Hindi film
Kashmir Ki Kali (1964)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- PahadiIsharon Isharon Mein Dil Lenewale · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “O.P. Nayyar sneaks in a Pahadi in KASHMIR KI KALI (1964) in this Asha Bhonsle-Mohammad Rafi sparkler: isharon isharon.”.
- SarangHaay Re Haay, Yeh Mere Haath Mein Tera Haath · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “Who better than O.P. Nayyar to represent the folk music of Punjab which draws liberally on the Sarangs? An Asha-Rafi romp from KASHMIR KI KALI (1964); Lyrics, S.H. Bihari: hai re hai.”.