Hindi film
Sautela Bhai (1962)
1 song from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- AdanaJa Main Tose Nahin Boloon · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “उन्होंने इस ठुमरी में अड़ाना, बहार, गारा, मीयाँ की मल्हार, काफी, शहाना इन सभी रागों का प्रयोग किया है।”.
- BaharJa Main Tose Nahin Boloon · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “बहार, गारा, मीयाँ की मल्हार, काफी, शहाना इन सभी रागों का प्रयोग किया है।”.
- GaraJa Main Tose Nahin Boloon · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “बहार, गारा, मीयाँ की मल्हार, काफी, शहाना इन सभी रागों का प्रयोग किया है।”.
- Mian Ki MalharJa Main Tose Nahin Boloon · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “बहार, गारा, मीयाँ की मल्हार, काफी, शहाना इन सभी रागों का प्रयोग किया है।”.
- KafiJa Main Tose Nahin Boloon · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “जिसमें तबला वादन एवं हारमोनियम वादन काफी प्रभावशाली है।”.
- ShahanaJa Main Tose Nahin Boloon · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “बहार, गारा, मीयाँ की मल्हार, काफी, शहाना इन सभी रागों का प्रयोग किया है।”.
Music
Singers
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