Hindi film
Tees Maar Khan (2010)
2 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- MadhukaunsSheila Ki Jawani · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “694. | शीला की जवानी | तीस मार खान | 2010 | विशाल- शेखर | मधुकौंस+ धानी+ काफी”.
- DhaniSheila Ki Jawani · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “694. | शीला की जवानी | तीस मार खान | 2010 | विशाल- शेखर | मधुकौंस+ धानी+ काफी”.
- KafiSheila Ki Jawani · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “694. | शीला की जवानी | तीस मार खान | 2010 | विशाल- शेखर | मधुकौंस+ धानी+ काफी”.
- KafiWallah Re Wallah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “703. | वल्ला रे वल्ला | तीस मार ख़ां | 2010 | विशाल- शेखर | काफी+ धानी+ पीलू+ वृन्दावनी सारंग+ मधमाद सारंग+ सरस्वती+ मियां मल्हार+ दरबारी”.
- DhaniWallah Re Wallah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “703. | वल्ला रे वल्ला | तीस मार ख़ां | 2010 | विशाल- शेखर | काफी+ धानी+ पीलू+ वृन्दावनी सारंग+ मधमाद सारंग+ सरस्वती+ मियां मल्हार+ दरबारी”.
- PiluWallah Re Wallah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “703. | वल्ला रे वल्ला | तीस मार ख़ां | 2010 | विशाल- शेखर | काफी+ धानी+ पीलू+ वृन्दावनी सारंग+ मधमाद सारंग+ सरस्वती+ मियां मल्हार+ दरबारी”.
- Brindavani SarangWallah Re Wallah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “703. | वल्ला रे वल्ला | तीस मार ख़ां | 2010 | विशाल- शेखर | काफी+ धानी+ पीलू+ वृन्दावनी सारंग+ मधमाद सारंग+ सरस्वती+ मियां मल्हार+ दरबारी”.
- Madhmad SarangWallah Re Wallah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “703. | वल्ला रे वल्ला | तीस मार ख़ां | 2010 | विशाल- शेखर | काफी+ धानी+ पीलू+ वृन्दावनी सारंग+ मधमाद सारंग+ सरस्वती+ मियां मल्हार+ दरबारी”.
- SaraswatiWallah Re Wallah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “703. | वल्ला रे वल्ला | तीस मार ख़ां | 2010 | विशाल- शेखर | काफी+ धानी+ पीलू+ वृन्दावनी सारंग+ मधमाद सारंग+ सरस्वती+ मियां मल्हार+ दरबारी”.
- Mian Ki MalharWallah Re Wallah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “703. | वल्ला रे वल्ला | तीस मार ख़ां | 2010 | विशाल- शेखर | काफी+ धानी+ पीलू+ वृन्दावनी सारंग+ मधमाद सारंग+ सरस्वती+ मियां मल्हार+ दरबारी”.
- Darbari KanadaWallah Re Wallah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “703. | वल्ला रे वल्ला | तीस मार ख़ां | 2010 | विशाल- शेखर | काफी+ धानी+ पीलू+ वृन्दावनी सारंग+ मधमाद सारंग+ सरस्वती+ मियां मल्हार+ दरबारी”.