Hindi film
Hum Dono (1961)
6 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- YamanAbhi Na Jao Chhodkar · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “While employing rāga Yaman, he uses the note śuddha madhyam instead of its tīvra variant, and this changes the flavour of the song completely.”.
- DhaniPrabhu Tero Nam Jo Dhyae Phal Paye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “From HUM DONO (1961), this is the number most identified with Dhani. There have not been many composers of Jaidev‘s calibre. Catch both the dhaivats here, used to stunning effect. Sahir Ludhianvi‘s lyrics and Lata‘s flawless delivery elevate it to the ranks of the classics: Prabhu tero nama.”.
- KhamajMai Zindagi Ka Saath Nibhata Chala Gaya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “यह ‘राग खमाज’ पर आधारित एक लोकप्रिय गीत है।”.
