Hindi film
Alaap (1977)
5 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- BihagKoi Gata, Main So Jata · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “Composer Jaidev recruits Yesudas in this splendidly-arranged composition in ALAAP (1977): ko’i gata main so jata.”.
- Alhaiya BilawalKoi Gata, Main So Jata · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “अमिताभ पर फ़िल्माया येसुदास का गाया ‘कोई गाता मैं सो जाता’। सम्भवत: बिहाग और अल्हैया बिलावल पर आधारित इस गीत में जो तन्मयता है वह जितना गायक का कमाल है उतना ही संगीतकार का भी।”.
- BhairaviMata Saraswati Sharda Vidya Dayi Dayani · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “We begin with an invocation to that abiding symbol of learning, Goddess Saraswati. The text is a traditional description of the devi. The tune, credited to Allaudin Khan, was adapted by composer Jaidev for ALAAP (1977). Lata Mangeshkar is assisted by Dilraj Kaur: Mata Saraswati Sharada.”.
- DeshAai Ritu Sawan Ki · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “देस पर आधारित ‘आई ऋतु सावन की’ (भूपेन्द्र, फय्याज़) और खमाज थाट पर रचित ‘चाँद अकेला जाए सखी री’ (येसुदास) गीत में शास्त्रीय आधार अति स्पष्ट है।”.
- KhamajKahe Manva Nache · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “लता के स्वरों में ‘काहे मनवा नाचे हमारा’ की चर्चा कम हुई है पर खमाज आधारित यह गीत उत्कृष्ट सृजन क्षमता का एक विशिष्ट उदाहरण है।”.