Hindi film
Godaan (1963)
5 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- KhamajChali Aaj Gori Piya Ki Nagariya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “खमाज का लोकरस आधारित बिदाई गीत ‘चली आज गोरी पिया की नगरिया’ जिसे लता जी ने गाया।”.
- Kafihori khelata Nandalal biraja mein · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “We hit the movie circuit first. On the few occasions he ventured there, Ravi Shankar disclosed a keen talent for composing film songs (Alu, on the other hand, turned out to be a thundering flop). His composition from GODAAN (1963), in Mohammad Rafi‘s voice: hori khelata Nandalal biraja mein.”.
- Mishra Kafihori khelata Nandalal biraja mein · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “सांगीतिक विवरण - यह गीत मुख्य रूप से राग मिश्र काफी पर आधारित है तथा ताल कहरवा में निबद्ध है।”.
- KafiJanam Liyo Lalana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “‘जनम लियो ललना’। इस गीत को काफी राग में गाया गया है।”.
- KhamajPipara Ke Patava Sarikhe Dole Manwa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “खमाज राग पर आधारित रफ़ी के स्वर में ‘पिपरा के पतवा सरीखे डोले मनवा”.