Hindi film
Hum Saath-Saath Hain (1999)
2 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- PahadiMaiya Yashoda · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मईया यशोदा ये तेरा कन्हईया | हम साथ साथ हैं | 1999 | राम-लक्ष्मण | पहाड़ी+ शिवरंजनी”.
- ShivaranjaniMaiya Yashoda · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मईया यशोदा ये तेरा कन्हईया | हम साथ साथ हैं | 1999 | राम-लक्ष्मण | पहाड़ी+ शिवरंजनी”.
- DhaniMhare Hiwra Mein Nache Mor · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “म्हारे हिवड़ा में नाचे मोर | हम साथ साथ हैं | 1999 | राम-लक्ष्मण | धानी+ काफी+ भीमपलासी”.
- KafiMhare Hiwra Mein Nache Mor · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “म्हारे हिवड़ा में नाचे मोर | हम साथ साथ हैं | 1999 | राम-लक्ष्मण | धानी+ काफी+ भीमपलासी”.
- BhimpalasiMhare Hiwra Mein Nache Mor · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “म्हारे हिवड़ा में नाचे मोर | हम साथ साथ हैं | 1999 | राम-लक्ष्मण | धानी+ काफी+ भीमपलासी”.