Hindi film
Papa Kehte Hain (1996)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- YamanGhar Se Nikalte Hi Kuch Door Chalate Hi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “घर से निकलते ही | पापा कहते हैं | 1996 | राजेश रौशन | यमन+ पहाड़ी”.
- PahadiGhar Se Nikalte Hi Kuch Door Chalate Hi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “घर से निकलते ही | पापा कहते हैं | 1996 | राजेश रौशन | यमन+ पहाड़ी”.
- ChayanatMujhse Naraz Ho To · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “Over three decades later Madan Mohan is re-cycled by composer Rajesh Roshan (he first did so in LOOTMAAR but nobody noticed) in PAPA KEHTE HAIN (1996). Sonu Nigam: mujhse naraz ho to.”.
- KhamajMujhse Naraz Ho To · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मुझसे नाराज हो तो हो जाओ (ग़ज़ल) | पापा कहते हैं | 1996 | राजेश रौशन | छायानट+ खमाज+ अल्हैया बिलावल”.
- Alhaiya BilawalMujhse Naraz Ho To · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मुझसे नाराज हो तो हो जाओ (ग़ज़ल) | पापा कहते हैं | 1996 | राजेश रौशन | छायानट+ खमाज+ अल्हैया बिलावल”.