Hindi film
Saaz (1998)
5 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Mian Ki MalharBaadal Ghumad Bhar Aaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “यह गीत मुख्य रूप से राग मियाँ की मल्हार पर आधारित है तथा अध्धा तीनताल में निबद्ध है।”.
- DeshJai Veera · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “जय वीरा लाखों प्रणाम | साज | 1998 | राजकमल | देस+ शुद्ध सारंग+ केदार”.
- Shuddha SarangJai Veera · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “जय वीरा लाखों प्रणाम | साज | 1998 | राजकमल | देस+ शुद्ध सारंग+ केदार”.
- KedarJai Veera · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “जय वीरा लाखों प्रणाम | साज | 1998 | राजकमल | देस+ शुद्ध सारंग+ केदार”.
- JogKya Tumne Hai Keh Diya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “क्या तुमने है कह दिया | साज | 1998 | ज़ाकिर हुसैन | जोग+ गावति”.
- GawatiKya Tumne Hai Keh Diya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “क्या तुमने है कह दिया | साज | 1998 | ज़ाकिर हुसैन | जोग+ गावति”.
- JhinjhotiNindiya Hai Sapna Hai · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “निंदिया है सपना है (लोरी) | साज | 1998 | राज कमल | झिंझोटी+ खमाज”.
- KhamajNindiya Hai Sapna Hai · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “निंदिया है सपना है (लोरी) | साज | 1998 | राज कमल | झिंझोटी+ खमाज”.
- Madhmad SarangSunne Wale Sun · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “सुनने वाले सुन लेते हैं | साज | 1998 | ज़ाकिर हुसैन | मधमाद सारंग+ मेघ+ सूर मल्हार”.
- MeghSunne Wale Sun · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “सुनने वाले सुन लेते हैं | साज | 1998 | ज़ाकिर हुसैन | मधमाद सारंग+ मेघ+ सूर मल्हार”.
- Sur MalharSunne Wale Sun · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “सुनने वाले सुन लेते हैं | साज | 1998 | ज़ाकिर हुसैन | मधमाद सारंग+ मेघ+ सूर मल्हार”.
- ChampakaliSunne Wale Sun · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “सुनने वाले सुन | साज | 1998 | ज़ाकिर हुसैन- भूपेन हज़ारिका | मेघ+ चम्पाकली+ कलावती+ पूरिया धनाश्री+ पूर्वी”.
- KalavatiSunne Wale Sun · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “सुनने वाले सुन | साज | 1998 | ज़ाकिर हुसैन- भूपेन हज़ारिका | मेघ+ चम्पाकली+ कलावती+ पूरिया धनाश्री+ पूर्वी”.
- Puria DhanashriSunne Wale Sun · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “सुनने वाले सुन | साज | 1998 | ज़ाकिर हुसैन- भूपेन हज़ारिका | मेघ+ चम्पाकली+ कलावती+ पूरिया धनाश्री+ पूर्वी”.
- PurviSunne Wale Sun · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “सुनने वाले सुन | साज | 1998 | ज़ाकिर हुसैन- भूपेन हज़ारिका | मेघ+ चम्पाकली+ कलावती+ पूरिया धनाश्री+ पूर्वी”.