Hindi film
Sau Saal Baad (1966)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- YamanAbake Baras · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “के साथ प्रयुक्त आर्केस्ट्रा, राग यमन पर आधारित ‘सौ साल बाद’ फ़िल्म का गीत ‘अबके बरस’ मंे लता जी का ‘बहार’ शब्द पर निषाद में रूकना-काफी श्रुतिमधुर है।”.
- SohaniAbake Baras · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “‘अबके बरस’ मंे लता जी का ‘बहार’ शब्द पर निषाद में रूकना-काफी श्रुतिमधुर है। इस गीत में पहले ‘यमन’ एवं अंतरे में सोहनी राग का प्रयोग हुआ है।”.
- DhanyadhaivatEk Ritu Aaye Ek Ritu Jaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “इस गीत में राग धन्यधैवत, आभोगी, मेघमल्हार व बसन्त बहार रागों के दर्शन बड़ी सरलता से किये जा सकते है।”.
- AbhogiEk Ritu Aaye Ek Ritu Jaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “इस गीत में राग धन्यधैवत, आभोगी, मेघमल्हार व बसन्त बहार रागों के दर्शन बड़ी सरलता से किये जा सकते है।”.
- Megh MalharEk Ritu Aaye Ek Ritu Jaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “इस गीत में राग धन्यधैवत, आभोगी, मेघमल्हार व बसन्त बहार रागों के दर्शन बड़ी सरलता से किये जा सकते है।”.
- Basant BaharEk Ritu Aaye Ek Ritu Jaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “इस गीत में राग धन्यधैवत, आभोगी, मेघमल्हार व बसन्त बहार रागों के दर्शन बड़ी सरलता से किये जा सकते है।”.
- KhamajNa Jaiyo Radhe · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “17. | ना जईयो राधे..... | सौ साल बाद | 1966 | मो० रफी | लक्ष्मीकांत प्यारेलाल | आनन्द बक्शी”.
Music
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