Hindi film
Hum Dil De Chuke Sanam (1999)
7 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Ahir BhairavAlbela Sajan Aayo Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “Ahir Bhairav”.
- KafiAankhon Ki Gustakhiyan · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “आँखों की गुस्ताखियाँ माफ हों | हम दिल दे चुके सनम | 1999 | इस्माइल दरबार | काफी+ नटभैरवी+ किरवानी”.
- Nat BhairaviAankhon Ki Gustakhiyan · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “आँखों की गुस्ताखियाँ माफ हों | हम दिल दे चुके सनम | 1999 | इस्माइल दरबार | काफी+ नटभैरवी+ किरवानी”.
- KirwaniAankhon Ki Gustakhiyan · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “आँखों की गुस्ताखियाँ माफ हों | हम दिल दे चुके सनम | 1999 | इस्माइल दरबार | काफी+ नटभैरवी+ किरवानी”.
- KafiDholi Taro Dhol Baaje · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ढोली तारो ढोल बाजे | हम दिल दे चुके सनम | 1999 | इस्माइल दरबार | काफी+ पीलू+ माँझ खमाज”.
- PiluDholi Taro Dhol Baaje · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ढोली तारो ढोल बाजे | हम दिल दे चुके सनम | 1999 | इस्माइल दरबार | काफी+ पीलू+ माँझ खमाज”.
- Manj KhammajDholi Taro Dhol Baaje · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ढोली तारो ढोल बाजे | हम दिल दे चुके सनम | 1999 | इस्माइल दरबार | काफी+ पीलू+ माँझ खमाज”.
- Gurjari TodiHum Dil De Chuke Sanam · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : हम दिल दे चुके सनम; गायक कलाकार : कविता कृष्णमूर्ति, मुहम्मद बरदाल, डोमिनीक एवं साथी; प्रयुक्त राग एवं ताल : गुर्जरी तोड़ी+भैरवी, कहरवा।”.
- BhairaviHum Dil De Chuke Sanam · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : हम दिल दे चुके सनम; गायक कलाकार : कविता कृष्णमूर्ति, मुहम्मद बरदाल, डोमिनीक एवं साथी; प्रयुक्त राग एवं ताल : गुर्जरी तोड़ी+भैरवी, कहरवा।”.
- PahadiJhonka Hawa Ka · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “झोंका हवा का | हम दिल दे चुके सनम | 1999 | इस्माइल दरबार | पहाड़ी+ यमनी बिलावल”.
- Yamani BilawalJhonka Hawa Ka · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “झोंका हवा का | हम दिल दे चुके सनम | 1999 | इस्माइल दरबार | पहाड़ी+ यमनी बिलावल”.
- BhairaviNimbooda · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “निम्बुड़ा निम्बुड़ा निम्बुड़ा | हम दिल दे चुके सनम | 1999 | इस्माइल दरबार | भैरवी”.
- ShivaranjaniTadap Tadap · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : तड़प-तड़प के इस दिल से; गायक कलाकार : के॰के॰, धार्मिक एवं साथी कलाकार; प्रयुक्त राग एवं ताल : शिवरंजनी+पहाड़ी+चारूकेशी+नटभैरव, दादरा।”.
- PahadiTadap Tadap · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : तड़प-तड़प के इस दिल से; गायक कलाकार : के॰के॰, धार्मिक एवं साथी कलाकार; प्रयुक्त राग एवं ताल : शिवरंजनी+पहाड़ी+चारूकेशी+नटभैरव, दादरा।”.
- CharukesiTadap Tadap · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : तड़प-तड़प के इस दिल से; गायक कलाकार : के॰के॰, धार्मिक एवं साथी कलाकार; प्रयुक्त राग एवं ताल : शिवरंजनी+पहाड़ी+चारूकेशी+नटभैरव, दादरा।”.
- Nat BhairaviTadap Tadap · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : तड़प-तड़प के इस दिल से; गायक कलाकार : के॰के॰, धार्मिक एवं साथी कलाकार; प्रयुक्त राग एवं ताल : शिवरंजनी+पहाड़ी+चारूकेशी+नटभैरव, दादरा।”.