Hindi film
Amar Prem (1972)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- KhamajBada Natkhat Hai Re Krishna Kanhaiya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “From AMAR PREM (1971): bada natkhat hai re.”.
- BhairaviBada Natkhat Hai Re Krishna Kanhaiya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “उदाहरण के लिए ‘बड़ा नटखट है ये’ गीत राग खमाज की रचना है। ठुमरी का रंग लिए हुए भैरवी की छाया के साथ यह गीत आम जन के बीच अत्यंत लोकप्रिय हुआ।”.
- BhairaviChingari Koi Bhadke · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “Pt. Kishore Kumar‘s garden has a few Bhairavi lilies blooming. Such as this riveting masterpiece from AMAR PREM (1971) fashioned by R.D. Burman: chingari ko’i bhadke.”.
- KhamajKuch To Log Kahenge · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “इस गीत को सुनकर कहा जा सकता है कि राग खमाज की सरल स्वर संगति का इस राग में प्रयोग हुआ है।”.
- TodiRaina Beeti Jaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “RD merges the serious and sombre sounding morning melody Toḍī with an absolutely contrasting night rāga Khamāj.”.
- KhamajRaina Beeti Jaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “RD merges the serious and sombre sounding morning melody Toḍī with an absolutely contrasting night rāga Khamāj.”.
- Gurjari TodiRaina Beeti Jaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “सन् 1971 में बनी फ़िल्म ‘अमर प्रेम’ का गीत ‘रैना बीती जाए’ रागाधारित गीतों में एक उत्कृष्ट गीत रचना है। इस गीत में गुर्जरी तोड़ी, तोड़ी एवं खमाज रागों के सुंदर मिश्रण से राहुल देव बर्मन जी ने इस गीत को सजाया है।”.