label":"Study prompt 3","value":"Sing an ascent without Ga and Ni.","risk":"low","sourceIds":["AUTRIM-asavari-komal-rishabh","ARTIUM-komal-rishabh-asawari","RAAGIST-asavari","ONLINESANGEET-asavari","RAGAJUNGLISM-asavari","CHANDRAVEENA-asavari"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"asavari.confusion-bhairavi","ragaSlug":"asavari","ragaName":"Asavari (komal Re form)","category":"comparison","label":"Confusion: Bhairavi","value":"Same scale but different ascent/descent and melodic character.","risk":"medium","sourceIds":["AUTRIM-asavari-komal-rishabh"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.summary","ragaSlug":"patdeep","ragaName":"Patdeep","category":"identity","label":"Core identity","value":"Patdeep gives shuddha Ni weight and can rest on Pa. Its direct ascent leaves out Dha, and oscillated komal Ga and the glide from Ma Pa down to Ga are characteristic.","risk":"medium","sourceIds":["AUTRIM-patdip"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.thaat","ragaSlug":"patdeep","ragaName":"Patdeep","category":"identity","label":"Thaat","value":"Kafi","risk":"medium","sourceIds":["ARTIUM-patdeep","RAAGIST-patdeep","ONLINESANGEET-patdeep","RIYAZ-patdeep"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.jati","ragaSlug":"patdeep","ragaName":"Patdeep","category":"identity","label":"Jati","value":"Audav-Sampurna","risk":"medium","sourceIds":["ARTIUM-patdeep","RAAGIST-patdeep","ONLINESANGEET-patdeep"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.time","ragaSlug":"patdeep","ragaName":"Patdeep","category":"context","label":"Time","value":"afternoon (third prahar of the day, about noon–3 pm)","risk":"low","sourceIds":["AUTRIM-patdip","ARTIUM-patdeep","ONLINESANGEET-patdeep","RAGAJUNGLISM-patdeep"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.mood","ragaSlug":"patdeep","ragaName":"Patdeep","category":"context","label":"Mood","value":"playful (shringar)","risk":"low","sourceIds":["DIVYAMUSIC-knowledge"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.aroha","ragaSlug":"patdeep","ragaName":"Patdeep","category":"grammar","label":"Aroha","value":"Sa ga Ma Pa Ni Sa'","risk":"high","sourceIds":["ARTIUM-patdeep","RIYAZ-patdeep","RAAGIST-patdeep","ONLINESANGEET-patdeep"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.avaroha","ragaSlug":"patdeep","ragaName":"Patdeep","category":"grammar","label":"Avaroha","value":"Sa' Ni Dha Pa Ma ga Re Sa","risk":"high","sourceIds":["ARTIUM-patdeep","RAAGIST-patdeep","ONLINESANGEET-patdeep"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.pakad","ragaSlug":"patdeep","ragaName":"Patdeep","category":"grammar","label":"Pakad","value":"Ni Sa ga Sa Re - Sa; ga Ma Pa Ni Dha Pa; Ni Sa Dha Pa; Dha Ma Pa \\ ga ~","risk":"high","sourceIds":["AUTRIM-patdip"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.vadi","ragaSlug":"patdeep","ragaName":"Patdeep","category":"grammar","label":"Vadi","value":"Pa","risk":"high","sourceIds":["ARTIUM-patdeep","RAAGIST-patdeep","ONLINESANGEET-patdeep","RIYAZ-patdeep"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.samvadi","ragaSlug":"patdeep","ragaName":"Patdeep","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["ARTIUM-patdeep","RAAGIST-patdeep","ONLINESANGEET-patdeep","RIYAZ-patdeep"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.swara-set","ragaSlug":"patdeep","ragaName":"Patdeep","category":"grammar","label":"Swara set","value":"Sa, Re, Ga(komal), Ma, Pa, Dha, Ni","risk":"high","sourceIds":["AUTRIM-patdip"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.caution","ragaSlug":"patdeep","ragaName":"Patdeep","category":"pedagogy","label":"Review caution","value":"Without the Ga oscillation and the Sa touch on Re, a phrase may sound like Pilu. Using tivra Ma instead of shuddha Ma gives Madhuvanti.","risk":"medium","sourceIds":["AUTRIM-patdip"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.learner-focus","ragaSlug":"patdeep","ragaName":"Patdeep","category":"pedagogy","label":"Learner focus","value":"Keep weight on Ni, oscillate komal Ga, and touch Sa when you sing Re.","risk":"medium","sourceIds":["AUTRIM-patdip"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.study-prompt-1","ragaSlug":"patdeep","ragaName":"Patdeep","category":"pedagogy","label":"Study prompt 1","value":"Sing Ni Sa ga Sa Re Sa, touching Sa around Re.","risk":"low","sourceIds":["AUTRIM-patdip"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.study-prompt-2","ragaSlug":"patdeep","ragaName":"Patdeep","category":"pedagogy","label":"Study prompt 2","value":"Sing Dha Ma Pa, glide down to komal Ga, and oscillate it.","risk":"low","sourceIds":["AUTRIM-patdip"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.study-prompt-3","ragaSlug":"patdeep","ragaName":"Patdeep","category":"pedagogy","label":"Study prompt 3","value":"Without the Ga oscillation and the Sa touch on Re, a phrase can suggest Pilu. Sing a phrase both ways and listen.","risk":"low","sourceIds":["AUTRIM-patdip"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.confusion-bhimpalasi","ragaSlug":"patdeep","ragaName":"Patdeep","category":"comparison","label":"Confusion: Bhimpalasi","value":"Similar structure, but Patdeep uses shuddha Ni.","risk":"medium","sourceIds":["AUTRIM-patdip"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"patdeep.confusion-pilu","ragaSlug":"patdeep","ragaName":"Patdeep","category":"comparison","label":"Confusion: Pilu","value":"Without Ga oscillation and a Sa touch on Re, a phrase can suggest Pilu.","risk":"medium","sourceIds":["AUTRIM-patdip"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.summary","ragaSlug":"hamir","ragaName":"Hamir","category":"identity","label":"Core identity","value":"Hamir stresses Dha and works mostly in the upper tetrachord. The direct ascent uses shuddha Ma, and the descent bends through both forms of Ma and often returns through Ga Ma Re Sa.","risk":"medium","sourceIds":["AUTRIM-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.thaat","ragaSlug":"hamir","ragaName":"Hamir","category":"identity","label":"Thaat","value":"Kalyan","risk":"medium","sourceIds":["ARTIUM-hameer","DARBAR-hamir","ONLINESANGEET-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.jati","ragaSlug":"hamir","ragaName":"Hamir","category":"identity","label":"Jati","value":"Sampurna (vakra; directional counts unspecified)","risk":"medium","sourceIds":["DARBAR-hamir","ONLINESANGEET-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.time","ragaSlug":"hamir","ragaName":"Hamir","category":"context","label":"Time","value":"early night (first prahar of the night, about 6–9 pm)","risk":"low","sourceIds":["AUTRIM-hamir","DARBAR-hamir","ONLINESANGEET-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.mood","ragaSlug":"hamir","ragaName":"Hamir","category":"context","label":"Mood","value":"deep","risk":"low","sourceIds":["DIVYAMUSIC-knowledge"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.aroha","ragaSlug":"hamir","ragaName":"Hamir","category":"grammar","label":"Aroha","value":"Sa Ga Ma Dha Ni Dha Sa'","risk":"high","sourceIds":["ARTIUM-hameer","DARBAR-hamir","ONLINESANGEET-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.avaroha","ragaSlug":"hamir","ragaName":"Hamir","category":"grammar","label":"Avaroha","value":"Sa' Ni Dha Pa Ma(tivra) Pa Ga Ma Re Sa","risk":"high","sourceIds":["AUTRIM-hamir","RAGAJUNGLISM-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.pakad","ragaSlug":"hamir","ragaName":"Hamir","category":"grammar","label":"Pakad","value":"Sa - Ga Ma Ni Dha; Ma(tivra) Pa Ga Ma Re; Ni Dha Ni Sa; Dha Ma(tivra) Pa Ga Ma Ni Dha","risk":"high","sourceIds":["AUTRIM-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.vadi","ragaSlug":"hamir","ragaName":"Hamir","category":"grammar","label":"Vadi","value":"Dha","risk":"high","sourceIds":["ARTIUM-hameer","DARBAR-hamir","ONLINESANGEET-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.samvadi","ragaSlug":"hamir","ragaName":"Hamir","category":"grammar","label":"Samvadi","value":"Ga","risk":"high","sourceIds":["ARTIUM-hameer","DARBAR-hamir","ONLINESANGEET-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.swara-set","ragaSlug":"hamir","ragaName":"Hamir","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Ma, Ma(tivra), Pa, Dha, Ni","risk":"high","sourceIds":["AUTRIM-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.caution","ragaSlug":"hamir","ragaName":"Hamir","category":"pedagogy","label":"Review caution","value":"Ga Ma Re Sa and Ga Ma Pa Ga Ma Re Sa can sound like Kamod. A clear stress on Dha keeps the raag Hamir.","risk":"medium","sourceIds":["AUTRIM-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.learner-focus","ragaSlug":"hamir","ragaName":"Hamir","category":"pedagogy","label":"Learner focus","value":"Stress Dha, and tell the two forms of Ma apart in the descent.","risk":"medium","sourceIds":["AUTRIM-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.study-prompt-1","ragaSlug":"hamir","ragaName":"Hamir","category":"pedagogy","label":"Study prompt 1","value":"Sing Sa Ga Ma Ni Dha and hold the Dha.","risk":"low","sourceIds":["AUTRIM-hamir","RAGAJUNGLISM-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.study-prompt-2","ragaSlug":"hamir","ragaName":"Hamir","category":"pedagogy","label":"Study prompt 2","value":"Sing the descent Sa' Ni Dha Pa Ma(tivra) Pa Ga Ma Re Sa.","risk":"low","sourceIds":["AUTRIM-hamir","RAGAJUNGLISM-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.study-prompt-3","ragaSlug":"hamir","ragaName":"Hamir","category":"pedagogy","label":"Study prompt 3","value":"Ga Ma Re Sa can suggest Kamod. Sing it after a strong Dha to keep the phrase in Hamir.","risk":"low","sourceIds":["AUTRIM-hamir","RAGAJUNGLISM-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"hamir.confusion-kamod","ragaSlug":"hamir","ragaName":"Hamir","category":"comparison","label":"Confusion: Kamod","value":"Shared concluding phrases can suggest Kamod; Dha emphasis distinguishes Hamir.","risk":"medium","sourceIds":["AUTRIM-hamir"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.summary","ragaSlug":"tilang","ragaName":"Tilang","category":"identity","label":"Core identity","value":"Tilang usually leaves out Re and Dha and is closely tied to lighter classical music. It uses shuddha Ni going up and komal Ni coming down, and a little upper Re is allowed.","risk":"medium","sourceIds":["AUTRIM-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.thaat","ragaSlug":"tilang","ragaName":"Tilang","category":"identity","label":"Thaat","value":"Khamaj","risk":"medium","sourceIds":["ARTIUM-tilang","ONLINESANGEET-tilang","RAGAJUNGLISM-tilang","RIYAZ-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.jati","ragaSlug":"tilang","ragaName":"Tilang","category":"identity","label":"Jati","value":"Audav-Audav","risk":"medium","sourceIds":["ARTIUM-tilang","ONLINESANGEET-tilang","RIYAZ-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.time","ragaSlug":"tilang","ragaName":"Tilang","category":"context","label":"Time","value":"night (second prahar of the night, about 9 pm–12 am)","risk":"low","sourceIds":["AUTRIM-tilang","ARTIUM-tilang","ONLINESANGEET-tilang","RIYAZ-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.mood","ragaSlug":"tilang","ragaName":"Tilang","category":"context","label":"Mood","value":"playful (shringar)","risk":"low","sourceIds":["DIVYAMUSIC-knowledge"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.aroha","ragaSlug":"tilang","ragaName":"Tilang","category":"grammar","label":"Aroha","value":"Sa Ga Ma Pa Ni Sa'","risk":"high","sourceIds":["ARTIUM-tilang","ONLINESANGEET-tilang","RAGAJUNGLISM-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.avaroha","ragaSlug":"tilang","ragaName":"Tilang","category":"grammar","label":"Avaroha","value":"Sa' ni Pa Ma Ga Sa","risk":"high","sourceIds":["ARTIUM-tilang","ONLINESANGEET-tilang","RIYAZ-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.pakad","ragaSlug":"tilang","ragaName":"Tilang","category":"grammar","label":"Pakad","value":"ni \\ Pa Ga Ma Ga; Ma Pa Ni Sa ni \\ Pa; Ma Ga \\ Sa","risk":"high","sourceIds":["AUTRIM-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.vadi","ragaSlug":"tilang","ragaName":"Tilang","category":"grammar","label":"Vadi","value":"Ga","risk":"high","sourceIds":["ARTIUM-tilang","ONLINESANGEET-tilang","RIYAZ-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.samvadi","ragaSlug":"tilang","ragaName":"Tilang","category":"grammar","label":"Samvadi","value":"Ni","risk":"high","sourceIds":["ARTIUM-tilang","ONLINESANGEET-tilang","RIYAZ-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.swara-set","ragaSlug":"tilang","ragaName":"Tilang","category":"grammar","label":"Swara set","value":"Sa, Ga, Ma, Pa, Ni(komal), Ni","risk":"high","sourceIds":["AUTRIM-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.caution","ragaSlug":"tilang","ragaName":"Tilang","category":"pedagogy","label":"Review caution","value":"Lighter performances can bring in extra notes.","risk":"medium","sourceIds":["AUTRIM-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.learner-focus","ragaSlug":"tilang","ragaName":"Tilang","category":"pedagogy","label":"Learner focus","value":"Use shuddha Ni going up and komal Ni coming down, and keep upper Re limited.","risk":"medium","sourceIds":["AUTRIM-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.study-prompt-1","ragaSlug":"tilang","ragaName":"Tilang","category":"pedagogy","label":"Study prompt 1","value":"Sing Ma Pa Ni Sa with shuddha Ni, then come down from komal Ni to Pa.","risk":"low","sourceIds":["AUTRIM-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.study-prompt-2","ragaSlug":"tilang","ragaName":"Tilang","category":"pedagogy","label":"Study prompt 2","value":"Sing Ma Ga and glide down to Sa.","risk":"low","sourceIds":["AUTRIM-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"tilang.study-prompt-3","ragaSlug":"tilang","ragaName":"Tilang","category":"pedagogy","label":"Study prompt 3","value":"Sing Tilang's notes, Sa Ga Ma Pa and both forms of Ni, without Re or Dha.","risk":"low","sourceIds":["AUTRIM-tilang"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.summary","ragaSlug":"purvi","ragaName":"Purvi","category":"identity","label":"Core identity","value":"Purvi often starts rising phrases on lower Ni and avoids Pa except at the end of a rising phrase. The descent uses both forms of Ma and a light touch of komal Re before Ga. Ga and Ni are important.","risk":"medium","sourceIds":["AUTRIM-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.thaat","ragaSlug":"purvi","ragaName":"Purvi","category":"identity","label":"Thaat","value":"Purvi","risk":"medium","sourceIds":["ARTIUM-poorvi","RAAGIST-purvi","ONLINESANGEET-purvi","RIYAZ-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.jati","ragaSlug":"purvi","ragaName":"Purvi","category":"identity","label":"Jati","value":"Sampurna-Sampurna","risk":"medium","sourceIds":["ARTIUM-poorvi","ONLINESANGEET-purvi","RIYAZ-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.time","ragaSlug":"purvi","ragaName":"Purvi","category":"context","label":"Time","value":"late afternoon to sunset (fourth prahar of the day, about 3–6 pm)","risk":"low","sourceIds":["AUTRIM-purvi","ARTIUM-poorvi","ONLINESANGEET-purvi","RAGAJUNGLISM-purvi","RIYAZ-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.mood","ragaSlug":"purvi","ragaName":"Purvi","category":"context","label":"Mood","value":"Deep","risk":"low","sourceIds":["DIVYAMUSIC-knowledge"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.aroha","ragaSlug":"purvi","ragaName":"Purvi","category":"grammar","label":"Aroha","value":"Sa re Ga Ma(tivra) Pa dha Ni Sa'","risk":"high","sourceIds":["ARTIUM-poorvi","RIYAZ-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.avaroha","ragaSlug":"purvi","ragaName":"Purvi","category":"grammar","label":"Avaroha","value":"Sa' Ni dha Pa Ma(tivra) Ga Ma Ga re Sa","risk":"high","sourceIds":["ARTIUM-poorvi","RAAGIST-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.pakad","ragaSlug":"purvi","ragaName":"Purvi","category":"grammar","label":"Pakad","value":"Ni re Ga Ma Ga; Ga Ma re Ga Ma Ga; re Ga Ma(tivra) Pa Ma(tivra) Ga Ma re Ga","risk":"high","sourceIds":["AUTRIM-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.vadi","ragaSlug":"purvi","ragaName":"Purvi","category":"grammar","label":"Vadi","value":"Ga","risk":"high","sourceIds":["ARTIUM-poorvi","RAAGIST-purvi","ONLINESANGEET-purvi","RAGAJUNGLISM-purvi","RIYAZ-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.samvadi","ragaSlug":"purvi","ragaName":"Purvi","category":"grammar","label":"Samvadi","value":"Ni","risk":"high","sourceIds":["ARTIUM-poorvi","RAAGIST-purvi","ONLINESANGEET-purvi","RIYAZ-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.swara-set","ragaSlug":"purvi","ragaName":"Purvi","category":"grammar","label":"Swara set","value":"Sa, Re(komal), Ga, Ma, Ma(tivra), Pa, Dha(komal), Ni","risk":"high","sourceIds":["AUTRIM-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.caution","ragaSlug":"purvi","ragaName":"Purvi","category":"pedagogy","label":"Review caution","value":"Basant and Lalita Gauri share Purvi's notes but treat Ma differently. Puriya Dhanashri leaves out shuddha Ma.","risk":"medium","sourceIds":["AUTRIM-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.learner-focus","ragaSlug":"purvi","ragaName":"Purvi","category":"pedagogy","label":"Learner focus","value":"Hear the light komal Re touch before Ga, and the closing phrase Ma(tivra) Ga re Sa.","risk":"medium","sourceIds":["AUTRIM-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.study-prompt-1","ragaSlug":"purvi","ragaName":"Purvi","category":"pedagogy","label":"Study prompt 1","value":"Sing .Ni re Ga Ma(tivra) Pa and end on Pa.","risk":"low","sourceIds":["ARTIUM-poorvi","RIYAZ-purvi","RAAGIST-purvi","AUTRIM-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.study-prompt-2","ragaSlug":"purvi","ragaName":"Purvi","category":"pedagogy","label":"Study prompt 2","value":"Sing the closing phrase Ma(tivra) Ga re Sa.","risk":"low","sourceIds":["ARTIUM-poorvi","RIYAZ-purvi","RAAGIST-purvi","AUTRIM-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.study-prompt-3","ragaSlug":"purvi","ragaName":"Purvi","category":"pedagogy","label":"Study prompt 3","value":"Sing Ga Ma re Ga Ma Ga and keep the komal Re short.","risk":"low","sourceIds":["ARTIUM-poorvi","RIYAZ-purvi","RAAGIST-purvi","AUTRIM-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"purvi.confusion-bihag","ragaSlug":"purvi","ragaName":"Purvi","category":"comparison","label":"Confusion: Bihag","value":"Shares Pa Ma(tivra) Ga Ma Ga, with different intonation.","risk":"medium","sourceIds":["AUTRIM-purvi"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.summary","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"identity","label":"Core identity","value":"Jaijaivanti has two interpretations, one close to Desh and Sorath and one close to Bageshri, which approach high Sa differently. Both use two forms of Ga and two forms of Ni. Re and Pa are important, and the rising glide from Pa to Re stands out.","risk":"medium","sourceIds":["AUTRIM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.thaat","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"identity","label":"Thaat","value":"Khamaj","risk":"medium","sourceIds":["SPMVV-MAMUD4-1-S5-4","DARBAR-jaijaivanti","ONLINESANGEET-jaijaivanti","RIYAZ-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.jati","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"identity","label":"Jati","value":"Sampurna-Sampurna","risk":"medium","sourceIds":["DIVYAMUSIC-knowledge","ONLINESANGEET-jaijaivanti","RIYAZ-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.time","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"context","label":"Time","value":"night (second prahar of the night, about 9 pm–12 am)","risk":"low","sourceIds":["ITCSRA-samay-raga","ARTIUM-jaijaivanti","ONLINESANGEET-jaijaivanti","RIYAZ-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.mood","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"context","label":"Mood","value":"Shringara rasa","risk":"low","sourceIds":["ITCSRA-samay-raga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.aroha","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"grammar","label":"Aroha","value":"Sa .Dha .ni Re Re ga Re Sa Ga Ma Pa Ma Ga Re Re Ma Pa Ni Sa'","risk":"high","sourceIds":["ARTIUM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.avaroha","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"grammar","label":"Avaroha","value":"Sa' ni Dha Pa Ma Ga Re ga Re Sa .Ni Sa .Dha .ni Re Sa","risk":"high","sourceIds":["ARTIUM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.pakad","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"grammar","label":"Pakad","value":"Re Ni Sa Dha ni / Re; Dha ni Pa / Re; Ma Ga \\ Re; Dha \\ Ga Ma; Re ga Re Sa","risk":"high","sourceIds":["AUTRIM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.vadi","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"grammar","label":"Vadi","value":"Re","risk":"high","sourceIds":["ARTIUM-jaijaivanti","DARBAR-jaijaivanti","ONLINESANGEET-jaijaivanti","RIYAZ-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.samvadi","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"grammar","label":"Samvadi","value":"Pa","risk":"high","sourceIds":["ARTIUM-jaijaivanti","DARBAR-jaijaivanti","ONLINESANGEET-jaijaivanti","RIYAZ-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.swara-set","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"grammar","label":"Swara set","value":"Sa, Re, Ga(komal), Ga, Ma, Pa, Dha, Ni(komal), Ni","risk":"high","sourceIds":["AUTRIM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.caution","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"pedagogy","label":"Review caution","value":"Too much komal Ga can make it sound like Gara. Komal Ga usually sits between two Re notes.","risk":"medium","sourceIds":["AUTRIM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.learner-focus","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"pedagogy","label":"Learner focus","value":"Sing the glide from Pa up to Re in the rising direction. Do not reverse it.","risk":"medium","sourceIds":["AUTRIM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.study-prompt-1","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"pedagogy","label":"Study prompt 1","value":"Sing Dha ni Pa and glide up to Re.","risk":"low","sourceIds":["AUTRIM-jaijaivanti","ARTIUM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.study-prompt-2","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"pedagogy","label":"Study prompt 2","value":"Sing Re ga Re Sa, placing komal Ga between two Re notes.","risk":"low","sourceIds":["AUTRIM-jaijaivanti","ARTIUM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.study-prompt-3","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"pedagogy","label":"Study prompt 3","value":"Approach high Sa as Ma Pa Ni Sa' (the Desh form), then as Ga Ma Dha ni Sa' (the Bageshri form).","risk":"low","sourceIds":["AUTRIM-jaijaivanti","ARTIUM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"jaijaivanti.confusion-desh","ragaSlug":"jaijaivanti","ragaName":"Jaijaivanti","category":"comparison","label":"Confusion: Desh","value":"Shared turns; komal Ga and Pa / Re preserve Jaijaivanti.","risk":"medium","sourceIds":["AUTRIM-jaijaivanti"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.summary","ragaSlug":"kamod","ragaName":"Kamod","category":"identity","label":"Core identity","value":"In Kamod, Ga and Ni are weak and Re and Pa are important. It favours the upper middle octave and glides, and uses tivra Ma only as a grace note near Pa and Dha.","risk":"medium","sourceIds":["AUTRIM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.thaat","ragaSlug":"kamod","ragaName":"Kamod","category":"identity","label":"Thaat","value":"Kalyan","risk":"medium","sourceIds":["ARTIUM-kamod","ONLINESANGEET-kamod","RIYAZ-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.jati","ragaSlug":"kamod","ragaName":"Kamod","category":"identity","label":"Jati","value":"Sampurna-Sampurna (vakra)","risk":"medium","sourceIds":["ARTIUM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.time","ragaSlug":"kamod","ragaName":"Kamod","category":"context","label":"Time","value":"early night (first prahar of the night, about 6–9 pm)","risk":"low","sourceIds":["AUTRIM-kamod","ARTIUM-kamod","ONLINESANGEET-kamod","RAGAJUNGLISM-kamod","RIYAZ-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.mood","ragaSlug":"kamod","ragaName":"Kamod","category":"context","label":"Mood","value":"deep","risk":"low","sourceIds":["DIVYAMUSIC-knowledge"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.aroha","ragaSlug":"kamod","ragaName":"Kamod","category":"grammar","label":"Aroha","value":"Sa Re Pa Ga Ma Re Sa Ma Re Pa Dha Ni Sa'","risk":"high","sourceIds":["ARTIUM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.avaroha","ragaSlug":"kamod","ragaName":"Kamod","category":"grammar","label":"Avaroha","value":"Sa' Ni Dha Pa Ma(tivra) Pa Dha Pa Ga Ma Pa Ga Ma Re Sa","risk":"high","sourceIds":["ARTIUM-kamod","ONLINESANGEET-kamod","RAGAJUNGLISM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.pakad","ragaSlug":"kamod","ragaName":"Kamod","category":"grammar","label":"Pakad","value":"Re / Pa; Ga Ma Dha Pa; Ga Ma Pa Ga Ma Re Sa","risk":"high","sourceIds":["AUTRIM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.vadi","ragaSlug":"kamod","ragaName":"Kamod","category":"grammar","label":"Vadi","value":"Pa","risk":"high","sourceIds":["ARTIUM-kamod","ONLINESANGEET-kamod","RIYAZ-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.samvadi","ragaSlug":"kamod","ragaName":"Kamod","category":"grammar","label":"Samvadi","value":"Re","risk":"high","sourceIds":["ARTIUM-kamod","ONLINESANGEET-kamod","RIYAZ-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.swara-set","ragaSlug":"kamod","ragaName":"Kamod","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Ma, Ma(tivra), Pa, Dha, Ni","risk":"high","sourceIds":["AUTRIM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.caution","ragaSlug":"kamod","ragaName":"Kamod","category":"pedagogy","label":"Review caution","value":"Too much stress on Ni and tivra Ma can make it sound like Shyam Kalyan or Shuddha Sarang.","risk":"medium","sourceIds":["AUTRIM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.learner-focus","ragaSlug":"kamod","ragaName":"Kamod","category":"pedagogy","label":"Learner focus","value":"Touch Ma on the way from Re to Pa, and keep tivra Ma as a grace note near Pa and Dha.","risk":"medium","sourceIds":["AUTRIM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.study-prompt-1","ragaSlug":"kamod","ragaName":"Kamod","category":"pedagogy","label":"Study prompt 1","value":"Sing Re and glide up to Pa.","risk":"low","sourceIds":["AUTRIM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.study-prompt-2","ragaSlug":"kamod","ragaName":"Kamod","category":"pedagogy","label":"Study prompt 2","value":"Sing Ga Ma Pa Ga Ma Re Sa.","risk":"low","sourceIds":["AUTRIM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.study-prompt-3","ragaSlug":"kamod","ragaName":"Kamod","category":"pedagogy","label":"Study prompt 3","value":"Too much Ni and tivra Ma can suggest Shyam Kalyan or Shuddha Sarang. Sing a phrase with Ni kept light.","risk":"low","sourceIds":["AUTRIM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"kamod.confusion-kedar","ragaSlug":"kamod","ragaName":"Kamod","category":"comparison","label":"Confusion: Kedar","value":"Shares Ma(tivra) Pa / Sa, requiring care.","risk":"medium","sourceIds":["AUTRIM-kamod"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.summary","ragaSlug":"marwa","ragaName":"Marwa","category":"identity","label":"Core identity","value":"Marwa stresses komal Re and Dha. It can move directly but often avoids Sa. It shares its notes with Puriya and Sohini, so note emphasis and register decide its identity.","risk":"medium","sourceIds":["AUTRIM-marva"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.thaat","ragaSlug":"marwa","ragaName":"Marwa","category":"identity","label":"Thaat","value":"Marwa","risk":"medium","sourceIds":["ARTIUM-marwa","ONLINESANGEET-marwa","RAGAJUNGLISM-marwa","RIYAZ-marwa"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.jati","ragaSlug":"marwa","ragaName":"Marwa","category":"identity","label":"Jati","value":"Shadav-Shadav","risk":"medium","sourceIds":["NIOS-N2","AUTRIM-marva","ARTIUM-marwa","ONLINESANGEET-marwa","RIYAZ-marwa"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.time","ragaSlug":"marwa","ragaName":"Marwa","category":"context","label":"Time","value":"late afternoon to sunset (fourth prahar of the day, about 3–6 pm)","risk":"low","sourceIds":["ITCSRA-samay-raga","AUTRIM-marva","ARTIUM-marwa","ONLINESANGEET-marwa","RAGAJUNGLISM-marwa","RIYAZ-marwa"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.mood","ragaSlug":"marwa","ragaName":"Marwa","category":"context","label":"Mood","value":"Intense","risk":"low","sourceIds":["ITCSRA-samay-raga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.aroha","ragaSlug":"marwa","ragaName":"Marwa","category":"grammar","label":"Aroha","value":"Sa .Dha .Ni re Ga Ma(tivra) Dha Ni Sa'","risk":"high","sourceIds":["ARTIUM-marwa"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.avaroha","ragaSlug":"marwa","ragaName":"Marwa","category":"grammar","label":"Avaroha","value":"Sa' Ni Dha Ma(tivra) Ga re Sa .Ni .Dha Sa .Ni re Sa","risk":"high","sourceIds":["ARTIUM-marwa"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.pakad","ragaSlug":"marwa","ragaName":"Marwa","category":"grammar","label":"Pakad","value":"Dha Ni / re Ni \\ Dha; Ni / Ga re; re Ga Ma(tivra) Dha Ma(tivra) Ga re","risk":"high","sourceIds":["AUTRIM-marva"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.vadi","ragaSlug":"marwa","ragaName":"Marwa","category":"grammar","label":"Vadi","value":"re","risk":"high","sourceIds":["ARTIUM-marwa","ONLINESANGEET-marwa","RIYAZ-marwa"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.samvadi","ragaSlug":"marwa","ragaName":"Marwa","category":"grammar","label":"Samvadi","value":"Dha","risk":"high","sourceIds":["ARTIUM-marwa","ONLINESANGEET-marwa","RIYAZ-marwa"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.swara-set","ragaSlug":"marwa","ragaName":"Marwa","category":"grammar","label":"Swara set","value":"Sa, Re(komal), Ga, Ma(tivra), Dha, Ni","risk":"high","sourceIds":["AUTRIM-marva"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.caution","ragaSlug":"marwa","ragaName":"Marwa","category":"pedagogy","label":"Review caution","value":"Stressing Ga and Ni can make it sound like Puriya. Lively movement centred on high Sa can make it sound like Sohini.","risk":"medium","sourceIds":["AUTRIM-marva"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.learner-focus","ragaSlug":"marwa","ragaName":"Marwa","category":"pedagogy","label":"Learner focus","value":"Stress komal Re, but return to Sa now and then so komal Re is not heard as the tonic.","risk":"medium","sourceIds":["AUTRIM-marva"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.study-prompt-1","ragaSlug":"marwa","ragaName":"Marwa","category":"pedagogy","label":"Study prompt 1","value":"Sing Dha Ni and glide up to komal Re, then sing Ni and glide down to Dha.","risk":"low","sourceIds":["AUTRIM-marva"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.study-prompt-2","ragaSlug":"marwa","ragaName":"Marwa","category":"pedagogy","label":"Study prompt 2","value":"Sing re Ga Ma(tivra) Dha Ma(tivra) Ga re.","risk":"low","sourceIds":["AUTRIM-marva"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.study-prompt-3","ragaSlug":"marwa","ragaName":"Marwa","category":"pedagogy","label":"Study prompt 3","value":"After stressing komal Re, end a phrase on Sa so the tonic stays clear.","risk":"low","sourceIds":["AUTRIM-marva"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"marwa.confusion-malkauns","ragaSlug":"marwa","ragaName":"Marwa","category":"comparison","label":"Confusion: Malkauns","value":"If Re is mistaken for the tonic the resulting scale can sound like Malkauns.","risk":"medium","sourceIds":["AUTRIM-marva"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.summary","ragaSlug":"multani","ragaName":"Multani","category":"identity","label":"Core identity","value":"Multani usually begins on lower Ni and leaves weak Re and Dha out of the ascent. Sa and Pa are resting notes, and oscillating komal Ga with tivra Ma is characteristic.","risk":"medium","sourceIds":["AUTRIM-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.thaat","ragaSlug":"multani","ragaName":"Multani","category":"identity","label":"Thaat","value":"Todi","risk":"medium","sourceIds":["ARTIUM-multani","DARBAR-multani","RAAGIST-multani","ONLINESANGEET-multani","RAGAJUNGLISM-multani","RIYAZ-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.jati","ragaSlug":"multani","ragaName":"Multani","category":"identity","label":"Jati","value":"Audav-Sampurna","risk":"medium","sourceIds":["ARTIUM-multani","DARBAR-multani","RAAGIST-multani","ONLINESANGEET-multani","RIYAZ-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.time","ragaSlug":"multani","ragaName":"Multani","category":"context","label":"Time","value":"afternoon (third prahar of the day, about noon–3 pm)","risk":"low","sourceIds":["ITCSRA-samay-raga","ARTIUM-multani","DARBAR-multani","RAAGIST-multani","RAGAJUNGLISM-multani","RIYAZ-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.mood","ragaSlug":"multani","ragaName":"Multani","category":"context","label":"Mood","value":"Introspective and quietly yearning","risk":"low","sourceIds":["ITCSRA-samay-raga"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.aroha","ragaSlug":"multani","ragaName":"Multani","category":"grammar","label":"Aroha","value":"Sa ga Ma(tivra) Pa Ni Sa'","risk":"high","sourceIds":["ARTIUM-multani","RAAGIST-multani","RIYAZ-multani","DARBAR-multani","RAGAJUNGLISM-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.avaroha","ragaSlug":"multani","ragaName":"Multani","category":"grammar","label":"Avaroha","value":"Sa' Ni dha Pa Ma(tivra) ga re Sa","risk":"high","sourceIds":["ARTIUM-multani","RAAGIST-multani","ONLINESANGEET-multani","RIYAZ-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.pakad","ragaSlug":"multani","ragaName":"Multani","category":"grammar","label":"Pakad","value":"Ni Sa / ga re Sa; Ma(tivra) ga ~ Pa Ma(tivra) Pa / Ni - dha Pa","risk":"high","sourceIds":["AUTRIM-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.vadi","ragaSlug":"multani","ragaName":"Multani","category":"grammar","label":"Vadi","value":"Pa","risk":"high","sourceIds":["ARTIUM-multani","DARBAR-multani","RAAGIST-multani","ONLINESANGEET-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.samvadi","ragaSlug":"multani","ragaName":"Multani","category":"grammar","label":"Samvadi","value":"Sa","risk":"high","sourceIds":["ARTIUM-multani","DARBAR-multani","RAAGIST-multani","ONLINESANGEET-multani","RIYAZ-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.swara-set","ragaSlug":"multani","ragaName":"Multani","category":"grammar","label":"Swara set","value":"Sa, Re(komal), Ga(komal), Ma(tivra), Pa, Dha(komal), Ni","risk":"high","sourceIds":["AUTRIM-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.caution","ragaSlug":"multani","ragaName":"Multani","category":"pedagogy","label":"Review caution","value":"Miyan Ki Todi uses the same notes but different melodic patterns.","risk":"medium","sourceIds":["AUTRIM-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.learner-focus","ragaSlug":"multani","ragaName":"Multani","category":"pedagogy","label":"Learner focus","value":"Start phrases on lower Ni, oscillate komal Ga with tivra Ma, and rest on Sa or Pa.","risk":"medium","sourceIds":["AUTRIM-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.study-prompt-1","ragaSlug":"multani","ragaName":"Multani","category":"pedagogy","label":"Study prompt 1","value":"Sing Ni Sa, glide up to komal Ga, then sing re Sa.","risk":"low","sourceIds":["AUTRIM-multani","ARTIUM-multani","RAAGIST-multani","RIYAZ-multani","DARBAR-multani","RAGAJUNGLISM-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.study-prompt-2","ragaSlug":"multani","ragaName":"Multani","category":"pedagogy","label":"Study prompt 2","value":"Sing Ma(tivra) ga with an oscillation, then Pa.","risk":"low","sourceIds":["AUTRIM-multani","ARTIUM-multani","RAAGIST-multani","RIYAZ-multani","DARBAR-multani","RAGAJUNGLISM-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"multani.study-prompt-3","ragaSlug":"multani","ragaName":"Multani","category":"pedagogy","label":"Study prompt 3","value":"Sing an ascent from lower Ni that leaves out komal Re and komal Dha.","risk":"low","sourceIds":["AUTRIM-multani","ARTIUM-multani","RAAGIST-multani","RIYAZ-multani","DARBAR-multani","RAGAJUNGLISM-multani"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.summary","ragaSlug":"deshkar","ragaName":"Deshkar","category":"identity","label":"Core identity","value":"Deshkar develops mainly in the upper middle and high registers, with a direct ascent and descent. Dha and Pa are important. Re is weak and never held, and Dha may be approached with a touch of komal Ni.","risk":"medium","sourceIds":["AUTRIM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.thaat","ragaSlug":"deshkar","ragaName":"Deshkar","category":"identity","label":"Thaat","value":"Bilawal","risk":"medium","sourceIds":["ARTIUM-deshkar","DARBAR-deshkar","ONLINESANGEET-deshkar","RIYAZ-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.jati","ragaSlug":"deshkar","ragaName":"Deshkar","category":"identity","label":"Jati","value":"Audav-Audav","risk":"medium","sourceIds":["NIOS-N2","AUTRIM-deshkar","ARTIUM-deshkar","DARBAR-deshkar","ONLINESANGEET-deshkar","RIYAZ-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.time","ragaSlug":"deshkar","ragaName":"Deshkar","category":"context","label":"Time","value":"early morning (first prahar of the day, about 6–9 am)","risk":"low","sourceIds":["AUTRIM-deshkar","ARTIUM-deshkar","DARBAR-deshkar","RAGAJUNGLISM-deshkar","RIYAZ-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.mood","ragaSlug":"deshkar","ragaName":"Deshkar","category":"context","label":"Mood","value":"Lively","risk":"low","sourceIds":["AUTRIM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.aroha","ragaSlug":"deshkar","ragaName":"Deshkar","category":"grammar","label":"Aroha","value":"Sa Re Ga Pa Dha Sa'","risk":"high","sourceIds":["AUTRIM-deshkar","ARTIUM-deshkar","DARBAR-deshkar","ONLINESANGEET-deshkar","RAGAJUNGLISM-deshkar","RIYAZ-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.avaroha","ragaSlug":"deshkar","ragaName":"Deshkar","category":"grammar","label":"Avaroha","value":"Sa' Dha Pa Ga Re Sa","risk":"high","sourceIds":["AUTRIM-deshkar","RIYAZ-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.pakad","ragaSlug":"deshkar","ragaName":"Deshkar","category":"grammar","label":"Pakad","value":"Ga Pa Dha ~; Pa Dha Sa \\ Pa; Dha \\ Ga","risk":"high","sourceIds":["AUTRIM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.vadi","ragaSlug":"deshkar","ragaName":"Deshkar","category":"grammar","label":"Vadi","value":"Dha","risk":"high","sourceIds":["ARTIUM-deshkar","DARBAR-deshkar","ONLINESANGEET-deshkar","RAGAJUNGLISM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.samvadi","ragaSlug":"deshkar","ragaName":"Deshkar","category":"grammar","label":"Samvadi","value":"Ga","risk":"high","sourceIds":["ARTIUM-deshkar","DARBAR-deshkar","ONLINESANGEET-deshkar","RAGAJUNGLISM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.swara-set","ragaSlug":"deshkar","ragaName":"Deshkar","category":"grammar","label":"Swara set","value":"Sa, Re, Ga, Pa, Dha","risk":"high","sourceIds":["AUTRIM-deshkar","ARTIUM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.caution","ragaSlug":"deshkar","ragaName":"Deshkar","category":"pedagogy","label":"Review caution","value":"Bhupali shares the notes but uses slower glides, a lower register and a night-time setting.","risk":"medium","sourceIds":["AUTRIM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.learner-focus","ragaSlug":"deshkar","ragaName":"Deshkar","category":"pedagogy","label":"Learner focus","value":"Bring out Dha and Pa, keep Re weak and short, and stay in the upper register.","risk":"medium","sourceIds":["AUTRIM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.study-prompt-1","ragaSlug":"deshkar","ragaName":"Deshkar","category":"pedagogy","label":"Study prompt 1","value":"Sing Ga Pa Dha and oscillate Dha.","risk":"low","sourceIds":["AUTRIM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.study-prompt-2","ragaSlug":"deshkar","ragaName":"Deshkar","category":"pedagogy","label":"Study prompt 2","value":"Sing Pa Dha Sa and glide down to Pa.","risk":"low","sourceIds":["AUTRIM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.study-prompt-3","ragaSlug":"deshkar","ragaName":"Deshkar","category":"pedagogy","label":"Study prompt 3","value":"Bhupali has the same notes. Sing a Deshkar phrase high, then a Bhupali phrase lower and with slower glides.","risk":"low","sourceIds":["AUTRIM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"},{"id":"deshkar.confusion-bhoopali","ragaSlug":"deshkar","ragaName":"Deshkar","category":"comparison","label":"Confusion: Bhupali","value":"Same tones; Bhupali has slow glides, lower-register elaboration and night time.","risk":"medium","sourceIds":["AUTRIM-deshkar"],"reviewStatus":"review-ready","evidenceMode":"field-citation"}]}