Hindi film
Meera (1979)
7 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- TodiEri Main To Prem Divani · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “When Lata refused to sing for MEERA (1979) several composers backed off and Gulzar found himself knocking on Ravi Shankar‘s door. The maestro pulled G’s chestnuts out of the fire in a trice. The haunting orchestral prelude is followed by Vani Jairam: eri main to prem diwani.”.
- Gujari TodiEri Main To Prem Divani · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “मने चाकर राखो जी’, गुजरी तोड़ी पर सृजित ‘एरी मैं तो प्रेम दिवानी’, खमाज राग पर आधारित ‘मेरे तो गिरिधर गोपाल’, जयजयवंती एवं माँझ खमाज पर आधारित ‘प्यारे दर्शन दीजो’, देस राग पर आधारित ‘मैं साँवरे के रंग’ इन सभी गीतों को रविशंकर जी ने अति सुन्दर ढंग से रागों में सृजित किया।”.
- PurviKaruna Suno Shyam Mori · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “‘Light’ items adhering strictly to Poorvi are not common. From MEERA (1979), Ravi Shankar‘s music and Vani Jairam‘s voice: karuna suno Shyam mori.”.
- KhamajMere To Giridhara Gopala · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “मने चाकर राखो जी’, गुजरी तोड़ी पर सृजित ‘एरी मैं तो प्रेम दिवानी’, खमाज राग पर आधारित ‘मेरे तो गिरिधर गोपाल’, जयजयवंती एवं माँझ खमाज पर आधारित ‘प्यारे दर्शन दीजो’, देस राग पर आधारित ‘मैं साँवरे के रंग’ इन सभी गीतों को रविशंकर जी ने अति सुन्दर ढंग से रागों में सृजित किया।”.
- YamanJo Tum Todo Piya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “यमन राग पर आधारित ‘जो तुम तोड़ो पिया”.
- DeshMain Sanware Ke Rang Rachi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “‘प्यारे दर्शन दीजो’, देस राग पर आधारित ‘मैं साँवरे के रंग’ इन सभी गीतों को रविशंकर जी ने अति सुन्दर ढंग से रागों में सृजित किया।”.
- JaijaivantiPyar Darshan Dijo Aaj · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “पर आधारित ‘मेरे तो गिरिधर गोपाल’, जयजयवंती एवं माँझ खमाज पर आधारित ‘प्यारे दर्शन दीजो’, देस राग पर आधारित ‘मैं साँवरे के रंग’ इन सभी गीतों को रविशंकर जी ने अति सुन्दर ढंग से रागों में सृजित किया।”.
- Manj KhammajPyar Darshan Dijo Aaj · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “पर आधारित ‘मेरे तो गिरिधर गोपाल’, जयजयवंती एवं माँझ खमाज पर आधारित ‘प्यारे दर्शन दीजो’, देस राग पर आधारित ‘मैं साँवरे के रंग’ इन सभी गीतों को रविशंकर जी ने अति सुन्दर ढंग से रागों में सृजित किया।”.
- BhairaviShyam Maane Chaakar · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “यमन राग पर आधारित ‘जो तुम तोड़ो पिया’, भैरवी राग पर आधारित ‘श्याम मने चाकर राखो जी”.