Hindi film
Kisna: The Warrior Poet (2005)
5 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- YamanChilman Uthegi Nahin · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चिलमन उठेगी नहीं | किसना | 2005 | इस्माइल दरबार | यमन कल्याण+ मारुबिहाग+ पूरियाधनाश्री+ पूरिया कल्याण”.
- Maru BihagChilman Uthegi Nahin · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चिलमन उठेगी नहीं | किसना | 2005 | इस्माइल दरबार | यमन कल्याण+ मारुबिहाग+ पूरियाधनाश्री+ पूरिया कल्याण”.
- Puria DhanashriChilman Uthegi Nahin · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चिलमन उठेगी नहीं | किसना | 2005 | इस्माइल दरबार | यमन कल्याण+ मारुबिहाग+ पूरियाधनाश्री+ पूरिया कल्याण”.
- Puriya KalyanChilman Uthegi Nahin · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चिलमन उठेगी नहीं | किसना | 2005 | इस्माइल दरबार | यमन कल्याण+ मारुबिहाग+ पूरियाधनाश्री+ पूरिया कल्याण”.
- Nat BhairaviHum Hai Iss Pal Yahan · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “501. | हम हैं इस पल यहाँ | किसना | 2005 | इस्माइल दरबार, ए.आर.रहमान | नट भैरवी”.
- SohaniKahe Ujadi Mori Neend · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “508. | काहे उजाड़ी मोरी नींद | किसना | 2005 | इस्माइल दरबार | सोहनी”.
- Ahir BhairavTu Itni Pagli Kyun Hai · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “488. | तू इतनी पगली क्यों | किसना | 2005 | इस्माइल दरबार | अहीर भैरव+ भैरवी+ गुर्जरी तोड़ी”.
- BhairaviTu Itni Pagli Kyun Hai · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “488. | तू इतनी पगली क्यों | किसना | 2005 | इस्माइल दरबार | अहीर भैरव+ भैरवी+ गुर्जरी तोड़ी”.
- Gurjari TodiTu Itni Pagli Kyun Hai · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “488. | तू इतनी पगली क्यों | किसना | 2005 | इस्माइल दरबार | अहीर भैरव+ भैरवी+ गुर्जरी तोड़ी”.
- KafiWohi Din Aa Gaya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “499. | वो दिन आ गया | किसना | 2005 | इस्माइल दरबार | काफी”.