Hindi film
D-Day (2013)
2 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- BhupaliEk Ghadi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “779. | एक घड़ी और ठहर के जां बाक़ी हैं | D’Day | 2013 | शंकर-एहसान- लॉय | भूपाली+ पहाड़ी”.
- PahadiEk Ghadi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “779. | एक घड़ी और ठहर के जां बाक़ी हैं | D’Day | 2013 | शंकर-एहसान- लॉय | भूपाली+ पहाड़ी”.
- Brindavani SarangMurshid Khele Holi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “791. | मेरा मुरशिद खेले होली | D’Day | 2013 | शंकर- एहसान-लॉय | वृन्दावनी सारंग+ सूर मल्हार+ दरबारी+ सरस्वती”.
- Sur MalharMurshid Khele Holi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “791. | मेरा मुरशिद खेले होली | D’Day | 2013 | शंकर- एहसान-लॉय | वृन्दावनी सारंग+ सूर मल्हार+ दरबारी+ सरस्वती”.
- Darbari KanadaMurshid Khele Holi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “791. | मेरा मुरशिद खेले होली | D’Day | 2013 | शंकर- एहसान-लॉय | वृन्दावनी सारंग+ सूर मल्हार+ दरबारी+ सरस्वती”.
- SaraswatiMurshid Khele Holi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “791. | मेरा मुरशिद खेले होली | D’Day | 2013 | शंकर- एहसान-लॉय | वृन्दावनी सारंग+ सूर मल्हार+ दरबारी+ सरस्वती”.