Hindi film
Saawariya (2007)
6 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- DeshDaras Bina Nahin Chain · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “594. | दरस बिना नहीं चैन | सांवरिया | 2007 | मॉन्टी शर्मा | देस+ खमाज+ दरबारी कान्हडा”.
- KhamajDaras Bina Nahin Chain · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “594. | दरस बिना नहीं चैन | सांवरिया | 2007 | मॉन्टी शर्मा | देस+ खमाज+ दरबारी कान्हडा”.
- Darbari KanadaDaras Bina Nahin Chain · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “594. | दरस बिना नहीं चैन | सांवरिया | 2007 | मॉन्टी शर्मा | देस+ खमाज+ दरबारी कान्हडा”.
- JhinjhotiJab Se Tere Naina · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “602. | जब से तेरे नैना | सांवरिया | 2007 | मॉन्टी शर्मा | झिंझोटी+ पहाड़ी”.
- PahadiJab Se Tere Naina · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “602. | जब से तेरे नैना | सांवरिया | 2007 | मॉन्टी शर्मा | झिंझोटी+ पहाड़ी”.
- PahadiMasha-Allah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “611. | माशा अल्लाह | सांवरिया | 2007 | मॉन्टी शर्मा | पहाड़ी”.
- CharukesiSawar Gayi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “575. | संवर गई | सांवरिया | 2007 | मॉन्टी शर्मा | चारुकेशी+ खमाज”.
- KhamajSawar Gayi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “575. | संवर गई | सांवरिया | 2007 | मॉन्टी शर्मा | चारुकेशी+ खमाज”.
- YamanThode Badmaash · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “582. | थोड़े बदमाश | सांवरिया | 2007 | मॉन्टी शर्मा | यमन+ बिहाग+ पहाड़ी”.
- BihagThode Badmaash · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “582. | थोड़े बदमाश | सांवरिया | 2007 | मॉन्टी शर्मा | यमन+ बिहाग+ पहाड़ी”.
- PahadiThode Badmaash · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “582. | थोड़े बदमाश | सांवरिया | 2007 | मॉन्टी शर्मा | यमन+ बिहाग+ पहाड़ी”.
- PahadiYun Shabnami · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “579. | यूँ शबनमी | सांवरिया | 2007 | मॉन्टी शर्मा | पहाड़ी+ चारुकेशी+ मारुबिहाग”.
- CharukesiYun Shabnami · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “579. | यूँ शबनमी | सांवरिया | 2007 | मॉन्टी शर्मा | पहाड़ी+ चारुकेशी+ मारुबिहाग”.
- Maru BihagYun Shabnami · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “579. | यूँ शबनमी | सांवरिया | 2007 | मॉन्टी शर्मा | पहाड़ी+ चारुकेशी+ मारुबिहाग”.