Hindi film
My Name Is Khan (2010)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- KhamajAllah Hi Rahem · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “717. | अल्लाह ही रहम | My name is Khan | 2010 | शंकर-एहसान- लॉय | खमाज+ देस”.
- DeshAllah Hi Rahem · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “717. | अल्लाह ही रहम | My name is Khan | 2010 | शंकर-एहसान- लॉय | खमाज+ देस”.
- Manj KhammajNoor-E-Khuda · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “715. | नूर ए ख़ुदा | मॉय नेम इज़ ख़ान | 2010 | शंकर- एहसान-लॉय | माँझ खमाज+ पहाड़ी”.
- PahadiNoor-E-Khuda · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “715. | नूर ए ख़ुदा | मॉय नेम इज़ ख़ान | 2010 | शंकर- एहसान-लॉय | माँझ खमाज+ पहाड़ी”.
- Kaushik DhwaniSajdaa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “708. | सजदा | My Name Is Khan | 2010 | शंकर- एहसान- लॉय | कौशिक ध्वनि/ भिन्न षडज+ खमाज+ श्याम कल्याण+ गावति”.
- BhinashadajSajdaa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “708. | सजदा | My Name Is Khan | 2010 | शंकर- एहसान- लॉय | कौशिक ध्वनि/ भिन्न षडज+ खमाज+ श्याम कल्याण+ गावति”.
- KhamajSajdaa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “708. | सजदा | My Name Is Khan | 2010 | शंकर- एहसान- लॉय | कौशिक ध्वनि/ भिन्न षडज+ खमाज+ श्याम कल्याण+ गावति”.
- Shyam KalyanSajdaa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “708. | सजदा | My Name Is Khan | 2010 | शंकर- एहसान- लॉय | कौशिक ध्वनि/ भिन्न षडज+ खमाज+ श्याम कल्याण+ गावति”.
- GawatiSajdaa · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “708. | सजदा | My Name Is Khan | 2010 | शंकर- एहसान- लॉय | कौशिक ध्वनि/ भिन्न षडज+ खमाज+ श्याम कल्याण+ गावति”.
- PahadiTere Naina · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “705. | तेरे नैना तेरे नैना | My Name Is Khan | 2010 | शंकर-एहसान- लॉय | पहाड़ी+ खमाज”.
- KhamajTere Naina · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “705. | तेरे नैना तेरे नैना | My Name Is Khan | 2010 | शंकर-एहसान- लॉय | पहाड़ी+ खमाज”.