Hindi film
Hazaaron Khwaishein Aisi (2003)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Madhmad SarangBaawra Mann Dekhne Chala Ek Sapna · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “520. | बावरा मन | हज़ारों ख़्वाहिशें ऐसी | 2005 | शांतनु मोइत्रा | मधमाद सारंग+ मेघ+ वृन्दावनी सारंग+ सूर मल्हार”.
- MeghBaawra Mann Dekhne Chala Ek Sapna · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “520. | बावरा मन | हज़ारों ख़्वाहिशें ऐसी | 2005 | शांतनु मोइत्रा | मधमाद सारंग+ मेघ+ वृन्दावनी सारंग+ सूर मल्हार”.
- Brindavani SarangBaawra Mann Dekhne Chala Ek Sapna · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “520. | बावरा मन | हज़ारों ख़्वाहिशें ऐसी | 2005 | शांतनु मोइत्रा | मधमाद सारंग+ मेघ+ वृन्दावनी सारंग+ सूर मल्हार”.
- Sur MalharBaawra Mann Dekhne Chala Ek Sapna · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “520. | बावरा मन | हज़ारों ख़्वाहिशें ऐसी | 2005 | शांतनु मोइत्रा | मधमाद सारंग+ मेघ+ वृन्दावनी सारंग+ सूर मल्हार”.
- ChayanatBaawra Mann Dekhne Chala Ek Sapna · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “529. | बावरा मन देखने चला | हज़ारों ख्वाहिशें ऐसी | 2005 | शांतनु मोइत्रा | छायानट”.
- Maru BihagBor Bayi Na Aaye Piya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “530. | भोर भई ना आये पिया (ठुमरी) | हज़ारों ख्वाहिशें ऐसी | 2005 | शान्तनु मोइत्रा | मारु बिहाग+ पहाड़ी”.
- PahadiBor Bayi Na Aaye Piya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “530. | भोर भई ना आये पिया (ठुमरी) | हज़ारों ख्वाहिशें ऐसी | 2005 | शान्तनु मोइत्रा | मारु बिहाग+ पहाड़ी”.
- BilawalHazaaro Khwaishe Aisi (2) · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “495. | हज़ारों ख़्वाहिशें ऐसी | हज़ारों ख़्वाहिशें ऐसी | 2005 | शांतनु मोइत्रा | बिलावल”.
- KhamajHey Sajni · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “497. | हे सजनी | हज़ारों ख़्वाहिशें ऐसी | 2005 | शांतनु मोइत्रा | खमाज”.