Hindi film
Aashiqui (1990)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Ahir BhairavAb Tere Bin Jee Lenge Hum · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “अब तेरे बिन जी लेंगे हम | आशिक़ी | 1990 | नदीम- श्रवण | अहीर भैरव+ परमेश्वरी”.
- ParameshwariAb Tere Bin Jee Lenge Hum · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “अब तेरे बिन जी लेंगे हम | आशिक़ी | 1990 | नदीम- श्रवण | अहीर भैरव+ परमेश्वरी”.
- Nat BhairaviDheere 0.0 Dheere Se Meri Zindagi Mein Aana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “‘धीरे-धीरे से मेरी जिन्दगी में आना’, ‘नज़र के सामने जिगर के पास’-फ़िल्म ‘आशिकी’-अनुराधा पौडवाल एवं कुमार सानू-नटभैरवी, कहरवा।”.
- Nat BhairaviNazar Ke Samne · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “‘धीरे-धीरे से मेरी जिन्दगी में आना’, ‘नज़र के सामने जिगर के पास’-फ़िल्म ‘आशिकी’-अनुराधा पौडवाल एवं कुमार सानू-नटभैरवी, कहरवा।”.
- Madhmad SarangNazar Ke Samne · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “‘धीरे-धीरे से मेरी जिन्दगी में आना’, ‘नज़र के सामने जिगर के पास’-फ़िल्म ‘आशिकी’-अनुराधा पौडवाल एवं कुमार सानू-नटभैरवी, कहरवा। 2) ‘नज़र के सामने जिगर के पास-फ़िल्म ‘आशिकी’-अनुराधा पौडवाल-कुमार सानू-मध्यमाद सारंग, झिंझोटी एवं कहरवा।”.
- JhinjhotiNazar Ke Samne · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “‘धीरे-धीरे से मेरी जिन्दगी में आना’, ‘नज़र के सामने जिगर के पास’-फ़िल्म ‘आशिकी’-अनुराधा पौडवाल एवं कुमार सानू-नटभैरवी, कहरवा। 2) ‘नज़र के सामने जिगर के पास-फ़िल्म ‘आशिकी’-अनुराधा पौडवाल-कुमार सानू-मध्यमाद सारंग, झिंझोटी एवं कहरवा।”.