Hindi film
Guide (1965)
8 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- KhamajPiya Tose Naina Lage Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “फ़िल्म का नाम : गाइड (1965); गीत के बोल : पिया तोसे नैना लागे रे; गायक कलाकार : लता मंगेशकर; संगीत निर्देशक : एस॰डी॰ बर्मन; प्रयुक्त राग एवं ताल : खमाज, झिंझोटी, रूपक।”.
- JhinjhotiPiya Tose Naina Lage Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “फ़िल्म का नाम : गाइड (1965); गीत के बोल : पिया तोसे नैना लागे रे; गायक कलाकार : लता मंगेशकर; संगीत निर्देशक : एस॰डी॰ बर्मन; प्रयुक्त राग एवं ताल : खमाज, झिंझोटी, रूपक।”.
- TilangPiya Tose Naina Lage Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “पिया तोसे नैना लागे रे - (लता, राग-तिलंग”.
- Gara - Nat AngTere Mere Sapne Ab Ek Rang Hain · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “तेरे मेरे सपने अब एक रंग है - (मुहम्मद रफ़ी, राग - गारा - नटअंग + जयजयवंती + काफ़ी) 4- दिन ढल जाए हाय शाम ना जाए - (मुहम्मद रफ़ी, खमाज + बिलावल + पहाड़ी) 5- गाता रहे मेरा दिल - (लता, किशोर, राग-पहाड़ी) फ़िल्म ‘जिद्दी’ में भी शास्त्रीय संगीत शैली का भिन्न रूप सुनने को मिला।”.
- JaijaivantiTere Mere Sapne Ab Ek Rang Hain · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “तेरे मेरे सपने अब एक रंग है - (मुहम्मद रफ़ी, राग - गारा - नटअंग + जयजयवंती + काफ़ी) 4- दिन ढल जाए हाय शाम ना जाए - (मुहम्मद रफ़ी, खमाज + बिलावल + पहाड़ी) 5- गाता रहे मेरा दिल - (लता, किशोर, राग-पहाड़ी) फ़िल्म ‘जिद्दी’ में भी शास्त्रीय संगीत शैली का भिन्न रूप सुनने को मिला।”.
- KafiTere Mere Sapne Ab Ek Rang Hain · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “तेरे मेरे सपने अब एक रंग है - (मुहम्मद रफ़ी, राग - गारा - नटअंग + जयजयवंती + काफ़ी) 4- दिन ढल जाए हाय शाम ना जाए - (मुहम्मद रफ़ी, खमाज + बिलावल + पहाड़ी) 5- गाता रहे मेरा दिल - (लता, किशोर, राग-पहाड़ी) फ़िल्म ‘जिद्दी’ में भी शास्त्रीय संगीत शैली का भिन्न रूप सुनने को मिला।”.
- PahadiVahan Kaun Hai Tera, Musaphir Jayega Kahan · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “‘वहाँ कौन है तेरा मुसाफ़िर जाएगा कहाँ’ (गाइड 1965, पहाड़ी”.
- Yamani BilawalVahan Kaun Hai Tera, Musaphir Jayega Kahan · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “‘वहाँ कौन है तेरा मुसाफ़िर जाएगा कहाँ’ (गाइड 1965, पहाड़ी+यमनी बिलावल”.
- KhamajDin Dhal Jaaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “दिन ढल जाए हाय शाम ना जाए - (मुहम्मद रफ़ी, खमाज + बिलावल + पहाड़ी) 5- गाता रहे मेरा दिल - (लता, किशोर, राग-पहाड़ी) फ़िल्म ‘जिद्दी’ में भी शास्त्रीय संगीत शैली का भिन्न रूप सुनने को मिला।”.
- BilawalDin Dhal Jaaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “दिन ढल जाए हाय शाम ना जाए - (मुहम्मद रफ़ी, खमाज + बिलावल + पहाड़ी) 5- गाता रहे मेरा दिल - (लता, किशोर, राग-पहाड़ी) फ़िल्म ‘जिद्दी’ में भी शास्त्रीय संगीत शैली का भिन्न रूप सुनने को मिला।”.
- PahadiDin Dhal Jaaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “दिन ढल जाए हाय शाम ना जाए - (मुहम्मद रफ़ी, खमाज + बिलावल + पहाड़ी) 5- गाता रहे मेरा दिल - (लता, किशोर, राग-पहाड़ी) फ़िल्म ‘जिद्दी’ में भी शास्त्रीय संगीत शैली का भिन्न रूप सुनने को मिला।”.
- PahadiGaata Rahe Mera Dil · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “पहाड़ी) 5- गाता रहे मेरा दिल - (लता, किशोर, राग-पहाड़ी) फ़िल्म ‘जिद्दी’ में भी शास्त्रीय संगीत शैली का भिन्न रूप सुनने को मिला।”.