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Bhushan II revision pack

Raags prescribed for Bhushan II in Pracheen Kala Kendra's “Vocal Music syllabus: Prarambhik to Bhushan”, as cited on RagaPedia's raag profiles.

A syllabus shows the year a raag is prescribed, not how it is sung. This pack covers only the raags RagaPedia profiles; check the syllabus itself (https://pracheenkalakendra.org/wp-content/uploads/2026/04/1_Vocal-Music-Bhushan.pdf) for the full list. A sourced revision aid: no examination board approval or endorsement is claimed. Printed 8 November 2026 from ragapedia.com.

Raag Bageshri

Kafi thaat · Audav-Sampurna · midnight (third prahar of the night, about 12–3 am)

Prescribed for Bhushan II (Pracheen Kala Kendra, printed p.5, list of prescribed raags).

Aroha
Sa ga Ma Dha ni Sa'
Avaroha
Sa' ni Dha Ma Pa Dha ga Ma ga Re Sa
Pakad
Dha ni Sa / Ma - ga ~ Re Sa; Ma Pa Dha \ ga ~ Re - Sa
Vadi · samvadi
Ma · Sa

Practise

  1. Sing a rising phrase without Pa, then hold Ma.
  2. Sing Dha ni Sa, glide up to Ma, and oscillate komal Ga before Re Sa.
  3. Notice how rarely Pa appears in the descent, especially in fast passages.

Sources: Raag Hindustani / Sādhana (aroha, avaroha, thaat, time); Swaranjali Music School (aroha, vadi, samvadi, thaat); Prabhāta Saṃgiita (article by Kirit) (aroha, vadi, samvadi, thaat, time); Krsna Kirtana Songs (aroha, avaroha, vadi, samvadi, thaat, time); KalaSudha (aroha, vadi, samvadi, thaat, time); AUTRIM (pakad, time); IGNOU BSKS-185 (vadi, samvadi, thaat); Artium Academy (vadi, samvadi, thaat); Rāga Junglism / George Howlett (vadi, time). Full citations: ragapedia.com/ragas/bageshri/sources

Raag Bhairavi

Bhairavi thaat · Sampurna-Sampurna · early morning (first prahar of the day, about 6–9 am)

Prescribed for Bhushan II (Pracheen Kala Kendra, printed p.5, list of prescribed raags).

Aroha
Sa re ga Ma Pa dha ni Sa'
Avaroha
Sa' ni dha Pa Ma ga re Sa
Pakad
Sa ga - Ma Pa Ma ga Ma re Sa; ga Ma Pa dha Pa; Ma ga - Sa re Sa
Vadi · samvadi
Ma · Sa

Practise

  1. Sing the ascent Sa re ga Ma Pa dha ni Sa' using only komal Re, Ga, Dha and Ni.
  2. Sing Sa ga Ma Pa Ma ga Ma re Sa slowly.
  3. In a light-classical recording, mark every note outside the four-komal core.

Sources: IGNOU OMU-001 (aroha, avaroha, vadi, samvadi, thaat, time); Artium Academy (aroha, avaroha, vadi, samvadi, thaat, time); Krsna Kirtana Songs (aroha, avaroha, vadi, samvadi, thaat, time); KalaSudha (aroha, avaroha, vadi, samvadi, thaat, time); Raag Hindustani / Sādhana (aroha, avaroha); Prabhāta Saṃgiita (article by Kirit) (aroha, avaroha, vadi, samvadi, thaat, time); Rāga Junglism / George Howlett (avaroha, vadi, time); AUTRIM (pakad, time). Full citations: ragapedia.com/ragas/bhairavi/sources

Raag Bhimpalasi

Kafi thaat · Audav-Sampurna · afternoon (third prahar of the day, about noon–3 pm)

Prescribed for Bhushan II (Pracheen Kala Kendra, printed p.5, list of prescribed raags).

Aroha
Sa ga Ma Pa ni Sa'
Avaroha
Sa' ni Dha Pa Ma ga Re Sa
Pakad
ni Sa ga - Re Sa Re - Sa; Re ni Sa / Ma; Ma Pa \ ga ~
Vadi · samvadi
Ma · Sa

Practise

  1. Sing an ascent from lower komal Ni that leaves out Re and Dha.
  2. Sing Ma Pa, glide down to komal Ga, and oscillate it.
  3. Sing ni Sa ga Re Sa slowly.

Sources: Artium Academy (aroha, vadi, samvadi, thaat, time); Shankar Mahadevan Academy (aroha, avaroha, vadi, samvadi, thaat, time); Darbar (aroha, vadi, samvadi, thaat); Ragakosh (aroha, avaroha, vadi, samvadi, thaat, time); AUTRIM (pakad, time); IGNOU BHMCT-105H (vadi, samvadi, thaat); ITC Sangeet Research Academy (time). Full citations: ragapedia.com/ragas/bhimpalasi/sources

Raag Brindavani Sarang

Kafi thaat · Audav-Audav · afternoon (third prahar of the day, about noon–3 pm)

Prescribed for Bhushan II (Pracheen Kala Kendra, printed p.5, list of prescribed raags), spelt “Vrindavani Saarang”.

Aroha
Sa Re Ma Pa Ni Sa'
Avaroha
Sa' ni Pa Ma Re Sa
Pakad
Re Ma Pa ni \ Pa; Pa \ Re Ma \ Re Ni Sa
Vadi · samvadi
Re · Pa

Practise

  1. Sing Re Ma Pa ni and glide down to Pa.
  2. Sing Pa, glide down to Re, then Ma, glide to Re, and end Ni Sa.
  3. Sing the ascent .Ni Sa Re Ma Pa Ni Sa'. It has no Ga or Dha.

Sources: IGNOU OMU-001 (aroha, avaroha, vadi, samvadi, thaat, time); Artium Academy (aroha, avaroha, vadi, samvadi, thaat, time); AGK Sangeet (aroha, avaroha, thaat); Krsna Kirtana Songs (aroha, vadi, samvadi, thaat); Raga Junglism / George Howlett (aroha, vadi, samvadi, time); AUTRIM (pakad, time). Full citations: ragapedia.com/ragas/brindavani-sarang/sources

Raag Desh

Khamaj thaat · Audav-Sampurna · night (second prahar of the night, about 9 pm–12 am)

Prescribed for Bhushan II (Pracheen Kala Kendra, printed p.5, list of prescribed raags).

Aroha
Sa Re Ma Pa Ni Sa'
Avaroha
Sa' ni Dha Pa, Dha Ma Ga Re, Ga .Ni Sa
Pakad
.Ni Sa, Re Ma Ga Re, .Ni Sa, Re Ma Pa, Dha Ma Ga Re, Re Ma Pa ni Dha Pa, Ma Pa Ni Sa', Pa Ni Sa' Re' ni Dha Pa
Vadi · samvadi
Re · Pa

Practise

  1. Sing the ascent Sa Re Ma Pa Ni Sa' with shuddha Ni.
  2. Sing the descent Re' ni Dha Pa, Dha Ma Ga Re, Ga .Ni Sa and notice where komal Ni appears.
  3. The Darbar profile names Jaijaivanti as close to Desh. Read both profiles and list what they share.

Sources: IGNOU OMU-001 (aroha, avaroha, vadi, samvadi, thaat); Artium Academy (aroha, avaroha, vadi, samvadi, thaat, time); Darbar (aroha, pakad, vadi, samvadi, thaat, time); Shankar Mahadevan Academy (aroha, vadi, samvadi, thaat, time); AGK Sangeet (aroha, avaroha, vadi, samvadi, thaat, time). Full citations: ragapedia.com/ragas/desh/sources

Raag Durga

Bilawal thaat · Audav-Audav · night (second prahar of the night, about 9 pm–12 am)

Prescribed for Bhushan II (Pracheen Kala Kendra, printed p.5, list of prescribed raags).

Aroha
Sa Re Ma Pa Dha Sa'
Avaroha
Sa' Dha Pa Ma Re Sa
Pakad
Ma Re / Pa; Dha Ma \ Re; Dha Ma Pa Dha; Re Dha / Sa
Vadi · samvadi
Dha · Re

Practise

  1. Sing Sa Re Ma Pa Dha Sa' and back down.
  2. Sing Ma Re, glide up to Pa, and rest there.
  3. Sing Dha Ma Pa Dha and listen for Ma inside the phrase.

Sources: IGNOU OMU-001 (aroha, avaroha, vadi, samvadi, thaat); AUTRIM (aroha, avaroha, pakad); Artium Academy (aroha, thaat, time); AGK Sangeet (aroha, avaroha, vadi, samvadi, thaat, time); Darbar (aroha, avaroha, thaat); Krsna Kirtana Songs (aroha, vadi, samvadi, thaat, time); RagaMelody (aroha, avaroha, thaat, time). Full citations: ragapedia.com/ragas/durga/sources

Raag Hamir

Kalyan thaat · Sampurna (vakra; directional counts unspecified) · early night (first prahar of the night, about 6–9 pm)

Prescribed for Bhushan II (Pracheen Kala Kendra, printed p.5, list of prescribed raags).

Aroha
Sa Ga Ma Dha Ni Dha Sa'
Avaroha
Sa' Ni Dha Pa Ma♯ Pa Ga Ma Re Sa
Pakad
Sa - Ga Ma Ni Dha; Ma♯ Pa Ga Ma Re; Ni Dha Ni Sa; Dha Ma♯ Pa Ga Ma Ni Dha
Vadi · samvadi
Dha · Ga

Practise

  1. Sing Sa Ga Ma Ni Dha and hold the Dha.
  2. Sing the descent Sa' Ni Dha Pa Ma♯ Pa Ga Ma Re Sa.
  3. Ga Ma Re Sa can suggest Kamod. Sing it after a strong Dha to keep the phrase in Hamir.

Sources: Artium Academy (aroha, vadi, samvadi, thaat); Darbar (aroha, vadi, samvadi, thaat, time); Online Sangeet (aroha, vadi, samvadi, thaat, time); AUTRIM (avaroha, pakad, time); Raga Junglism (avaroha). Full citations: ragapedia.com/ragas/hamir/sources

Raag Kafi

Kafi thaat · Sampurna-Sampurna · midnight (third prahar of the night, about 12–3 am)

Prescribed for Bhushan II (Pracheen Kala Kendra, printed p.5, list of prescribed raags).

Aroha
Sa Re ga Ma Pa Dha ni Sa'
Avaroha
Sa' ni Dha Pa Ma ga Re Sa
Pakad
Re ga Re Ma Ma Pa; ga - Ma Pa Ma Pa; Dha Ma ni Pa ga Re; Sa ni \ Pa ga Re
Vadi · samvadi
Pa · Sa

Practise

  1. Sing the ascent Sa Re ga Ma Pa Dha ni Sa' slowly and name each komal note.
  2. Sing Re ga Re Ma Ma Pa and pause on Pa.
  3. Lighter performances may add shuddha Ga. Listen for it in a thumri recording and keep it apart from the core notes.

Sources: NIOS (aroha, avaroha, vadi, samvadi, thaat, time); Artium Academy (aroha, avaroha, vadi, samvadi, thaat); Krsna Kirtana Songs (aroha, avaroha, vadi, samvadi, thaat); Rāga Junglism / George Howlett (aroha, avaroha, thaat, time); Raag Hindustani / Sādhana (aroha, avaroha); Swaranjali Music School (aroha, avaroha, vadi, samvadi, thaat, time); AUTRIM (pakad, time). Full citations: ragapedia.com/ragas/kafi/sources

Raag Patdeep

Kafi thaat · Audav-Sampurna · afternoon (third prahar of the day, about noon–3 pm)

Prescribed for Bhushan II (Pracheen Kala Kendra, printed p.5, list of prescribed raags).

Aroha
Sa ga Ma Pa Ni Sa'
Avaroha
Sa' Ni Dha Pa Ma ga Re Sa
Pakad
Ni Sa ga Sa Re - Sa; ga Ma Pa Ni Dha Pa; Ni Sa Dha Pa; Dha Ma Pa \ ga ~
Vadi · samvadi
Pa · Sa

Practise

  1. Sing Ni Sa ga Sa Re Sa, touching Sa around Re.
  2. Sing Dha Ma Pa, glide down to komal Ga, and oscillate it.
  3. Without the Ga oscillation and the Sa touch on Re, a phrase can suggest Pilu. Sing a phrase both ways and listen.

Sources: Artium Academy (aroha, avaroha, vadi, samvadi, thaat, time); Riyaz (aroha, vadi, samvadi, thaat); Raagist (aroha, avaroha, vadi, samvadi, thaat); Online Sangeet (aroha, avaroha, vadi, samvadi, thaat, time); AUTRIM (pakad, time); Raga Junglism (time). Full citations: ragapedia.com/ragas/patdeep/sources