Hindi film
Chitralekha (1964)
6 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- KamodEi Ri Jane Na Dungi (a.k.a. Ali Ri Roko Na Koi) · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “The music redacted for this edition is calculated to illustrate and enthrall. Some of the key selections are unpublished and hard-to-find. We kick off the clipathon with Lata Mangeshkar‘s number from CHITRALEKHA (1964), adapted by Roshan from an old Kamod bandish: eri jaane na doongi.”.
- KalavatiKahe Tarasae Jiyara · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : काहे तरसाए जियरा; गायक कलाकार : उषा मंगेशकर एवं आशा भोसले; प्रयुक्त राग एवं ताल : कलाबती+जनसम्मोहिनी, कहरवा+तीनताल।”.
- JanasamohaniKahe Tarasae Jiyara · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : काहे तरसाए जियरा; गायक कलाकार : उषा मंगेशकर एवं आशा भोसले; प्रयुक्त राग एवं ताल : कलाबती+जनसम्मोहिनी, कहरवा+तीनताल।”.
- YamanMan Re Tu Kahe Na Dhir Dhare · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “The film version man re is set to rāga Yaman-Kalyāṇ.”.
- PahadiSakhi Re Mera Man Uljhe Tan Dole · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “फ़िल्म : चित्रलेखा; गीत के बोल : सखी री मेरा मन उलझे तन डोले; राग : पहाड़ी+माँझ खमाज; गायक कलाकार : लता मंगेशकर।”.
- Manj KhammajSakhi Re Mera Man Uljhe Tan Dole · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “फ़िल्म : चित्रलेखा; गीत के बोल : सखी री मेरा मन उलझे तन डोले; राग : पहाड़ी+माँझ खमाज; गायक कलाकार : लता मंगेशकर।”.
- Shuddha SarangChha Gaye Badal Neel Gagan Par, Ghul Gaya Kajra · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : छा गए बादल नीलगगन पर; गायक कलाकार : मुहम्मद रफी एवं आशा भोसले; प्रयुक्त राग एवं ताल : शुद्धसारंग+पीलू+काफी, कहरवा।”.
- PiluChha Gaye Badal Neel Gagan Par, Ghul Gaya Kajra · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : छा गए बादल नीलगगन पर; गायक कलाकार : मुहम्मद रफी एवं आशा भोसले; प्रयुक्त राग एवं ताल : शुद्धसारंग+पीलू+काफी, कहरवा।”.
- KafiChha Gaye Badal Neel Gagan Par, Ghul Gaya Kajra · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : छा गए बादल नीलगगन पर; गायक कलाकार : मुहम्मद रफी एवं आशा भोसले; प्रयुक्त राग एवं ताल : शुद्धसारंग+पीलू+काफी, कहरवा।”.