Hindi film
Maachis (1996)
6 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Mishra DurgaBhej Kahaar · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “14 Bheje Kahar Maachis Gulzar E (3rd White) Mishra Durga”.
- Basant MukhariChappa Chappa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “15 Chappa Chappa Maachis Gulzar G (5th White) Basant Mukhari”.
- BibhasChappa Chappa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चप्पा चप्पा चरखा चले | माचिस | 1996 | विशाल भारद्वाज | विभास+ बैरागी+ अहीर भैरव+ पुत्राग वराली+ बसंत मुखारी”.
- BairagiChappa Chappa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चप्पा चप्पा चरखा चले | माचिस | 1996 | विशाल भारद्वाज | विभास+ बैरागी+ अहीर भैरव+ पुत्राग वराली+ बसंत मुखारी”.
- Ahir BhairavChappa Chappa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चप्पा चप्पा चरखा चले | माचिस | 1996 | विशाल भारद्वाज | विभास+ बैरागी+ अहीर भैरव+ पुत्राग वराली+ बसंत मुखारी”.
- Putrag VaraliChappa Chappa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चप्पा चप्पा चरखा चले | माचिस | 1996 | विशाल भारद्वाज | विभास+ बैरागी+ अहीर भैरव+ पुत्राग वराली+ बसंत मुखारी”.
- Ahiri TodiChhod Aaye Hum · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “11 Chod Aye hum Maachis Gulzar G (5th White) Ahiri Todi”.
- CharukesiChhod Aaye Hum · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “छोड़ आये हम वो गलियाँ | माचिस | 1996 | विशाल भारद्वाज | चारुकेशी”.
- Mishra KirwaniPani Pani Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “13 Pani Pani Re Maachis Gulzar B (7th White) Mishra Keervani”.
- BilawalTum Gaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “4. Tum Gaye: In this song from the movie Maachis, the fundamental usage is primarily rooted in the scale of Bilawal, but judiciously incorporating Bhatiyar where the scene demands to depict the ambiance of dawn.”.
- BhatiyarTum Gaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “4. Tum Gaye: In this song from the movie Maachis, the fundamental usage is primarily rooted in the scale of Bilawal, but judiciously incorporating Bhatiyar where the scene demands to depict the ambiance of dawn.”.
- CharukesiYaad Na Aaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “12 Yaad Na Aye Koi Maachis Gulzar F (4th White) Charukeshi”.