Hindi film
Bahana (1960)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- YamanJa Re Badra Bairi Ja · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “The next two corkers were conceived in the fertile mind of Madan Mohan. From BAHAANA (1960), ja re badara bairi ja.”.
- GaraBolo Mere Nandlal · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “सजनवा हो’ (लता) और गारा का आधार लोकर ‘बहाना’ (1960) का ‘बोलो मेरे नंदलाल’ (लता) जयजयवंती की सुकोमल छाया लिए ‘बैरन हो गई रैन’ और रागेश्री में वह अविस्मरणीय रचना ‘कौन आया मेरे मन के द्वारे पायल की झंकार लिए’ तो मन्ना डे के सर्वश्रेष्ठ गीतों मंे शुमार है।”.
- ShivaranjaniGuzre Hain Is Tarah Se Duniya Mein Din Hamare · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “्र कृष्ण के कलाम को शिवरंजनी का कितना शालीन आधार दिया था मदन मोहन ने! ग़ज़ल को सस्पेंस संगीत के बीच भी कितना परिशुद्ध और स्तरीय वे बनाए रख सकते थे, वह ‘रिश्ते नाते’ (1965) के हसरत जयपुरी लिखित ‘मुझे याद करने वालो तेरे साथ-साथ हूँ मैं’ (लता) को सुन कर जाना जा सकता है।”.