Skip to main content

Raag Bhimpalasi: how the sources vote

RagaPedia shows the version of each field that the most independent sources agree on. One publisher counts once, however many pages it has. Where two versions tie, both are shown on the profile and either can be played. Each source’s own wording and location are below.

Back to Raag Bhimpalasi

How the sources vote

Each field shows the version most independent sources agree on. One publisher counts once. Where the vote ties, both versions are shown and either can be played.

ThaatAll 5 sources agree

  1. Kafi

    5 of 5

    IGNOU BHMCT-105H · Artium Academy · Darbar · Shankar Mahadevan Academy · Ragakosh

    Where each source says it
    • IGNOU BHMCT-105H, §3.4.2 भीमपलासी राग का विवरण; printed p.184
    • Artium Academy, Raag Bheempalasi page, profile details
    • Darbar, Bhimpalasi - Darbar, thaat
    • Shankar Mahadevan Academy, Raga Bhimpalasi: The Afternoon Raga of Longing, thaat
    • Ragakosh, Raga Bhimpalasi - Learn Thaat, Jaati, Time, Vadi, Samvadi, Aroh, Avroh, Pakad - Powered by Ragakosh, thaat
JatiAll 5 sources agree

  1. Audav-Sampurna

    5 of 5

    IGNOU BHMCT-105H · Artium Academy · Darbar · Shankar Mahadevan Academy · Ragakosh

    Where each source says it
    • IGNOU BHMCT-105H, §3.4.2 भीमपलासी राग का विवरण; printed p.184
    • Artium Academy, Raag Bheempalasi page, profile details
    • Darbar, Bhimpalasi - Darbar, jati
    • Shankar Mahadevan Academy, Raga Bhimpalasi: The Afternoon Raga of Longing, jati
    • Ragakosh, Raga Bhimpalasi - Learn Thaat, Jaati, Time, Vadi, Samvadi, Aroh, Avroh, Pakad - Powered by Ragakosh, jati
Time5 of 6 sources agree

  1. afternoon (third prahar of the day, about noon–3 pm)

    5 of 6

    AUTRIM · ITC Sangeet Research Academy · Artium Academy · Shankar Mahadevan Academy · Ragakosh

    • AUTRIM: early afternoon
    • ITC Sangeet Research Academy: Afternoon, 13:00–16:00
    • Artium Academy: 3rd Prahar of the Day (12PM to 3PM)
    • Shankar Mahadevan Academy: Bhimpalasi is an afternoon raga, traditionally performed in the third quarter of the day (roughly midday to late afternoon).
    • Ragakosh: 12:00PM to 3:00PM
    Where each source says it

  2. late afternoon to sunset (fourth prahar of the day, about 3–6 pm)

    1 of 6

    Darbar

    • Darbar: Late Afternoon (pre-sunset)
    Where each source says it
    • Darbar, Bhimpalasi - Darbar, time

  3. any time

    1 of 6

    Shankar Mahadevan Academy

    • Shankar Mahadevan Academy: Anytime
    Where each source says it
Aroha4 of 4 sources agree

  1. Sa ga Ma Pa ni Sa'

    4 of 4

    Shankar Mahadevan Academy · Artium Academy · Darbar · Ragakosh · 3 of these print it inside a longer ladder (with a lead-in or tail)

    Where each source says it
    • Shankar Mahadevan Academy, Raga Bhimpalasi: The Afternoon Raga of Longing, aroha
    • Artium Academy, Raag Bheempalasi page, aroha
    • Darbar, Bhimpalasi - Darbar, aroha
    • Ragakosh, Raga Bhimpalasi - Learn Thaat, Jaati, Time, Vadi, Samvadi, Aroh, Avroh, Pakad - Powered by Ragakosh, aroha

  2. .ni Sa ga Ma Pa ni Sa'

    3 of 4

    Artium Academy · Darbar · Ragakosh

    Where each source says it
    • Artium Academy, Raag Bheempalasi page, aroha
    • Darbar, Bhimpalasi - Darbar, aroha
    • Ragakosh, Raga Bhimpalasi - Learn Thaat, Jaati, Time, Vadi, Samvadi, Aroh, Avroh, Pakad - Powered by Ragakosh, aroha
Avaroha2 of 4 sources agree

  1. Sa' ni Dha Pa Ma ga Re Sa

    2 of 4

    Shankar Mahadevan Academy · Ragakosh

    Where each source says it
    • Shankar Mahadevan Academy, Raga Bhimpalasi: The Afternoon Raga of Longing, avaroha
    • Ragakosh, Raga Bhimpalasi - Learn Thaat, Jaati, Time, Vadi, Samvadi, Aroh, Avroh, Pakad - Powered by Ragakosh, avaroha

  2. Sa' ni Dha Pa Ma ga Re Sa .ni Sa .Pa .ni Sa

    1 of 4

    Artium Academy

    Where each source says it

  3. Sa' ni Dha Pa Ma ga Ma ga Re Sa

    1 of 4

    Darbar

    Where each source says it
    • Darbar, Bhimpalasi - Darbar, avaroha
Pakad3 versions in 3 sources

  1. ni Sa ga - Re Sa Re - Sa; Re ni Sa / Ma; Ma Pa \ ga ~

    1 of 3

    AUTRIM

    Where each source says it
    • AUTRIM, Bhimpalasi page, characteristic phrases

  2. .ni Sa Re .ni Sa; .Pa .ni Sa; Sa Ma; Ma ga Ma Pa; Pa Ma Pa; ga Ma Pa ni Dha Pa; Pa ni Sa' ni Sa'; Ma' ga' Re' Sa'; Sa' ni Dha Pa; Dha Ma Pa; ga; Ma ga Re Sa

    1 of 3

    Darbar

    Where each source says it
    • Darbar, Bhimpalasi - Darbar, pakad

  3. .ni Sa Ma ga Ma Pa Ma Sa ga Re Sa

    1 of 3

    Ragakosh

    Where each source says it
    • Ragakosh, Raga Bhimpalasi - Learn Thaat, Jaati, Time, Vadi, Samvadi, Aroh, Avroh, Pakad - Powered by Ragakosh, pakad
VadiAll 5 sources agree

  1. Ma

    5 of 5

    IGNOU BHMCT-105H · Artium Academy · Darbar · Shankar Mahadevan Academy · Ragakosh

    Where each source says it
    • IGNOU BHMCT-105H, §3.4.2 भीमपलासी राग का विवरण; printed p.184
    • Artium Academy, Raag Bheempalasi page, profile details
    • Darbar, Bhimpalasi - Darbar, vadi
    • Shankar Mahadevan Academy, Raga Bhimpalasi: The Afternoon Raga of Longing, vadi
    • Ragakosh, Raga Bhimpalasi - Learn Thaat, Jaati, Time, Vadi, Samvadi, Aroh, Avroh, Pakad - Powered by Ragakosh, vadi
SamvadiAll 5 sources agree

  1. Sa

    5 of 5

    IGNOU BHMCT-105H · Artium Academy · Darbar · Shankar Mahadevan Academy · Ragakosh

    Where each source says it
    • IGNOU BHMCT-105H, §3.4.2 भीमपलासी राग का विवरण; printed p.184
    • Artium Academy, Raag Bheempalasi page, profile details
    • Darbar, Bhimpalasi - Darbar, samvadi
    • Shankar Mahadevan Academy, Raga Bhimpalasi: The Afternoon Raga of Longing, samvadi
    • Ragakosh, Raga Bhimpalasi - Learn Thaat, Jaati, Time, Vadi, Samvadi, Aroh, Avroh, Pakad - Powered by Ragakosh, samvadi