Hindi film
Dil (1990)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Basant MukhariHum Pyar Karne Wale · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “हम प्यार करने वाले | दिल | 1990 | आनंद- मिलिंद | बसंत मुखारी+ भैरवी”.
- BhairaviHum Pyar Karne Wale · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “हम प्यार करने वाले | दिल | 1990 | आनंद- मिलिंद | बसंत मुखारी+ भैरवी”.
- Madhmad SarangMujhe Neend Na Aaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मुझे नींद ना आये मुझे चैन ना आये | दिल | 1990 | आनंद-मिलिंद | मधमाद सारंग+ भीमपलासी”.
- BhimpalasiMujhe Neend Na Aaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मुझे नींद ना आये मुझे चैन ना आये | दिल | 1990 | आनंद-मिलिंद | मधमाद सारंग+ भीमपलासी”.
- ShivaranjaniO Priya Priya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ओ प्रिया प्रिया क्यूँ भुला दिया | दिल | 1990 | आनंद-मिलिंद | शिवरंजनी+ काफी+ पटदीप”.
- KafiO Priya Priya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ओ प्रिया प्रिया क्यूँ भुला दिया | दिल | 1990 | आनंद-मिलिंद | शिवरंजनी+ काफी+ पटदीप”.
- PatdeepO Priya Priya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ओ प्रिया प्रिया क्यूँ भुला दिया | दिल | 1990 | आनंद-मिलिंद | शिवरंजनी+ काफी+ पटदीप”.