Anpadh · 1962
Woh Dekho, Jala Ghar Kisi Ka
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Komal Asavari
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note. The source quotes Pankaj Rag, Dhunon ki Yatra.
Evidence: Named musician's analysis · Suneel Kumar Gupta, doctoral thesis on Madan Mohan (Banaras Hindu University, 2015), ch.5, printed p.195 (PDF p.22)
Source wording: “‘हकीकत’ (1964) का यमन कल्याण आधारित ‘जरा-सी आहट होती है तो दिल पूछता है, कहीं ये वो तो नहीं’ (लता) और ‘अनपढ़’ (1962) का कोमल आसावरी पर सृजित ‘वो देखो जला घर किसी का’ (लता) की तर्जों में ग़ज़ल की तराश और निखार भरपूर मौजूद है।”
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Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.