Hindi film
Haqeeqat (1964)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- BageshriKhelo Naa Mere Dil Se O Mere Saajana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “35 संगीत-समीक्षक अनिरूद्ध बनर्जी (डेक्कन हेराल्ड, 15 जुलाई, 2001) के अनुसार ‘खेलो ना’ मेजर क‚ड में अप्रचलित शुद्ध निषाद से शुरू होकर बागेश्वरी के सुरों के बीच चलते हुए माइनर क‚ड तक आता है, और पुन: ‘खेलो ना’ पर मेजर काड में आ जाता है।”.
- YamanKhelo Naa Mere Dil Se O Mere Saajana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “7. | हकीकत | 1964 | मदन मोहन | लगता नहीं दिल मेरा....”.
- YamanZara Si Aahat Hoti Hai To Dil Sochta Hai · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “In this song, it is Lata Mangeshkar’s treatment of rāga Yaman that gives it a quality of anticipation.”.