How was the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary identified?
Ragapedia does not use AI audio recognition. Software tidies song details and removes duplicates; only a checked source can put a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary on a song page, and only a musician's review marks it as reviewed.
1. A checked source names the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
A raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only when a source we have read names it for that song: the composer's own words, a named musician's or researcher's analysis, a participant's recollection, or label documentation. Ragapedia does not listen to a recording and declare a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary on its own.
2. The evidence is recorded exactly
Each claim keeps its source, the exact page, paragraph or timestamp, and the source's own wording. Unattributed discovery indexes stay private. A named researcher's explicit song–raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary table can support a reported attribution, but does not establish an individual musical analysis or a checked recording.
3. Musicians review it
Every claim says whether a musician has reviewed it yet. A review checks the claim against the exact recording. Rejected and disputed claims are not shown.
4. Counts show their scope
RaagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary and artist totals include published songs whose raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary comes from a cited source. These songs are labelled not yet reviewed by a musician until review. A song counts towards the catalogue target when a named source states its raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary with an exact page or passage, and the song is a Hindi film song from 1960 or later in the open-data song list. Musical review is not required to count.
What the system does not claim
No automatic raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary detector has classified these film recordings.
A matching note set is not treated as sufficient; melodic movement and characteristic phrases matter.
A recording link is not a timestamp. Phrase timestamps appear only after a reviewer enters and verifies them.
Catalog counts describe the declared source corpus, not every Hindi film song ever released.
A composer's statement records what the composer said; it is not a note-by-note check of the recording.
Several pages that repeat the same statement count as one source, not several.
For the musical principle behind review, the method follows the distinction between a pitch structure and chalanChalanThe way a raag moves through its notes: characteristic turns, phrases and patterns of emphasis. These behaviours help distinguish raags with similar pitch sets.Source: AM “Rag”. and 2 moreMore in the glossary: film composers may depart from a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary, and two raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary can share notes while moving differently.
