Hindi film
Anpadh (1962)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Darbari KanadaAap Ki Nazaron Ne Samjha · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “रूपक ताल सात मात्रा और राग दरबारी की बंदिश ‘आप की नज़रों ने समझा प्यार के काबिल मुझे’ और भैरवी में ‘है इसी में प्यार की आबरू’ गाते हुए माला सिन्हा अपनी आम भूमिकाओं से कितनी अलग, कितनी परिष्कृत और कितनी विशिष्ट लगती थीं।”.
- YamanJiya Le Gayo Ji Mora Sanvariya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “Film: ANPADH (1962), jiya le gayo.”.
- BhairaviHai Isi Mein Pyar Ki Aabroo · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “रूपक ताल सात मात्रा और राग दरबारी की बंदिश ‘आप की नज़रों ने समझा प्यार के काबिल मुझे’ और भैरवी में ‘है इसी में प्यार की आबरू’ गाते हुए माला सिन्हा अपनी आम भूमिकाओं से कितनी अलग, कितनी परिष्कृत और कितनी विशिष्ट लगती थीं।”.
- Komal AsavariWoh Dekho, Jala Ghar Kisi Ka · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “‘हकीकत’ (1964) का यमन कल्याण आधारित ‘जरा-सी आहट होती है तो दिल पूछता है, कहीं ये वो तो नहीं’ (लता) और ‘अनपढ़’ (1962) का कोमल आसावरी पर सृजित ‘वो देखो जला घर किसी का’ (लता) की तर्जों में ग़ज़ल की तराश और निखार भरपूर मौजूद है।”.