Dil Ki Rahen · 1973
Rasm-E-Ulfat Ko Nibhaen To Nibhaen Kaise
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Madhuvanti
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Short Takes: Multani — https://www.parrikar.org/hindustani/multani/ — Raga Madhuvanti/Ambika; paragraph opening: “Madan Mohan‘s beautiful composition in DIL KI RAHEIN (1973) calls on Lata:”
Source wording: “Madan Mohan‘s beautiful composition in DIL KI RAHEIN (1973) calls on Lata: rasm-e-ulfat ko nibhaye.”
Need the attribution logic? Read how film-song raags are identified.
Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.