Hindi film
Sangeet Samrat Tansen (1962)
9 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- BhairavHe Natraja Gangadhar Shambho Bolenath · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “गीत के बोल : हे नटराज गंगाधर दर्शन दो; गायक कलाकार : कमल बारोट, महेन्द्र कपूर; प्रयुक्त राग एवं ताल : भैरव, कहरवा+दादरा।”.
- SohaniJhumati Chali Hava · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “Another old classic, from SANGEET SAMRAT TANSEN (1962), tuned by S.N. Tripathi for Mukesh: jhoomti chali hava.”.
- Kaushik DhwaniSudh Bisar Gai Aja · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : सुध बिसर गई आज; गायक कलाकार : मन्ना डे, मोहम्मद रफी; प्रयुक्त राग एवं ताल : कौशिक ध्वनि+रागेश्री, झपताल।”.
- RageshriSudh Bisar Gai Aja · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : सुध बिसर गई आज; गायक कलाकार : मन्ना डे, मोहम्मद रफी; प्रयुक्त राग एवं ताल : कौशिक ध्वनि+रागेश्री, झपताल।”.
- Darbari KanadaMitwa Laut Aaye Meri · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “गीत के बोल : मितवा लौट आए री (इस गीत के प्रारंभ में आलाप गाया गया है); गायक कलाकार : मन्ना डे; प्रयुक्त राग एवं ताल : दरबारी, तीनताल।”.
- BhairavRaag Bhairav Pratham Shant Ras Jake · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : राग भैरव प्रथम शांत रस जाके (रागमालिका); गायक कलाकार : मन्ना डे एवं साथी कलाकार; प्रयुक्त राग एवं ताल : भैरव+मालकौंस+हिण्डोल+श्री+दीपक+मेघमल्हार, झपताल।”.
- MalkaunsRaag Bhairav Pratham Shant Ras Jake · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : राग भैरव प्रथम शांत रस जाके (रागमालिका); गायक कलाकार : मन्ना डे एवं साथी कलाकार; प्रयुक्त राग एवं ताल : भैरव+मालकौंस+हिण्डोल+श्री+दीपक+मेघमल्हार, झपताल।”.
- HindolRaag Bhairav Pratham Shant Ras Jake · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : राग भैरव प्रथम शांत रस जाके (रागमालिका); गायक कलाकार : मन्ना डे एवं साथी कलाकार; प्रयुक्त राग एवं ताल : भैरव+मालकौंस+हिण्डोल+श्री+दीपक+मेघमल्हार, झपताल।”.
- ShreeRaag Bhairav Pratham Shant Ras Jake · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : राग भैरव प्रथम शांत रस जाके (रागमालिका); गायक कलाकार : मन्ना डे एवं साथी कलाकार; प्रयुक्त राग एवं ताल : भैरव+मालकौंस+हिण्डोल+श्री+दीपक+मेघमल्हार, झपताल।”.
- DeepakRaag Bhairav Pratham Shant Ras Jake · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : राग भैरव प्रथम शांत रस जाके (रागमालिका); गायक कलाकार : मन्ना डे एवं साथी कलाकार; प्रयुक्त राग एवं ताल : भैरव+मालकौंस+हिण्डोल+श्री+दीपक+मेघमल्हार, झपताल।”.
- Megh MalharRaag Bhairav Pratham Shant Ras Jake · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : राग भैरव प्रथम शांत रस जाके (रागमालिका); गायक कलाकार : मन्ना डे एवं साथी कलाकार; प्रयुक्त राग एवं ताल : भैरव+मालकौंस+हिण्डोल+श्री+दीपक+मेघमल्हार, झपताल।”.
- KhamajSakhi Kaise Dharoon Main Dhir · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “सखी कैसे धँरू में धीर - (लता) खमाज एवं माँझ खमाज मितवा लौट आए री - (मन्ना डे) दरबारी कान्हड़ा झूमती चली हवा याद आ गया कोई - (मुकेश) सोहनी आधारित सुर-इस फ़िल्म के बाकी गीत भी शास्त्रीय रागों पर आधारित हैं।”.
- Manj KhammajSakhi Kaise Dharoon Main Dhir · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “सखी कैसे धँरू में धीर - (लता) खमाज एवं माँझ खमाज मितवा लौट आए री - (मन्ना डे) दरबारी कान्हड़ा झूमती चली हवा याद आ गया कोई - (मुकेश) सोहनी आधारित सुर-इस फ़िल्म के बाकी गीत भी शास्त्रीय रागों पर आधारित हैं।”.
- HemantSapta Suran Teen Gram · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : सप्त सुरन तीनग्राम; गायक कलाकार : मन्ना डे; प्रयुक्त राग एवं ताल : हेमन्त+यमन कल्याण, चारताल।”.
- YamanSapta Suran Teen Gram · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : सप्त सुरन तीनग्राम; गायक कलाकार : मन्ना डे; प्रयुक्त राग एवं ताल : हेमन्त+यमन कल्याण, चारताल।”.