Chitralekha · 1964
Ei Ri Jane Na Dungi (a.k.a. Ali Ri Roko Na Koi)
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Kamod
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as an influence rather than a strict identity. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Short Takes: Kamod and Shyam Kalyan — https://www.parrikar.org/hindustani/kamod/ — Raga Kamod; paragraph opening: “The music redacted for this edition is calculated to illustrate and enthrall.”
Source wording: “The music redacted for this edition is calculated to illustrate and enthrall. Some of the key selections are unpublished and hard-to-find. We kick off the clipathon with Lata Mangeshkar‘s number from CHITRALEKHA (1964), adapted by Roshan from an old Kamod bandish: eri jaane na doongi.” · Applies to: influence
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No phrase-level timestamp has been expert-reviewed for this attribution yet.