Amar Prem · 1972
Chingari Koi Bhadke
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bhairavi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Bhairavi (Part 1/2) — https://www.parrikar.org/hindustani/bhairavi/ — paragraph opening: “Pt. Kishore Kumar‘s garden has a few Bhairavi lilies blooming. Such as”
Source wording: “Pt. Kishore Kumar‘s garden has a few Bhairavi lilies blooming. Such as this riveting masterpiece from AMAR PREM (1971) fashioned by R.D. Burman: chingari ko’i bhadke.”
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Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.