Hindi film
Ganga Jamuna (1961)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- KhamajDhoondho Dhoondho Re Saajna · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गयो रे’; पीलू के स्वरों पर आधारित गीत-‘ना मानूँ ना मानँू ना मानूँ रे’; खमाज एवं नटभैरव रागों पर आधारित गीत-‘ढूँढो ढूँढो रे साजना मोरे कान का बाला’ इत्यादि उनकी असाधारण संगीत रचना है।”.
- Nat BhairaviDhoondho Dhoondho Re Saajna · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “नटभैरव रागों पर आधारित गीत-‘ढूँढो ढूँढो रे साजना मोरे कान का बाला’ इत्यादि उनकी असाधारण संगीत रचना है।”.
- BhairaviDo Hanson Ka Joda Bichhad Gayo Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “पापी साँवरिया; राग भैरवी पर आधारित सदाबहार गीत-‘दो हंसों का जोड़ा बिछड़ गयो रे’; पीलू के स्वरों पर आधारित गीत-‘ना मानूँ ना मानँू ना मानूँ रे’; खमाज एवं नटभैरव रागों पर आधारित गीत-‘ढूँढो ढूँढो रे साजना मोरे कान का बाला’ इत्यादि उनकी असाधारण संगीत रचना है।”.
- PiluNa Manu Na Manu...Dagabjaaz Tori Batiya Na Manu Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “एक है-‘ना मानूँ, ना मानँू, ना मानँू, रे दगाबाज तोरी बतियाँ ना मानूँ रे’। लता जी ने इस दादरा के राग पीलू एवं दादरा ताल में गाया।”.
- PahadiTora Man Bada Papi Sanvariya Re (a.k.a. Aa Matlab Ka Tu Meet) · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “खमाज और पहाड़ी रागों पर आधारित गीत-‘तोरा मन बड़ा पापी साँवरिया”.
- KhamajTora Man Bada Papi Sanvariya Re (a.k.a. Aa Matlab Ka Tu Meet) · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “खमाज और पहाड़ी रागों पर आधारित गीत-‘तोरा मन बड़ा पापी साँवरिया”.
- Manj KhammajTora Man Bada Papi Sanvariya Re (a.k.a. Aa Matlab Ka Tu Meet) · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “इस गीत के निर्वहन हेतु राग पहाड़ी एवं राग माँझ खमाज का चयन किया गया है।”.