Hindi film
Mausam (1975)
2 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- ChayanatDil Dhoondta Hai Phir Wohi Fursat Ke Raat Din · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “इसी क्रम में मदनमोहन द्वारा संगीत निर्देशित चित्रपट ‘मौसम’ की ग़ज़ल ‘दिल ढूँढता है फिर वही’ राग छायानट पर आधारित है।”.
- Mishra ChhayanatDil Dhoondta Hai Phir Wohi Fursat Ke Raat Din · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “परन्तु अन्य स्वर समूह लगाने के कारण इसे मिश्र छायानट कहा जा सकता है, लेकिन आधार छायानट ही रहेगा।”.
- Yamani BilawalDil Dhoondta Hai Phir Wohi Fursat Ke Raat Din · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “अंतत: इस गीत की जो धुन चुनी गई, उसमें मदन ने यमनी बिलावल के लाजवाब सुर लगाए थे।”.
- BhairaviRuke Ruke Se Qadam · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “यह ग़ज़ल भी राग भैरवी पर आधारित है, लेकिन अलग-अलग स्वर संगीतियाँ लगने से इसे मिश्र भैरवी कहना ज्यादा सार्थक होगा।”.
- Mishra BhairaviRuke Ruke Se Qadam · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “यह ग़ज़ल भी राग भैरवी पर आधारित है, लेकिन अलग-अलग स्वर संगीतियाँ लगने से इसे मिश्र भैरवी कहना ज्यादा सार्थक होगा।”.