Hindi film
Goliyon Ki Raasleela Ram-Leela (2013)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- YamanLaal Ishq · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “785. | लाल इश्क | राम लीला | 2013 | संजय लीला भंसाली | खमाज+ नंद+ कामोद+ बिहाग+ यमन+ पहाड़ी”.
- KhamajLaal Ishq · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “785. | लाल इश्क | राम लीला | 2013 | संजय लीला भंसाली | खमाज+ नंद+ कामोद+ बिहाग+ यमन+ पहाड़ी”.
- NandLaal Ishq · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “785. | लाल इश्क | राम लीला | 2013 | संजय लीला भंसाली | खमाज+ नंद+ कामोद+ बिहाग+ यमन+ पहाड़ी”.
- KamodLaal Ishq · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “785. | लाल इश्क | राम लीला | 2013 | संजय लीला भंसाली | खमाज+ नंद+ कामोद+ बिहाग+ यमन+ पहाड़ी”.
- BihagLaal Ishq · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “785. | लाल इश्क | राम लीला | 2013 | संजय लीला भंसाली | खमाज+ नंद+ कामोद+ बिहाग+ यमन+ पहाड़ी”.
- PahadiLaal Ishq · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “785. | लाल इश्क | राम लीला | 2013 | संजय लीला भंसाली | खमाज+ नंद+ कामोद+ बिहाग+ यमन+ पहाड़ी”.
- KirwaniAng Laga De · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “27. गीत–अंग लगा दे रे फिल्म–रामलीला (2013) संगीत निर्देशक–संजय लीला भंसाली”.
- Mishra KirwaniAng Laga De · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “इसलिए यह मिश्र किरवानी कह सकते हैं।”.
- KafiLahu Munh Lag Gaya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “786. | लहू मुह लग गया | राम लीला | 2013 | संजय लीला भंसाली | काफी+ मधुकौंस+ नट भैरवी”.
- MadhukaunsLahu Munh Lag Gaya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “786. | लहू मुह लग गया | राम लीला | 2013 | संजय लीला भंसाली | काफी+ मधुकौंस+ नट भैरवी”.
- Nat BhairaviLahu Munh Lag Gaya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “786. | लहू मुह लग गया | राम लीला | 2013 | संजय लीला भंसाली | काफी+ मधुकौंस+ नट भैरवी”.
- Nat BhairaviNagada Sang Dhol · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “797. | नगाड़े संग ढोल बाजे | राम लीला | 2013 | संजय लीला भंसाली | नट भैरवी”.