Hindi film
Moghal-E-Azam (1960)
1 song from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- SohaniPrem Jogan Ban Ke (a.k.a. Prem Ki Mari Qatara, Prem Jogan Ban Ke) · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “The movie MUGHAL-E-AAZAM (1960) featured a rendition by Bade Ghulam Ali Khan, patterned after the well-known thumri, prema ki mari qatara: prema jogana bana.”.
- SahniPrem Jogan Ban Ke (a.k.a. Prem Ki Mari Qatara, Prem Jogan Ban Ke) · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “गीत के बोल : प्रेम जोगन बनके; गायक कलाकार : उस्ताद बडे़ गुलाम अली खाँ; प्रयुक्त राग एवं ताल : साहनी, जतताल।”.
- MarwaPrem Jogan Ban Ke (a.k.a. Prem Ki Mari Qatara, Prem Jogan Ban Ke) · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (section); not a note-by-note check unless reviewed. Label: “स्थाई के मुखडे़ को दोहराते समय एक जगह राग मारवा के स्वरों का प्रयोग भी दिखता है तथा पुन: राग सोहनी में आ जाते हैं, जैसे-”.