Hindi film
Pyaar Kiya To Darna Kya (1998)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Nat BhairaviO O Jaane Jaana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “ओ ओ जानेजानां | प्यार किया तो डरना क्या | 1998 | जतिन-ललित | नट भैरवी”.
- ShivaranjaniOdh Li Chunariya Tere Naam Ki · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ओढ़ ली चुनरिया | प्यार किया तो डरना क्या | 1998 | जतिन-ललित | शिवरंजनी+ मधमाद सारंग”.
- Madhmad SarangOdh Li Chunariya Tere Naam Ki · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ओढ़ ली चुनरिया | प्यार किया तो डरना क्या | 1998 | जतिन-ललित | शिवरंजनी+ मधमाद सारंग”.
- BairagiTeri Jawani Badi Mast Mast Hai · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “तेरी जवानी बड़ी मस्त- मस्त है | प्यार किया तो डरना क्या | 1998 | जतिन-ललित | बैरागी+ वंशपति”.
- VanshpatiTeri Jawani Badi Mast Mast Hai · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “तेरी जवानी बड़ी मस्त- मस्त है | प्यार किया तो डरना क्या | 1998 | जतिन-ललित | बैरागी+ वंशपति”.