Hindi film
Kohinoor (1960)
8 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- BihagChalenge Tir Jab Dil Par · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “‘बिहाग’ राग पर आधारित गीत-‘चलेंगे तीर जब दिल पर’; हमीर राग पर आधारित गीत-‘मधुबन में राधिका नाचे रे’, खमाज एवं माँझ खमाज रागों पर आधारित गीत-‘ढ़ल चुकी शामे ग़म’ इत्यादि।”.
- KhamajDhal Chuki Sham-E-Gham · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “आधारित गीत-‘मधुबन में राधिका नाचे रे’, खमाज एवं माँझ खमाज रागों पर आधारित गीत-‘ढ़ल चुकी शामे ग़म’ इत्यादि।”.
- Manj KhammajDhal Chuki Sham-E-Gham · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “आधारित गीत-‘मधुबन में राधिका नाचे रे’, खमाज एवं माँझ खमाज रागों पर आधारित गीत-‘ढ़ल चुकी शामे ग़म’ इत्यादि।”.
- PahadiDo Sitaron Ka Zamin Pe Hai Milan Aaj Ki Rat · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “This romantic, heart touching melodious song was one of Naushad‟s great compositions on the notes of Raga Pahadi and Yaman Kalyan. It is from the film Kohinoor, 1960.”.
- YamanDo Sitaron Ka Zamin Pe Hai Milan Aaj Ki Rat · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “This romantic, heart touching melodious song was one of Naushad‟s great compositions on the notes of Raga Pahadi and Yaman Kalyan. It is from the film Kohinoor, 1960.”.
- HamirMadhuban Men Radhika Nache Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “Hamir”.
- Brindavani SarangTan Ranga Lo Ji Aaj Man Ranga Lo Baraso Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “वृन्दावनी सारंग, मध्यमाद सारंग, शुद्ध सारंग, पीलू इत्यादि विभिन्न रागों के स्वरों को लेकर बनी इस फ़िल्म का होली गीत-‘तन रंगलो जी आज मन रंग लो’ अति लोकप्रिय गीत है।”.
- Madhmad SarangTan Ranga Lo Ji Aaj Man Ranga Lo Baraso Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “वृन्दावनी सारंग, मध्यमाद सारंग, शुद्ध सारंग, पीलू इत्यादि विभिन्न रागों के स्वरों को लेकर बनी इस फ़िल्म का होली गीत-‘तन रंगलो जी आज मन रंग लो’ अति लोकप्रिय गीत है।”.
- Shuddha SarangTan Ranga Lo Ji Aaj Man Ranga Lo Baraso Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “वृन्दावनी सारंग, मध्यमाद सारंग, शुद्ध सारंग, पीलू इत्यादि विभिन्न रागों के स्वरों को लेकर बनी इस फ़िल्म का होली गीत-‘तन रंगलो जी आज मन रंग लो’ अति लोकप्रिय गीत है।”.
- PiluTan Ranga Lo Ji Aaj Man Ranga Lo Baraso Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “वृन्दावनी सारंग, मध्यमाद सारंग, शुद्ध सारंग, पीलू इत्यादि विभिन्न रागों के स्वरों को लेकर बनी इस फ़िल्म का होली गीत-‘तन रंगलो जी आज मन रंग लो’ अति लोकप्रिय गीत है।”.
- KafiTan Ranga Lo Ji Aaj Man Ranga Lo Baraso Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “कोहिनूर (1960) - तनरंग लो जी आज - रफी, लता - नौशाद अली - वृन्दावनी सारंग, मध्यमाद सारंग, शुद्ध सारंग, पीलू, काफी, कहरवा।”.