Hindi film
Dil Ki Rahen (1973)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- MadhuvantiRasm-E-Ulfat Ko Nibhaen To Nibhaen Kaise · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “Madan Mohan‘s beautiful composition in DIL KI RAHEIN (1973) calls on Lata: rasm-e-ulfat ko nibhaye.”.
- KhamajAapki Baate Kare Ya Apna Afsaana Kahe · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : आपकी बातें करे या अपना कहे (गीत के प्रारंभ एवं गीत के मध्य भाग में सितार वादन अत्यन्त मनमोहक लगता है।); गायक कलाकार : लता मंगेशकर; प्रयुक्त राग एवं ताल : खमाज+पहाड़ी, रूपक।”.
- PahadiAapki Baate Kare Ya Apna Afsaana Kahe · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : आपकी बातें करे या अपना कहे (गीत के प्रारंभ एवं गीत के मध्य भाग में सितार वादन अत्यन्त मनमोहक लगता है।); गायक कलाकार : लता मंगेशकर; प्रयुक्त राग एवं ताल : खमाज+पहाड़ी, रूपक।”.
- KhamajApne Suro Me Mere Suro Ko Basa Lo Ye Geet Amar Ho Jaaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “ाचे’’ (मन्ना डे) और ख़माज के सुरों को लोकर ‘अपने सुरों में मेरे सुरों को बसा लो’ (मन्ना डे, उषा मंगेशकर) जैसी सशक्त रचनाएँ थीं, तो दूसरी ओर आधुनिक अंदाज में बेहद कशिश-भरा ‘fंज़दगी के ग़म भुलाने के लिए शराब का सहारा मैंने लो लिया’ (मन्ना डे) यह रचना तो मदन मोहन की पसंदीदा रचना थी”.