Hindi film
Delhi-6 (2009)
6 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Gurjari TodiBhor Bhaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “691. | भोर भई तोरी (ख़्याल) | Delhi-6 | 2009 | ए.आर.रहमान | गुर्जरी तोड़ी”.
- KhamajArziyan Saari Mein · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “688. | अर्जीयां सारी में | Delhi-6 | 2009 | ए.आर.रहमान | खमाज+ पहाडी+ यमन”.
- PahadiArziyan Saari Mein · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “688. | अर्जीयां सारी में | Delhi-6 | 2009 | ए.आर.रहमान | खमाज+ पहाडी+ यमन”.
- YamanArziyan Saari Mein · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “688. | अर्जीयां सारी में | Delhi-6 | 2009 | ए.आर.रहमान | खमाज+ पहाडी+ यमन”.
- Nat BhairaviDil Gira Kahin Par Daftan · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “666. | दिल गिरा कहीं पर दफ़्तन | दिल्ली-6 | 2009 | ए.आर.रहमान | नट भैरवी”.
- Nat BhairaviMasakali Masakali · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “682. | मसकली मसकली | दिल्ली 6 | 2009 | ए.आर.रहमान | नट भैरवी+ काफी”.
- KafiMasakali Masakali · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “682. | मसकली मसकली | दिल्ली 6 | 2009 | ए.आर.रहमान | नट भैरवी+ काफी”.
- ShivaranjaniSasural Genda · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “675. | ससुराल गेंदा | दिल्ली-6 | 2009 | ए.आर.रहमान | शिवरंजनी+ पीलू”.
- PiluSasural Genda · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “675. | ससुराल गेंदा | दिल्ली-6 | 2009 | ए.आर.रहमान | शिवरंजनी+ पीलू”.
- KhamajTumhre Bhawan Mein · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “678. | तुम्हरे भवन में | दिल्ली 6 | 2009 | ए.आर.रहमान | खमाज+ पहाड़ी”.
- PahadiTumhre Bhawan Mein · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “678. | तुम्हरे भवन में | दिल्ली 6 | 2009 | ए.आर.रहमान | खमाज+ पहाड़ी”.