Hindi film
Matru Ki Bijlee Ka Mandola (2013)
6 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- PiluBadal Uthiya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “116 Badal Uthiya Matru Ki Bijlee Ka Mandola Vishal Bhardwaj C# ( 1st Black) Pilu”.
- Miśr PīlūBadal Uthiya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (section); not a note-by-note check unless reviewed. Label: “The song is a Haryanvi folk written by Dayachand Manya but when the song begins, Mohan Veena is introduced in the swaras of Raag Mishra Pilu.”.
- BhimpalasiChaar Dina Ki · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “117 Chaar Dina Ki Matru Ki Bijlee Ka Mandola Vishal Bhardwaj A# (5th Black) Bhimplasi”.
- BhairaviLootnewale · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “113 Lootnewal e Matru Ki Bijlee Ka Mandola Vishal Bhardwaj B (7th White) Bhairavi80”.
- Asavari (komal Re form)Matru Ki Bijlee Ka Mandola · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “112 Matru Ki Bijlee Ka Mandola Matru Ki Bijlee Ka Mandola Vishal Bhardwaj G# (4th Black) Asawari”.
- Mishra KhamajOye Boy Charlie · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “20. Oye Boy Charlie: The composition of the song Oye Boy Charlie from the film Matru ki Bijli ka Mandola may be correlated with the notes of Mishra Khamaj in Kehrva Taal.”.
- BhairaviShara-Rara-Ra · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “115 Shara- Rara-Ra Matru Ki Bijlee Ka Mandola Vishal Bhardwaj A# (5th Black) Bhairvi”.