Hindi film
Baghban (2003)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- BilawalChali Chali Phir · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चली चली फिर चली चली | बागबान | 2003 | आदेश श्रीवास्तव | बिलावल+ पहाड़ी”.
- PahadiChali Chali Phir · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चली चली फिर चली चली | बागबान | 2003 | आदेश श्रीवास्तव | बिलावल+ पहाड़ी”.
- MeghMeri Makhna Meri Soniye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मेरी मखड़ां मेरी सोणिये | बागबान | 2003 | आदेश श्रीवास्तव | मेघ+ मधमाद सारंग+ झिंझोटी”.
- Madhmad SarangMeri Makhna Meri Soniye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मेरी मखड़ां मेरी सोणिये | बागबान | 2003 | आदेश श्रीवास्तव | मेघ+ मधमाद सारंग+ झिंझोटी”.
- JhinjhotiMeri Makhna Meri Soniye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मेरी मखड़ां मेरी सोणिये | बागबान | 2003 | आदेश श्रीवास्तव | मेघ+ मधमाद सारंग+ झिंझोटी”.
- CharukesiO Dharti Tarse Amber Berse · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “ओ धरती तरसे अम्बर बरसे | बागबान | 2003 | आदेश श्रीवास्तव | चारुकेशी”.
- BilawalOm Jai Jagdish · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “ओम जय जगदीश हरे (भक्ति गीत) | बागबान | 2003 | आदेश श्रीवास्तव | बिलावल”.