Hindi film
Dil Diya Dard Liya (1966)
5 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- JanasamohaniKoi Sagar Dil Ko Behlata Nahin · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “Naushad has composed this song on the notes of Raag Kalawati and Janasammohini.”.
- KalavatiKoi Sagar Dil Ko Behlata Nahin · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “Naushad has composed this song on the notes of Raag Kalawati and Janasammohini.”.
- Brindavani SarangSaavan Aye Ya Na Aye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “फ़िल्म का नाम : दिल दिया दर्द लिया (1966); गीत के बोल : सावन आये या ना आये; गायक कलाकार : आशा भोंसले एवं मोहम्मद रफी; संगीत निर्देशक : नौशाद अली; प्रयुक्त राग एवं ताल : वृन्दावनी सारंग+मेघ+शुद्ध सारंग, तीनताल+अद्धा+कहरवा।”.
- SarangSaavan Aye Ya Na Aye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “We conclude the Sarang folkfest with the popular Rafi-Asha number from DIL DIYA DARD LIYA (1966), tuned by Naushad to Shakeel Badayuni‘s words: sawan aaye ya na aaye.”.
- MeghSaavan Aye Ya Na Aye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “फ़िल्म का नाम : दिल दिया दर्द लिया (1966); गीत के बोल : सावन आये या ना आये; गायक कलाकार : आशा भोंसले एवं मोहम्मद रफी; संगीत निर्देशक : नौशाद अली; प्रयुक्त राग एवं ताल : वृन्दावनी सारंग+मेघ+शुद्ध सारंग, तीनताल+अद्धा+कहरवा।”.
- Shuddha SarangSaavan Aye Ya Na Aye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “फ़िल्म का नाम : दिल दिया दर्द लिया (1966); गीत के बोल : सावन आये या ना आये; गायक कलाकार : आशा भोंसले एवं मोहम्मद रफी; संगीत निर्देशक : नौशाद अली; प्रयुक्त राग एवं ताल : वृन्दावनी सारंग+मेघ+शुद्ध सारंग, तीनताल+अद्धा+कहरवा।”.
- Megh MalharSaavan Aye Ya Na Aye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “It shows glimpses of notes used in Vrindavani Sarang, Megh Malhar and Shuddh Sarang.”.