Hindi film
Aur Pyaar Ho Gaya (1997)
2 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Ahir BhairavHumse Rahoge Kya Hamesha Khafa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “हमसे रहोगे क्या | और प्यार हो गया | 1997 | नुसरत फ़तेह अली ख़ान | अहीर भैरव+ बसंत मुखारी”.
- Basant MukhariHumse Rahoge Kya Hamesha Khafa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “हमसे रहोगे क्या | और प्यार हो गया | 1997 | नुसरत फ़तेह अली ख़ान | अहीर भैरव+ बसंत मुखारी”.
- KafiThoda Sa Pagla Thoda Siyaana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “थोड़ा सा पगला | और प्यार हो गया | 1997 | नुसरत फ़तेह अली ख़ान | काफी+ मेघ”.
- MeghThoda Sa Pagla Thoda Siyaana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “थोड़ा सा पगला | और प्यार हो गया | 1997 | नुसरत फ़तेह अली ख़ान | काफी+ मेघ”.
