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Prarambhik I revision pack

Raags prescribed for Prarambhik I in Pracheen Kala Kendra's “Vocal Music syllabus: Prarambhik to Bhushan”, as cited on RagaPedia's raag profiles.

A syllabus shows the year a raag is prescribed, not how it is sung. This pack covers only the raags RagaPedia profiles; check the syllabus itself (https://pracheenkalakendra.org/wp-content/uploads/2026/04/1_Vocal-Music-Bhushan.pdf) for the full list. A sourced revision aid: no examination board approval or endorsement is claimed. Printed 8 November 2026 from ragapedia.com.

Raag Alhaiya Bilawal

Bilawal thaat · Shadav-Sampurna · late morning (second prahar of the day, about 9 am–noon)

Prescribed for Prarambhik I (Pracheen Kala Kendra, printed p.1, list of prescribed raags), spelt “Bilawal or Alahiya Bilawal”.

Aroha
Sa Re Ga Pa Dha Ni Sa'
Avaroha
Sa' Ni Dha Pa Dha ni Dha Pa Ma Ga Ma Re Sa
Pakad
Ga ~ Re Ga / Pa; Dha ~ ni Dha \ Pa; Dha \ Ga; Ga Ma Re Ga Pa Ma Ga
Vadi · samvadi
Dha · Ga

Practise

  1. Sing the turn Ga Ma Re Ga Pa slowly.
  2. Sing the descent Sa' Ni Dha Pa Dha ni Dha Pa Ma Ga Ma Re Sa and mark the komal Ni.
  3. Shuddha Bilawal has Ma in the ascent and no komal Ni. Sing an Alhaiya Bilawal ascent without Ma.

Sources: NIOS (aroha, avaroha, vadi, samvadi, thaat); Artium Academy (aroha, vadi, samvadi, thaat); Raagist (aroha, vadi, samvadi, thaat); Raga Junglism (aroha, vadi); Online Sangeet (avaroha, vadi, samvadi, thaat); AUTRIM (pakad, time); Darbar (vadi, samvadi, thaat, time); Riyaz (vadi, samvadi, thaat, time); ITC Sangeet Research Academy (time). Full citations: ragapedia.com/ragas/alhiya-bilawal/sources

Raag Bhupali

Kalyan thaat · Audav-Audav · early night (first prahar of the night, about 6–9 pm)

Prescribed for Prarambhik I (Pracheen Kala Kendra, printed p.1, list of prescribed raags).

Aroha
Sa Re Ga Pa Dha Sa'
Avaroha
Sa' Dha Pa Ga Re Sa
Pakad
Ga Re \ Dha Sa; Ga Re Pa \ Ga
Vadi · samvadi
Ga · Dha

Practise

  1. Sing Sa Re Ga Pa Dha Sa' and back down without adding Ma or Ni.
  2. Sing Ga Re, glide down to Dha, and come back to Sa.
  3. Deshkar uses the same notes but stresses Pa and Dha and moves higher. Sing a Bhupali phrase low and slow, then the same notes higher with Re kept weak.

Sources: NIOS (aroha, avaroha, vadi, samvadi, thaat); Artium Academy (aroha, avaroha, vadi, samvadi, thaat, time); Krsna Kirtana Songs (aroha, avaroha, vadi, samvadi, thaat, time); Rāga Junglism / George Howlett (aroha, avaroha, vadi, samvadi); Raag Hindustani / Sādhana (aroha, avaroha, thaat, time); AUTRIM (pakad, time); IGNOU OMU-001 (vadi, samvadi, thaat, time); Swaranjali Music School (vadi, samvadi, thaat, time). Full citations: ragapedia.com/ragas/bhoopali/sources

Raag Yaman

Kalyan thaat · Sampurna-Sampurna · early night (first prahar of the night, about 6–9 pm)

Prescribed for Prarambhik I (Pracheen Kala Kendra, printed p.1, list of prescribed raags).

Aroha
.Ni Re Ga Ma♯ Pa Dha Ni Sa'
Avaroha
Sa' Ni Dha Pa Ma♯ Ga Re Sa
Pakad
Ma♯ Dha Ni Re \ Dha Sa; Ni Re Ga Ma♯ Pa \ Re Ga; Re Ga Ma♯ \ Re Ma♯ Ga; Ga Ma♯ Dha Ni Dha Pa
Vadi · samvadi
Ga · Ni

Practise

  1. Sing the phrase Ni Re Ga Ma♯ Pa slowly and let it rest on Pa.
  2. Sing Ma♯ Dha Ni Re, then glide down to Dha and end on Sa.
  3. AUTRIM says a direct descent leaves out Sa and Pa. Sing a descent from Ni that skips them.

Sources: IGNOU OMU-001 (aroha, vadi, samvadi, thaat, time); KalaSudha (aroha, avaroha, vadi, samvadi, thaat, time); Prabhāta Saṃgiita (article by Kirit) (aroha, avaroha, vadi, samvadi, thaat, time); NIOS (avaroha, vadi, samvadi, thaat); Artium Academy (avaroha, vadi, samvadi, thaat, time); Krsna Kirtana Songs (avaroha, vadi, samvadi, thaat, time); Rāga Junglism / George Howlett (avaroha, vadi, time); Raag Hindustani / Sādhana (avaroha, thaat); Swaranjali Music School (avaroha, vadi, samvadi, thaat, time); AUTRIM (pakad, time); ITC Sangeet Research Academy (time). Full citations: ragapedia.com/ragas/yaman/sources