Hindi film
Kachche Dhaage (1999)
2 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- ShivaranjaniDil Pardesi Ho Gaya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “दिल परदेसी हो गया | कच्चे धागे | 1999 | नुसरत फ़तेह अली ख़ान | शिवरंजनी+ चम्पाकली+ झिंझोटी+ जनसम्मोहिनी”.
- ChampakaliDil Pardesi Ho Gaya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “दिल परदेसी हो गया | कच्चे धागे | 1999 | नुसरत फ़तेह अली ख़ान | शिवरंजनी+ चम्पाकली+ झिंझोटी+ जनसम्मोहिनी”.
- JhinjhotiDil Pardesi Ho Gaya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “दिल परदेसी हो गया | कच्चे धागे | 1999 | नुसरत फ़तेह अली ख़ान | शिवरंजनी+ चम्पाकली+ झिंझोटी+ जनसम्मोहिनी”.
- JanasamohaniDil Pardesi Ho Gaya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “दिल परदेसी हो गया | कच्चे धागे | 1999 | नुसरत फ़तेह अली ख़ान | शिवरंजनी+ चम्पाकली+ झिंझोटी+ जनसम्मोहिनी”.
- Basant MukhariKhali Dil Nahin Jaan Bhi Hai · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “खाली दिल नहीं जान वी | कच्चे धागे | 1999 | नुसरत फ़तेह अली ख़ान | बसंत मुखारी+ भैरवी”.
- BhairaviKhali Dil Nahin Jaan Bhi Hai · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “खाली दिल नहीं जान वी | कच्चे धागे | 1999 | नुसरत फ़तेह अली ख़ान | बसंत मुखारी+ भैरवी”.