Hindi film
Dilwale Dulhania Le Jayenge (1995)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- BhairaviGhar Aaja Pardesi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “घर आजा परदेसी | दिलवाले दुल्हनिया ले जायेंगे | 1995 | जतिन-ललित | भैरवी”.
- KirwaniHo Gaya Hai Tujhko · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “हो गया है तुझको तो प्यार सजना | दिलवाले दुल्हनिया ले जायेंगे | 1995 | जतिन-ललित | किरवानी+ नट भैरवी”.
- Nat BhairaviHo Gaya Hai Tujhko · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “हो गया है तुझको तो प्यार सजना | दिलवाले दुल्हनिया ले जायेंगे | 1995 | जतिन-ललित | किरवानी+ नट भैरवी”.
- Nat BhairaviMehndi Laga Ke Rakhna · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “मेंहदी लगा के रखना | दिलवाले दुल्हनिया ले जायेंगे | 1995 | जतिन-ललित | नट भैरवी”.
- Nat BhairaviTujhe Dekha Toh · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “‘तुझे देखा तो ये जाना सनम’-फ़िल्म ‘दिलवाले दुल्हनियां ले जाएगें’-कुमार सानू एवं लता मंगेशकर-नटभैरवी, दरबारी कहरवा।”.
- Darbari KanadaTujhe Dekha Toh · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “‘तुझे देखा तो ये जाना सनम’-फ़िल्म ‘दिलवाले दुल्हनियां ले जाएगें’-कुमार सानू एवं लता मंगेशकर-नटभैरवी, दरबारी कहरवा।”.